The Feminism and Visual Culture Reader
Amelia Jones(Editor)
Routledge (Publisher)
Published on 28. November 2002
Book
Hardback
596 pages
978-0-415-26705-2 (ISBN)
Article exhausted; check for reprint
Description
Bringing together key writings on art, film, architecture, popular culture, new media and other visual fields, this key reader combines classic texts by leading feminist thinkers with six previously unpublished polemical new pieces. It explores how issues of race, class, nationality and sexuality, enter into debates about feminism, and includes work by feminist critics, artists and activists. Articles are grouped into six thematic sections:
* representation
* difference
* disciplines/strategies
* mass culture/media interventions
* the body
* technology.
A valuable reference for students of visual culture and gender studies, this is both a framework within which to understand the shifts in feminist thinking in visual studies and an overview of the most significant feminist theories in this area.
* representation
* difference
* disciplines/strategies
* mass culture/media interventions
* the body
* technology.
A valuable reference for students of visual culture and gender studies, this is both a framework within which to understand the shifts in feminist thinking in visual studies and an overview of the most significant feminist theories in this area.
Reviews / Votes
"The Feminism and Visual Culture Reader is a useful inspiring reference work." - MuseMore details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Professional and scholarly
Postgraduate
Dimensions
Height: 246 mm
Width: 174 mm
Weight
1270 gr
ISBN-13
978-0-415-26705-2 (9780415267052)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Other editions
New editions

Book
01/2010
2nd Edition
Routledge
€230.62
Shipment within 15-20 days
Person
Amelia Jones is Professor of Art History at the University of California, Riverside. She has organised exhibitions including Sexual Politics: Judy Chicago's Dinner Party in Feminist Art History at the UCLA/Armand Hammer Art Museum (1996), and her publications include the co-edited anthology Performing the Body/Performing the Text (1999), Body Art/Performing the Subject (1998), and Postmodernism and the En-Gendering of Marcel Duchamp (1994).
Content
Acknowledgements. 1. Introductions / Provocations 2. Representation 3. Difference 4. Disciplines / Strategies 5. Mass Culture / Media Interventions 6. Body 7. Technology Index