
ReFocus: The Films of Barbara Kopple
Edinburgh University Press
Published on 10. November 2020
Book
Paperback/Softback
272 pages
978-1-4744-3995-4 (ISBN)
Description
As the first woman to win two Best Documentary Oscars and the recipient of numerous lifetime achievement awards, Barbara Kopple deserves scholarly attention. Two of her early documentaries, Harlan County USA and American Dream, not only won Academy Awards but are foundational within the study of documentary as a whole.
In ReFocus: The Films of Barbara Kopple, a range of international scholars trace Kopple's career to date, analysing her contributions in the contexts of funding, style, production and reception, and examining her films' interrogations of social class using the lenses of gender, sexuality and race. In a shifting digital media landscape, Kopple's critical reputation is also assessed, alongside her enduring influence on contemporary filmmakers.
In ReFocus: The Films of Barbara Kopple, a range of international scholars trace Kopple's career to date, analysing her contributions in the contexts of funding, style, production and reception, and examining her films' interrogations of social class using the lenses of gender, sexuality and race. In a shifting digital media landscape, Kopple's critical reputation is also assessed, alongside her enduring influence on contemporary filmmakers.
Reviews / Votes
With over a dozen contributors weighing in on Kopple's methodologies, influences and history, not to mention the history of documentary film itself, this volume has something for everyone...a welcome addition to the bookshelves of film schools, film scholars and film aficionados alike. -- Tom Gianakopoulos * Documentary Magazine * The Films of Barbara Kopple offers a thorough dissection of this formative figure in documentary filmmaking, while assessing Kopple's embrace of other genres and storytelling modes. [...] In turn, The Films of Barbara Kopple is a balanced and well-researched addition to the ReFocus series and cements Kopple's stature as one of film's more versatile and persistent documentarians. -- Kate Elora Rogers, University of Texas at Austin * Film International * This exceptional and timely collection provides a perfect companion to the films of Barbara Kopple,?one of the most accomplished documentary filmmakers of our time. The editors have done a superlative job drawing together a series of compelling and?original essays from a range of international?scholars in documentary film studies and beyond, resulting in a work that?makes its mark as a?key addition to the history of?activist cinema. The Films of Barbara Kopple?offers varied and in-depth contexts and analyses of one of the most politically engaged and passionate filmmakers of her generation. -- Jeffrey Geiger, author of American Documentary Film: Projecting the NationMore details
Series
Language
English
Place of publication
Edinburgh
United Kingdom
Target group
Professional and scholarly
Product notice
Paperback (trade)
Unsewn / adhesive bound
Illustrations
30 black and white illustrations
Dimensions
Height: 235 mm
Width: 159 mm
Thickness: 17 mm
Weight
411 gr
ISBN-13
978-1-4744-3995-4 (9781474439954)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Jeff Jaeckle | Susan Ryan
ReFocus: The Films of Barbara Kopple
E-Book
01/2019
1st Edition
Edinburgh University Press
€22.49
Available for download

E-Book
01/2019
1st Edition
Edinburgh University Press
€0.00
Available for download
Persons
Jeff Jaeckle is the editor of Film Dialogue (Wallflower Press, 2013) and co-editor (with Sarah Kozloff) of ReFocus: The Films of Preston Sturges (EUP, 2015). His scholarship on language in cinema, aesthetics and Hollywood film has also appeared in Film Quarterly, New Review of Film and Television Studies and Quarterly Review of Film and Video. He holds a doctorate from the University of Texas-Austin and teaches at Portland Community College. Susan Ryan holds a doctorate in Cinema Studies from NYU and teaches documentary production and film studies at The College of New Jersey. She worked with Barbara Kopple for several years as a producer and archival researcher on Fallen Champ, Defending Our Daughters, My Generation, A Conversation with Gregory Peck, and several other documentaries. She is also the producer/director of From the 'Burg to the Barrio (2012).
Editor
Portland Community College
Associate ProfessorThe College of New Jersey
Content
Notes on contributors
Foreword, Bill Nichols
Barbara Kopple: A Career of Personal Crises and Creative Tensions, Jeff Jaeckle
?
Historical Contexts & Cultural Commentary
Harlan County USA and the Documentary Form: A 40-Year Retrospective, E. Ann Kaplan
American Dream in God's Country: Odysseys in Documentary, Hospitality, Place, Paula Rabinowitz
The Kopple Effect: Women Directing Documentaries, Tom Zaniello
Gender Agency: Harlan County USA, Shut Up & Sing, and This is Everything: Gigi Gorgeous, Kate Hearst
The Peekskill Projects: Race, Riots, and Paul Robeson, Jeff Jaeckle
Celebrity and Vulnerability in Three Documentaries by Barbara Kopple, Heather McIntosh
?
Technique: Interviews, Music, Funding, and Fiction Filmmaking
Fallen Champ: Poetics of the Documentary Interview, Leger Grindon
Which Side Are You On: An Intersectional Approach to Music in Three Films by Barbara Kopple, Augusta Palmer ?
Blurring Lines and Intersecting Realities in Barbara Kopple's Fictional Work, Susan Ryan
Kopple's Work Within the Changing Documentary Business Ecology, Patricia Aufderheide
Exposing the Lethal Gaze in Shut Up & Sing and Running from Crazy, Jaimie Baron
?
Impacts: Critical Reception and Ongoing Influence
Barbara Kopple: Acolyte to Leading Light, Betsy A. McLane
Kopple & Her Critics, Gregory Brown
?
Afterword: Getting Inside, John Corner
Foreword, Bill Nichols
Barbara Kopple: A Career of Personal Crises and Creative Tensions, Jeff Jaeckle
?
Historical Contexts & Cultural Commentary
Harlan County USA and the Documentary Form: A 40-Year Retrospective, E. Ann Kaplan
American Dream in God's Country: Odysseys in Documentary, Hospitality, Place, Paula Rabinowitz
The Kopple Effect: Women Directing Documentaries, Tom Zaniello
Gender Agency: Harlan County USA, Shut Up & Sing, and This is Everything: Gigi Gorgeous, Kate Hearst
The Peekskill Projects: Race, Riots, and Paul Robeson, Jeff Jaeckle
Celebrity and Vulnerability in Three Documentaries by Barbara Kopple, Heather McIntosh
?
Technique: Interviews, Music, Funding, and Fiction Filmmaking
Fallen Champ: Poetics of the Documentary Interview, Leger Grindon
Which Side Are You On: An Intersectional Approach to Music in Three Films by Barbara Kopple, Augusta Palmer ?
Blurring Lines and Intersecting Realities in Barbara Kopple's Fictional Work, Susan Ryan
Kopple's Work Within the Changing Documentary Business Ecology, Patricia Aufderheide
Exposing the Lethal Gaze in Shut Up & Sing and Running from Crazy, Jaimie Baron
?
Impacts: Critical Reception and Ongoing Influence
Barbara Kopple: Acolyte to Leading Light, Betsy A. McLane
Kopple & Her Critics, Gregory Brown
?
Afterword: Getting Inside, John Corner