International Film Festivals
Contemporary Cultures and History Beyond Venice and Cannes
Published on 20. September 2018
Book
Hardback
256 pages
978-1-78831-090-1 (ISBN)
Description
More than 5,000 film festivals take place globally and many of these have only been established in the last two decades. International Film Festivals collects the leading scholarship on this increasingly prominent phenomenon from both historical and contemporary perspectives, using diverse methods including archival research, interviews and surveys and drawing widely from fields like sociology, urban studies and film criticism to patent technology and history. With contributors from across the world and covering the major festivals - Cannes, Venice, Toronto, Berlin - as well as niche, genre and online film festivals, this book is an authoritative and exemplary guide to the evolution of these key sites for film distribution, exhibition and reception. Chapters unravel topics such as the relationship between corporations and festivals, the soft power function they can perform for their host nations and the changing identities of audiences on arrival at, and during exploration of, a given festival venue. Tricia Jenkins' edited volume reconceives the film festival for the global, digital age whilst drawing out its historic importance and ultimately makes a major intervention in film festival studies as well as film and cultural studies more widely.
Reviews / Votes
`Film festival studies lies at the vital centre of cinema and media scholarship. The contributors to this exciting collection set sail for unchartered waters, discovering new islands along the way.' - Julian Stringer, Associate Professor in Film and Television Studies, University of Nottingham, `Tricia Jenkins's edited volume International Film Festivals is an insightful and timely contribution to the burgeoning field of film festival studies. Revisiting and rethinking various concepts fundamental to festival studies-from festival as an event to festival audiences and online festivals-this volume will be key to anyone interested in the role of international film festivals in shaping contemporary film and media cultures.' - Meta Mazaj, Senior Lecturer in Cinema and Media Studies, University of PennsylvaniaMore details
Language
English
Place of publication
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Illustrations
12 bw illus
Dimensions
Height: 216 mm
Width: 138 mm
Weight
481 gr
ISBN-13
978-1-78831-090-1 (9781788310901)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Tricia Jenkins is Associate Professor of Film, Television and Digital Media at Texas Christian University, USA, where she teaches classes on film festivals and media studies. She has participated in the American Pavilion Program at the Cannes International Film Festival and serves the Hill Country Film Festival and the Lone Star Film Festival as a film panel moderator and social media marketer. She is also the Book Reviews editor of The Journal of Popular Culture, the author of The CIA in Hollywood: How the Agency Shapes Film and Television (2016), as well as numerous other peer-reviewed articles on film and television.
Content
List of Illustrations
About the Contributors
Introduction
Section I. (Re) Conceptualizing the Film Festival: Contemporary Practices
1. "You Had to Be There:" Film Festival "Liveness" and the Digitally Connected Audience
2. New Perspectives for Online Film Festivals
3. The Fully Clickable Situation: From Tyranny to Monopoly to a Filmfreeway
4. Constructing Film Festival Audiences: Performative Practices and Material Conditions
5. Genre Film Festivals and Rethinking the Definition of "The Festival Film"
Section II. (Re) Assessing the Past: Historical Approaches to the Film Festival
6. A Transnational Love-Hate Relationship: The FIAPF and the Venice and Cannes Film Festivals (1950-1970)
7. Screens for Historical Awareness: Festivals and the Patrimonialization of Film Art in France before 1968
8. Queer Capital, Queer Culture: Gay and Lesbian Film Festivals in the 1990s
9. Visible Art, Invisible Nations? On the Politics of Film Festivals, Hou Hsiao-Hsien, and Taiwan New Cinema
10. The Urban and Cultural Functions of the Gdynia Film Festival
Section III. with Festival Insiders
11. Building IFF Panama from the Ground Up: An Interview with Executive Director Pituka Ortega-Heilbron and Artistic Director Diana Sanchez
12. Perspectives from a Mexican Newcomer: An Interview with Daniela Michel and Chloe Roddick of the Morelia International Film Festival
Bibliography
About the Contributors
Introduction
Section I. (Re) Conceptualizing the Film Festival: Contemporary Practices
1. "You Had to Be There:" Film Festival "Liveness" and the Digitally Connected Audience
2. New Perspectives for Online Film Festivals
3. The Fully Clickable Situation: From Tyranny to Monopoly to a Filmfreeway
4. Constructing Film Festival Audiences: Performative Practices and Material Conditions
5. Genre Film Festivals and Rethinking the Definition of "The Festival Film"
Section II. (Re) Assessing the Past: Historical Approaches to the Film Festival
6. A Transnational Love-Hate Relationship: The FIAPF and the Venice and Cannes Film Festivals (1950-1970)
7. Screens for Historical Awareness: Festivals and the Patrimonialization of Film Art in France before 1968
8. Queer Capital, Queer Culture: Gay and Lesbian Film Festivals in the 1990s
9. Visible Art, Invisible Nations? On the Politics of Film Festivals, Hou Hsiao-Hsien, and Taiwan New Cinema
10. The Urban and Cultural Functions of the Gdynia Film Festival
Section III. with Festival Insiders
11. Building IFF Panama from the Ground Up: An Interview with Executive Director Pituka Ortega-Heilbron and Artistic Director Diana Sanchez
12. Perspectives from a Mexican Newcomer: An Interview with Daniela Michel and Chloe Roddick of the Morelia International Film Festival
Bibliography