
Beyonce
At Work, on Screen, and Online
Indiana University Press
Published on 17. November 2020
Book
Hardback
272 pages
978-0-253-05282-7 (ISBN)
Description
Who runs the world? The Beyhive knows. From the Destiny's Child 2001 hit single "Survivor" to her 2019 jam "7/11," Beyonce Knowles-Carter has confronted dominant issues around the world. Because her image is linked with debates on race, sexuality, and female empowerment, she has become a central figure in pop music and pop culture. Beyonce: At Work, On Screen, and Online explores her work as a singer, activist, and artist by taking a deep dive into her songs, videos, and performances, as well as responses from her fans. Contributors look at Beyonce's entire body of work to examine her status as a canonical figure in modern music and do not shy away from questioning scandals or weighing her social contributions against the evolution of feminism, critical race theory, authenticity, and more. Full of examples from throughout Beyonce's career, this volume presents listening as a political undertaking that generates meaning and creates community. Beyonce: At Work, On Screen, and Online contends that because of her willingness to address societal issues within her career, Beyonce has become an important touchstone for an entire generation-all in a day's work for Queen Bey.
Reviews / Votes
"Iddon and Marshall's Beyonce is poised to expand critical conversations about the biggest and most influential pop star of the 21st century."-Daphne Brooks, author of Bodies in Dissent: Spectacular Performances of Race and FreedomMore details
Language
English
Place of publication
Bloomington, IN
United States
Product notice
Paper over boards
Illustrations
5 b&w illus., 3 b&w tables, 5 printed music items
Dimensions
Height: 235 mm
Width: 157 mm
Thickness: 20 mm
Weight
575 gr
ISBN-13
978-0-253-05282-7 (9780253052827)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
11/2020
Indiana University Press
€18.18
Available for download
Persons
Martin Iddon is Professor of Music and Aesthetics at the University of Leeds. He is editor (with Melanie L. Marshall) of Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture and author of New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez; John Cage and David Tudor: Correspondence on Interpretation and Performance; and four other monographs and edited volumes. He is based in Leeds, England. Melanie L. Marshall is Lecturer in Music at University College Cork. She is editor (with Martin Iddon) of Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture and of Sexualities, Textualities, Art and Music in Early Modern Italy. She is based in Cork, Ireland.
Content
Introduction
Part I: Beyonce at Work, Making Beyonce
1. Surviving the Hustle: Beyonce's Performance of Work
2. "A Scientist of Songs": Beyonce's Recording Studio Music Making and the Problem of Authorship in Popular Music
3. "Singing All The Time": Constructions of Cultural Identity in Beyonce's I am... Sasha Fierce
Part II: Beyonce On Screen, Reading Beyonce
4. Beyonce's Mixed Media Feminism: Sounding, Staging, and Sampling Gender Politics in "***Flawless"
5. "At Last a Dream That I Can Call My Own": Beyonce and the Performance of Stardom in Dreamgirls and Cadillac Records
6. For the Texas Bama Femme: A Black Queer Femme-inist Reading of Beyonce's "Sorry"
7. Gypsying Beyonce: The Latin Crossover through Hispanic Stereotypes
Part III: Beyonce Online, Re-presenting Beyonce
8. Unlikely Resemblances: "Single Ladies," and Comparative Judgment of Popular Dance
9. "I See Music": Beyonce, YouTube, and the Question of Signed-Songs
10. "Girl I'm Tryna Kick It With Ya": Tracing the Reception of "7/11"'s Embodiment of Girl/Bedroom Culture Through YouTube Reaction Videos
Bibliography
Index
Part I: Beyonce at Work, Making Beyonce
1. Surviving the Hustle: Beyonce's Performance of Work
2. "A Scientist of Songs": Beyonce's Recording Studio Music Making and the Problem of Authorship in Popular Music
3. "Singing All The Time": Constructions of Cultural Identity in Beyonce's I am... Sasha Fierce
Part II: Beyonce On Screen, Reading Beyonce
4. Beyonce's Mixed Media Feminism: Sounding, Staging, and Sampling Gender Politics in "***Flawless"
5. "At Last a Dream That I Can Call My Own": Beyonce and the Performance of Stardom in Dreamgirls and Cadillac Records
6. For the Texas Bama Femme: A Black Queer Femme-inist Reading of Beyonce's "Sorry"
7. Gypsying Beyonce: The Latin Crossover through Hispanic Stereotypes
Part III: Beyonce Online, Re-presenting Beyonce
8. Unlikely Resemblances: "Single Ladies," and Comparative Judgment of Popular Dance
9. "I See Music": Beyonce, YouTube, and the Question of Signed-Songs
10. "Girl I'm Tryna Kick It With Ya": Tracing the Reception of "7/11"'s Embodiment of Girl/Bedroom Culture Through YouTube Reaction Videos
Bibliography
Index