Mapping Canada's Music
Selected Writings of Helmut Kallmann
Will be published approx. on 30. March 2013
Book
Hardback
260 pages
978-1-55458-891-6 (ISBN)
Description
Mapping Canada's Music is a selection of writings by the late Canadian music librarian and historian Helmut Kallmann (1922-2012). Most of the essays deal with aspects of Canadian music, but some are also autobiographical, including one written during retirement in which Kallmann recalls growing up in a middle-class Jewish family in 1930s Berlin under the spectre of Nazism.
Of the seventeen selected writings by Kallmann, five have never before been published; many of the others are from difficult-to-locate sources. They include critical and research essays, reports, reflections, and memoirs. Each chapter is prefaced with an introduction by the editors. Two initial chapters offer a biography of Kallmann and an assessment of his contributions to Canadian music.
The variety, breadth, and scope of these writings confirm Kallmann's pioneering role in Canadian music research and the importance of his legacy to the cultural life of his adopted country. In the current climate of cuts to archival collections and services, the publication of these essays by and about a pre-eminent collector and historian serves as a timely reminder of the importance of cultural memory.
Of the seventeen selected writings by Kallmann, five have never before been published; many of the others are from difficult-to-locate sources. They include critical and research essays, reports, reflections, and memoirs. Each chapter is prefaced with an introduction by the editors. Two initial chapters offer a biography of Kallmann and an assessment of his contributions to Canadian music.
The variety, breadth, and scope of these writings confirm Kallmann's pioneering role in Canadian music research and the importance of his legacy to the cultural life of his adopted country. In the current climate of cuts to archival collections and services, the publication of these essays by and about a pre-eminent collector and historian serves as a timely reminder of the importance of cultural memory.
Reviews / Votes
``All of the essays address various aspects of Canadian music, making them significant for the scholar. Particularly useful are the half- to full-page introductions by the editors that contextualize each essay.... This book is far more than a collection of essays. The various chapters provide perspectives on a vast range of topics by Canada's seminal music historian. At the same time, the book vividly reinforces what is both unique and vital about Canada's musical culture.'' -- Edward Jurkowski, University of Lethbridge -- Canadian Association of Music Libraries Review, 41, no. 3, November 2013 ``Kallmann's methodology as a historican is an interesting mix of old and new approaches.... He realized early on ... that in the absence of acreative giantsa like Bach or Mozart, Canadian music history would be focused primarily on social and cultural aspects of musical activity, and less on aartistic aspectsa (p. 44). He did not bemoan this fact (as some might have during this era) but embraced it, continually asking what meaning music held for Canadians over the centuries rather than searching for Canada's Beethoven.... In coediting the EMC , he insisted that classical, popular, and folk traditions all be included. Given the pioneering role Kallmann played, these methodological decisions had an enormous effect on the shape and scope of the field; the amapa of Canada's musical past that he created had a place for the musical activities of just about everyone.... If it was his goal to lay foundations for future scholars, he was undoubtedly successful. In the first place, his own writing (the full list of his writings given at the end of the book is impressively vast and diverse) showed us that Canadian music history research was possible and whetted our appetites to learn more. Indeed, one reason for those in the field to read this collection is to stimulate ideas for new paths of research. But more profoundly, because of his involvement in the huge pioneering projects described above (the History , the EMC , and his work as archivist at the National Library in particualar) it is now difficult to explore a topic in Canadian music history without using a source that has been touched (directly or indirectly) by Kallmann's initial efforts.... This book ... is essential reading for those interested in Canadian music history but will also appeal to those with an interest in music librarianship, historiography, North American colonial and cultural history, and biography.... The overall picture of a new field being born in the hands of a man with a fascinating life story will have wide appeal.'' -- Benita Wolters-Fredlund, Calvin College -- Notes (Music Library Association), Volume 70, No. 2, December 2013More details
Language
English
Place of publication
Waterloo, Ontario
Canada
Product notice
sewn/stitched
Cloth over boards
Dimensions
Height: 235 mm
Width: 162 mm
Thickness: 22 mm
Weight
544 gr
ISBN-13
978-1-55458-891-6 (9781554588916)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Born in Berlin in 1922, Helmut Kallmann lost his mother, father, and sister in the Holocaust. He was sent to England on the Kindertransport and later to Canada, where he was interned as an enemy alien from 1940 to 1943. After graduating from university with a B.Mus., Kallmann worked from 1950 to 1970 at the CBC Toronto Music Library. In 1970 he was appointed chief of the newly created music division of the National Library, where he developed the plan for the collection and preservation of musical Canadiana and curated several exhibitions. In retirement he produced a newsletter for those who were interned with him in Canada, and assisted the Berlin government with exhibitions documenting the lives of Jewish residents in his childhood neighbourhood. He received the Order of Canada in 1977.
In his sixty-year career, John Beckwith has drawn attention with performances, broadcasts, and recordings of his more than 150 compositions and with his critical and research writings on personalities and issues of Canadian music past and present. Associated from 1952 to 1990 with the Faculty of Music, University of Toronto, he was a witness of, and often a participant in, ""the excitement of new creative directions in theatre, painting, and music"" (as he once put it) of late-twentieth-century Canada. John Beckwith is a member of the Order of Canada and holds honorary doctorates from five universities.
Robin Elliott holds the Jean A. Chalmers Chair in Canadian Music at the Faculty of Music, University of Toronto. He recently co-edited two books for WLU Press, Music Traditions, Cultures, and Contexts (with Gordon E. Smith, 2010) and Centre and Periphery, Roots and Exile: Interpreting the Music of Istvan Anhalt, Gyoergy Kurtag, and Sandor Veress (with Friedemann Sallis and Kenneth DeLong, 2011).
In his sixty-year career, John Beckwith has drawn attention with performances, broadcasts, and recordings of his more than 150 compositions and with his critical and research writings on personalities and issues of Canadian music past and present. Associated from 1952 to 1990 with the Faculty of Music, University of Toronto, he was a witness of, and often a participant in, ""the excitement of new creative directions in theatre, painting, and music"" (as he once put it) of late-twentieth-century Canada. John Beckwith is a member of the Order of Canada and holds honorary doctorates from five universities.
Robin Elliott holds the Jean A. Chalmers Chair in Canadian Music at the Faculty of Music, University of Toronto. He recently co-edited two books for WLU Press, Music Traditions, Cultures, and Contexts (with Gordon E. Smith, 2010) and Centre and Periphery, Roots and Exile: Interpreting the Music of Istvan Anhalt, Gyoergy Kurtag, and Sandor Veress (with Friedemann Sallis and Kenneth DeLong, 2011).
Content
Mapping Canada's Music: Selected Writings of Helmut Kallmann edited by John Beckwith and Robin Elliott
List of Illustrations
Preface and Acknowledgements
Helmut Kallmann: A Brief Biography
Helmut Kallmann and Canadian Music
Selected Writings of Helmut Kallmann (*indicates material which has not been previously published)
1 * Studying Music at a Canadian University, 1946-1949 (1949)
2 Canadian Music as a Field for Research (1950)
3 The New Grove's: Disappointment to Canada (1955)
4 Introduction, from A History of Music in Canada 1534-1914 (1960)
5 * Joseph Quesnel's Colas et Colinette (1963)
6 Music Library Association Digs Up Our Musical Past (1966)
7 James Paton Clarke, Canada's First Mus.Bac. (1970)
8 The Music Division of the National Library: The First Five Years (1975)
9 The Canadian League of Composers in the 1950s: The Heroic Years (1984)
10 The Making of a One-Country Music Encyclopedia: An Essay after an Encyclopedia (1994)
11 Music in the Internment Camps and after World War II: John Newmark's Start on a Brilliant Canadian Career (1995)
12 * Franz Schubert in Canada: A Historical Survey of Performance, Appreciation, and Research (1996)
13 Taking Stock of Canada's Composers from the 1920s to the Catalogue of Canadian Composers (1952) (1996)
14 * A Selection of Correspondence (1949/1966/1992)
15 Mapping Canada's Music: A Life's Task (1997)
16 The Matter of Identity (2001)
17 * At Home with the Kallmanns: A Schoeneberg Family in the 1930s (1992/2001)
List of Helmut Kallmanns Writings
Index
List of Illustrations
Preface and Acknowledgements
Helmut Kallmann: A Brief Biography
Helmut Kallmann and Canadian Music
Selected Writings of Helmut Kallmann (*indicates material which has not been previously published)
1 * Studying Music at a Canadian University, 1946-1949 (1949)
2 Canadian Music as a Field for Research (1950)
3 The New Grove's: Disappointment to Canada (1955)
4 Introduction, from A History of Music in Canada 1534-1914 (1960)
5 * Joseph Quesnel's Colas et Colinette (1963)
6 Music Library Association Digs Up Our Musical Past (1966)
7 James Paton Clarke, Canada's First Mus.Bac. (1970)
8 The Music Division of the National Library: The First Five Years (1975)
9 The Canadian League of Composers in the 1950s: The Heroic Years (1984)
10 The Making of a One-Country Music Encyclopedia: An Essay after an Encyclopedia (1994)
11 Music in the Internment Camps and after World War II: John Newmark's Start on a Brilliant Canadian Career (1995)
12 * Franz Schubert in Canada: A Historical Survey of Performance, Appreciation, and Research (1996)
13 Taking Stock of Canada's Composers from the 1920s to the Catalogue of Canadian Composers (1952) (1996)
14 * A Selection of Correspondence (1949/1966/1992)
15 Mapping Canada's Music: A Life's Task (1997)
16 The Matter of Identity (2001)
17 * At Home with the Kallmanns: A Schoeneberg Family in the 1930s (1992/2001)
List of Helmut Kallmanns Writings
Index