Strategic Games on Stage
Description
This book illustrates how strategic thinking and game theory can be applied to study and enjoy theater plays. By offering various case studies on plays such as Antigone , Medea, Hamlet , Schiller's Wallenstein , Ibsen's Hedda Gabler , Tennessee Williams' A Streetcar Named Desire, Arthur Miller's The Crucible, and Elfriede Jelinek's Rechnitz , the authors analyze the dynamics of player choices, including their misperceptions, deceptions, and various power games. Plays are examined according to their strategic contexts and, if appropriate, analyzed by means of game theory. This book is written for anyone interested in theater and who wants to learn about strategic behavior on stage but also for readers who are looking for an exciting field for applying game theoretical reasoning.
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Persons
Manfred J. Holler is an Emeritus Professor of Economics at the University of Hamburg (Germany). He is the founding editor of, and managed the respected European Journal of Political Economy (1985-1993), and Homo Oeconomicus (1983-2015). He currently serves as an assessing editor or board member for several journals, such as The Journal of Mind and Behavior , Control and Cybernetics , the European Journal of Law and Economics , and Games . He is one of the Editors-in-Chief of Homo Oeconomicus.
Barbara Klose-Ullmann holds a PhD. in Economics and worked for more than 25 years as a manager at a major German bank, where she participated in the bargaining for licenses in Eastern Europe. She has published a series of articles applying game theory to the analysis of strategic interaction in history, myths, and theatre plays, and authored books on health, in economic history of economics,and on game theory (co-authored with Manfred J. Holler).
Content
Part 1.Strategic Games on Stage:Medea Meets Hamlet.- Chapter 1.Strategic Games on Stage: An Introduction.- Chapter 2.Medea: Child Murderess or Abandoned Wife?.- Chapter 3.Antigone: An Exercise in Triolectics.- Chapter 4.Machiavelli, Shakespeare, and the Dirty Hands.- Chapter 5.Schiller's Wallenstein and the Trap of Power.- Chapter 6.In the Dust with All the Enemies of Brandenburg: Kleist's The Prince of Homburg.- Part 2.Strategic Games on Stage: Medea Meets Hamlet.- Chapter 7.Desire on Stage.- Chapter 8.One Flew Over the Cuckoo´s Nest: Violence, Madness.- Chapter 9.The Black Medea: An Introduction.- Chapter 10.Epilogue: Taine, Jorn, and Jarry, and the Metaverse Stage.