
Sentenced to Everyday Life
Feminism and the Housewife
Berg Publishers
Published on 1. November 2004
Book
Paperback/Softback
192 pages
978-1-84520-032-9 (ISBN)
Description
The history of the housewife is a complicated and uneasy narrative, rife with contradictions, tensions, and unanswered questions. In response to this, Sentenced to Everyday Life marks an important cross-generational moment in feminism. Challenging our previous understandings of what constitutes the housewife figure, this book tugs at a critical issue still unresolved in the contemporary world: what is the relationship between women and the home? And why are women so reluctant to call themselves housewives? Drawing on research and evidence surrounding the housewife figure of the 1940s and 1950s, Johnson and Lloyd address the question of why the housewife has been such a problematic figure in feminist debates since World War II. Starting with an exploration of why the housewife of the 1940s became associated with drudgery, this book covers such topics as the ways in which magazines and advertising attempted to articulate an innate connection between women and the domestic sphere, while later films of the 1950s explored the constantly shifting boundaries between social, family and individual desires and constraints for women in the home.
Johnson and Lloyd also examine how the home has been a site of boredom, and what happens to the balance between work and family in the modern world. In moving into contemporary debates, the authors explore the uneasy tension between the construction of the modern self and women's efforts to transcend the domestic sphere. By situating their examination in a still unresolved contemporary topic, Johnson and Lloyd offer us both a backward glance and a forward-looking perspective into domesticity and the modern self.
Johnson and Lloyd also examine how the home has been a site of boredom, and what happens to the balance between work and family in the modern world. In moving into contemporary debates, the authors explore the uneasy tension between the construction of the modern self and women's efforts to transcend the domestic sphere. By situating their examination in a still unresolved contemporary topic, Johnson and Lloyd offer us both a backward glance and a forward-looking perspective into domesticity and the modern self.
Reviews / Votes
'Why are 'housewife' and 'feminist' seen to be mutually exclusive terms? Why has feminism so often assumed that women can only become modern by leaving home? In their illuminating work of cultural history, Johnson and Lloyd challenge such beliefs by redescribing the housewife as a distinctively modern and politically complex form of identity. A timely, invigorating, and much needed reassessment of feminist ideas.' Rita Felski, University of Virginia 'Combines an impressively broad range of materials from popular culture and wider public debate to challenge some of the key feminist wisdoms about the significance of the figure of the 1940s and 1950s housewife. This exemplary study offers a taste of interdisciplinary feminist scholarship at its best.' Jackie Stacey, Lancaster University 'Why do stories about happy homemakers provoke such conflicting emotions among contemporary women? Sentenced to Everyday Life helps us understand the issues at stake. It is a timely analysis andMore details
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 11 mm
Weight
304 gr
ISBN-13
978-1-84520-032-9 (9781845200329)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Dr. Lesley Johnson is the Deputy Vice Chancellor (Research) at Griffith University in Queensland, Australia. Dr. Justine Lloyd is an Australian Postdoctoral Research Fellow from the University of Technology, Sydney.
Content
1 'Only a Housewife' * Defining the Housewife: Contemporary Feminism * Defining the Housewife: Early Second Wave Feminism * Reviewing the 1950s * Feminism and the Subject of Modernity * 'Good-Enough Feminists?' 2 Who Does she Represent? * 'The Future in her Hands' * 'As Housewives we are Worms' * The Meanings of Home * At Home and at Work 3 Dream Stuff * The Housewife Speaks * The Importance of Looking * On the Kitchen Front * The View from the Kitchen Window 4 The Three Faces of Eve * Homework and Housework * Definitions of Melodrama * Putting on the Apron * The Childless Housewife * A Doubled Plot of Femininity * Harpies Like Mildred 5 Boredom: The Emotional Slum * 'Time to Burn' * Housewife's Corner * Finding Time * Declining Audiences: an Afterword on the Housewife 1 'Only a Housewife' * Defining the Housewife: Contemporary Feminism * Defining the Housewife: Early Second Wave Feminism * Reviewing the 1950s * Feminism and the Subject of Modernity * 'Good-Enough Feminists?' 2 Who Does she Represent? * 'The Future in her Hands' * 'As Housewives we are Worms' * The Meanings of Home * At Home and at Work 3 Dream Stuff * The Housewife Speaks * The Importance of Looking * On the Kitchen Front * The View from the Kitchen Window 4 The Three Faces of Eve * Homework and Housework * Definitions of Melodrama * Putting on the Apron * The Childless Housewife * A Doubled Plot of Femininity * Harpies Like Mildred 5 Boredom: The Emotional Slum * 'Time to Burn' * Housewife's Corner * Finding Time * Declining Audiences: an Afterword on the Housewife