
The Politics of Postmodernism
Linda Hutcheon(Author)
Routledge (Publisher)
2nd Edition
Published on 23. May 2002
Book
Hardback
232 pages
978-0-415-28015-0 (ISBN)
Description
This classic text remains one of the clearest and most incisive introductions to postmodernism. Perhaps more importantly, it is a compelling discussion of why postmodernism matters. Working through the issue of representation in art forms from fiction to photography, Linda Hutcheon sets out postmodernism's highly political challenge to the dominant ideologies of the western world. A new epilogue traces the fate of the postmodern over the last ten years and into the future, responding to claims that it has, once and for all, 'failed'.
Together with the new epilogue, this edition contains revised notes on further reading and a fully updated bibliography. This revised edition of The Politics of Postmodernism continues its position as essential reading.
Together with the new epilogue, this edition contains revised notes on further reading and a fully updated bibliography. This revised edition of The Politics of Postmodernism continues its position as essential reading.
More details
Series
Edition
2nd edition
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Postgraduate
Dimensions
Height: 198 mm
Width: 129 mm
Weight
600 gr
ISBN-13
978-0-415-28015-0 (9780415280150)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Linda Hutcheon
The Politics of Postmodernism
E-Book
12/2003
2nd Edition
Routledge
€52.49
Available for download

Linda Hutcheon
The Politics of Postmodernism
E-Book
12/2003
2nd Edition
Routledge
€52.49
Available for download

Linda Hutcheon
The Politics of Postmodernism
Book
05/2002
2nd Edition
Routledge
€59.80
Shipment within 15-20 days
Person
Linda Hutcheon is Professor of English and Comparative Literature at the University of Toronto. She has published extensively on postmodernism, parody and irony (including Irony's Edge: The Theory and Politics of Irony) and has recently done interdisciplinary work with Michael Hutcheon on opera and medicine (Opera: Desire, Disease and Death, and Bodily Charm: Living Opera).
Content
General editor's preface. Acknowledgements. 1. Representing the postmodern: What is postmodernism? Representation and its politics, Whose postmodernism? Postmodernity, postmodernism, and modernism. 2. Postmodernist representation: De-naturalizing the natural, Photographic discourse, Telling Stories: fiction and history. 3. Re-presenting the past: 'Total history' de-totalized, Knowing the past in the present, The archive as text. 4. The politics of parody: Parodic postmodern representation, Double-coded politics, Postmodern film? 5. Text/image border tensions: The paradoxes of photography, The ideological arena of photo-graphy, The politics of address 6. Postmodernism and feminisms: Politicizing desire, Feminist postmodernist parody, The private and the public. Concluding note: some directed reading. Bibliography. Index.