
Popular Film Music and Masculinity in Action
A Different Tune
Amanda Howell(Author)
Routledge (Publisher)
1st Edition
Published on 28. January 2015
Book
Hardback
188 pages
978-0-415-89720-4 (ISBN)
Description
Amanda Howell offers a new perspective on the contemporary pop score as the means by which masculinities not seen-or heard-before become a part of post-World War II American cinema. Popular Film Music and Masculinity in Action addresses itself to an eclectic mix of film, from Elvis and Travolta star vehicles to Bruckheimer-produced blockbuster action, including the work of musically-innovative directors, Melvin Van Peebles, Martin Scorsese, Gregg Araki, and Quentin Tarantino. Of particular interest is the way these films and their representations of masculinity are shaped by generic exchanges among contemporary music, music cultures, and film, combining American cinema's long-standing investment in violence-as-spectacle with similarly body-focused pleasures of contemporary youth music.
Drawing on scholarship of popular music and the pop score as well as feminist film and media studies, Howell addresses an often neglected area of gender representation by considering cinematic masculinity as an audio-visual construction. Through her analyses of music's role in action and other film genres that share its investment in violence, she reveals the mechanisms by which the pop score has helped to reinvent gender-and gendered fictions of male empowerment-in contemporary screen entertainment.
Drawing on scholarship of popular music and the pop score as well as feminist film and media studies, Howell addresses an often neglected area of gender representation by considering cinematic masculinity as an audio-visual construction. Through her analyses of music's role in action and other film genres that share its investment in violence, she reveals the mechanisms by which the pop score has helped to reinvent gender-and gendered fictions of male empowerment-in contemporary screen entertainment.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Dimensions
Height: 235 mm
Width: 157 mm
Thickness: 15 mm
Weight
431 gr
ISBN-13
978-0-415-89720-4 (9780415897204)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Book
12/2019
1st Edition
Routledge
€65.30
Shipment within 15-20 days
Person
Amanda Howell is a Senior Lecturer in the School of Humanities at Griffith University, Australia.
Content
Introduction 1. A Different Tune: Hollywood, Popular Music, and Elvis in the 1950s 2.Orchestrating Violence: Music and Masculinity in Scorsese's Gangster Films 3. Two Worlds: Sweet Sweetback's Baadasssss Song and the Dual Diegesiss 4. The Power Chord Goes to War: the Bruckheimer Film, Music and Militainment 5. Queering the Road Movie Soundtrack: Gregg Araki's The Living End 6. John Travolta, A Song and Dance Man in Action Conclusion