
Egalitarian Strangeness
On Class Disturbance and Levelling in Modern and Contemporary French Narrative
Edward J. Hughes(Author)
Liverpool University Press
Published on 1. May 2021
Book
Hardback
344 pages
978-1-80034-842-4 (ISBN)
Description
Shortlisted for the 2022 R. Gapper book prize
The formulation 'egalitarian strangeness' is a direct borrowing from Courts voyages au pays du peuple [Short Voyages to the Land of the People] (1990), a collection of essays by the contemporary French thinker Jacques Ranciere. Perhaps best known for his theory of radical equality as set out in Le Maitre ignorant [The Ignorant Schoolmaster] (1987), Ranciere reflects on ways in which a hierarchical social order based on inequality can come to be unsettled. In the democracy of literature, for example, he argues that words and sentences serve to capture any life and to make it available to any reader. The present book explores embedded forms of social and cultural 'apportionment' in a range of modern and contemporary French texts (including prose fiction, socially engaged commentary, and autobiography), while also identifying scenes of class disturbance and egalitarian encounter. Part One considers the 'refrain of class' audible in works by Claude Simon, Charles Peguy, Marie Ndiaye, Thierry Beinstingel, and Gabriel Gauny and examines how these authors' practices of language connect with that refrain. In Part Two, Hughes analyses forms of domination and dressage with reference to Simone Weil's mid-1930s factory journal, Paul Nizan's novel of class alienation Antoine Bloye from the same decade, and Pierre Michon's Vies minuscules [Small Lives] (1984) with its focus on obscure rural lives. The reflection on how these narratives draw into contiguity antagonistic identities is extended in Part Three, where individual chapters on Proust and the contemporary authors Francois Bon and Didier Eribon demonstrate ways in which enduring forms of cultural distribution are both consolidated and contested.
The formulation 'egalitarian strangeness' is a direct borrowing from Courts voyages au pays du peuple [Short Voyages to the Land of the People] (1990), a collection of essays by the contemporary French thinker Jacques Ranciere. Perhaps best known for his theory of radical equality as set out in Le Maitre ignorant [The Ignorant Schoolmaster] (1987), Ranciere reflects on ways in which a hierarchical social order based on inequality can come to be unsettled. In the democracy of literature, for example, he argues that words and sentences serve to capture any life and to make it available to any reader. The present book explores embedded forms of social and cultural 'apportionment' in a range of modern and contemporary French texts (including prose fiction, socially engaged commentary, and autobiography), while also identifying scenes of class disturbance and egalitarian encounter. Part One considers the 'refrain of class' audible in works by Claude Simon, Charles Peguy, Marie Ndiaye, Thierry Beinstingel, and Gabriel Gauny and examines how these authors' practices of language connect with that refrain. In Part Two, Hughes analyses forms of domination and dressage with reference to Simone Weil's mid-1930s factory journal, Paul Nizan's novel of class alienation Antoine Bloye from the same decade, and Pierre Michon's Vies minuscules [Small Lives] (1984) with its focus on obscure rural lives. The reflection on how these narratives draw into contiguity antagonistic identities is extended in Part Three, where individual chapters on Proust and the contemporary authors Francois Bon and Didier Eribon demonstrate ways in which enduring forms of cultural distribution are both consolidated and contested.
More details
Series
Language
English
Place of publication
Liverpool
United Kingdom
Dimensions
Height: 239 mm
Width: 163 mm
ISBN-13
978-1-80034-842-4 (9781800348424)
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Schweitzer Classification
Person
Edward J. Hughes is Professor Emeritus of French at Queen Mary, University of London and a Fellow of the British Academy.
Content
Acknowledgements
List of Illustrations
Introduction: By Way of Ranciere
PART I: THE REFRAIN OF CLASS
Chapter 1 Events and Sensibility in Claude Simon's L'Acacia
Chapter 2 'Les Savoirs de la main': Dramas of Manual Knowledge in Peguy and Beinstingel
Chapter 3 A Solitary Emancipation: Ndiaye's La Cheffe, roman d'une cuisiniere
Chapter 4 The Worker Philosopher: Gauny and Self-Belonging
PART II: DISTURBANCE AND DRESSAGE
Chapter 5 Animal laborans: Missing Life in Paul Nizan's Antoine Bloye
Chapter 6 A Degrading Division: Hands and Minds in Simone Weil
Chapter 7 Pierre Michon, 'Small Lives', and the Terrain of Art
PART III: AUDIBLE VOICES
Chapter 8 Tales of Distribution in A la recherche du temps perdu
Chapter 9 Convocation, or On Ways of Being Together: Francois Bon
Chapter 10 Circuits of Re-appropriation: Accessing the Real in the Work of Didier Eribon
Conclusion
Bibliography
Index
List of Illustrations
Introduction: By Way of Ranciere
PART I: THE REFRAIN OF CLASS
Chapter 1 Events and Sensibility in Claude Simon's L'Acacia
Chapter 2 'Les Savoirs de la main': Dramas of Manual Knowledge in Peguy and Beinstingel
Chapter 3 A Solitary Emancipation: Ndiaye's La Cheffe, roman d'une cuisiniere
Chapter 4 The Worker Philosopher: Gauny and Self-Belonging
PART II: DISTURBANCE AND DRESSAGE
Chapter 5 Animal laborans: Missing Life in Paul Nizan's Antoine Bloye
Chapter 6 A Degrading Division: Hands and Minds in Simone Weil
Chapter 7 Pierre Michon, 'Small Lives', and the Terrain of Art
PART III: AUDIBLE VOICES
Chapter 8 Tales of Distribution in A la recherche du temps perdu
Chapter 9 Convocation, or On Ways of Being Together: Francois Bon
Chapter 10 Circuits of Re-appropriation: Accessing the Real in the Work of Didier Eribon
Conclusion
Bibliography
Index