
Hazel Wilson
Glory and Exile
Figure 1 Publishing
Published on 21. October 2022
Book
Hardback
224 pages
978-1-77327-117-0 (ISBN)
Description
Glory and Exile: Haida History Robes of Jut-ke-Nay Hazel Wilson marks the first time this monumental cycle of ceremonial robes by the Haida artist Jut-Ke-Nay (The One People Speak Of)-also known as Hazel Anna Wilson-is viewable in its entirety. On 51 large blankets, Wilson uses painted and appliqued imagery to combine traditional stories, autobiography, and commentary on events such as smallpox epidemics and environmental destruction into a grand narrative that celebrates the resistance and survival of the Haida people, while challenging the colonial histories of the Northwest Coast.
Of the countless robes Wilson created over fifty-plus years, she is perhaps best known for The Story of K'iid K'iyaas, a series about the revered tree made famous by John Vaillant's 2005 book The Golden Spruce. But her largest and most important work is the untitled series of blankets featured here. Wilson always saw these works as public art, to be widely seen and, importantly, understood. In addition to essays by Robert Kardosh and Robin Laurence, the volume features texts about each robe by Wilson herself; her words amplify the power of her striking imagery by offering historical and personal context for the people, characters, and places that live within her colossal work. Glory and Exile, which also features personal recollections by Wilson's daughter Kun Jaad Dana Simeon, her brother Allan Wilson, and Haida curator and artist Nika Collison, is a fitting tribute to the breathtaking achievements of an artist whose vision will help Haida knowledge persist for many generations to come.
Of the countless robes Wilson created over fifty-plus years, she is perhaps best known for The Story of K'iid K'iyaas, a series about the revered tree made famous by John Vaillant's 2005 book The Golden Spruce. But her largest and most important work is the untitled series of blankets featured here. Wilson always saw these works as public art, to be widely seen and, importantly, understood. In addition to essays by Robert Kardosh and Robin Laurence, the volume features texts about each robe by Wilson herself; her words amplify the power of her striking imagery by offering historical and personal context for the people, characters, and places that live within her colossal work. Glory and Exile, which also features personal recollections by Wilson's daughter Kun Jaad Dana Simeon, her brother Allan Wilson, and Haida curator and artist Nika Collison, is a fitting tribute to the breathtaking achievements of an artist whose vision will help Haida knowledge persist for many generations to come.
Reviews / Votes
"Offers an in-depth and sensitive portrait of the artist as well as insights into survivance of Haida values and creative expression on the Northwest coast."-BC Studies
More details
Language
English
Place of publication
Vancouver
Canada
Product notice
Trade binding
Illustrations
color photographs throughout
Dimensions
Height: 257 mm
Width: 206 mm
Thickness: 25 mm
Weight
1202 gr
ISBN-13
978-1-77327-117-0 (9781773271170)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Robert Kardosh is the owner and director of Vancouver's Marion Scott Gallery. A specialist in the field of Inuit art, he has written numerous catalogues and articles on some of the most important Inuit artists of our time. Along with his mother, the late Judy Kardosh, he worked closely with Hazel Wilson and her family as the artist's dealer and representative for more than thirty years. He is a lifelong student of Haida culture.
Robin Laurence is an award-winning independent writer, critic and curator based in Vancouver. For some three decades, she was the visual arts critic for the Georgia Straight and has been a contributing editor of both Border Crossings and Canadian Art. Her published work includes essays about art and artists in more than 60 books and exhibition catalogues, as well as reviews and features in numerous local, national, and international publications.
Robin Laurence is an award-winning independent writer, critic and curator based in Vancouver. For some three decades, she was the visual arts critic for the Georgia Straight and has been a contributing editor of both Border Crossings and Canadian Art. Her published work includes essays about art and artists in more than 60 books and exhibition catalogues, as well as reviews and features in numerous local, national, and international publications.