
Psychomania
Auteur Publishing
Will be published approx. on 23. January 2018
Book
Paperback/Softback
124 pages
978-1-911325-50-5 (ISBN)
Description
Psychomania (also known as The Death Wheelers, 1973), a zombie biker horror film directed by Don Sharp and written by two blacklisted American screenwriters, Arnaud d'Usseau and Julian Halevy [Zimet], is a summit of British trash cinema. A throwaway movie, quickly made but not (to the chagrin of the cast) quickly forgotten when caught on late night TV, it is a succession of wonderfully photogenic moments that defy conventional categories of good and bad film-making and an exercise in unwitting Surrealism. This Devil's Advocate revives the living dead once again. Drawing on archive materials and interviews, it covers the film's production, reception and cult afterlife on TV, video and the internet, as well as setting it in the context of the British horror film and comprehensively analyzing its rich political and psychogeographical subtexts. It covers the film's production and afterlife and is the first guide to cover one of Britain's most unforgettable cult horror films.
More details
Series
Language
English
Place of publication
United Kingdom
Publishing group
Liverpool University Press
Target group
Professional and scholarly
Product notice
Paperback (trade)
Illustrations
20 b&w illustrations
Dimensions
Height: 191 mm
Width: 140 mm
ISBN-13
978-1-911325-50-5 (9781911325505)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
I. Q. Hunter is professor of film studies at De Montfort University, Leicester. He is the author of British Trash Cinema (2013) and Cult Film as a Guide to Life (2016), editor of British Science Fiction Cinema (1999), and coeditor of eleven books, including The Routledge Companion to British Cinema History (2017). Jamie Sherry is a reader in English at De Montfort University, coeditor of the Journal of Screenwriting and co-chair of the Association of Adaptation Studies, and is currently completing the monograph Screenwriting Film Adaptations: The History, Practice and Theory of the Adapted Screenplay (2018).