
Art, Movement, and Disability
Transcending the Beauty Paradigm
Timothy W. Hiles(Author)
Routledge (Publisher)
1st Edition
Published on 21. January 2026
Book
Hardback
116 pages
978-1-032-57961-0 (ISBN)
Description
This book explores how artists with disabilities have provided social, emotional, psychological, and physical context for understanding the complexities surrounding disability.
Breaking new ground, this book uses an interdisciplinary-thematic approach to understanding disability through the eyes of contemporary practicing artists. In this sense, it has three broad objectives. First, to consider the value of artists' perspectives to disability studies. Second, to encourage a more inclusive representation of artists with disabilities within the study of the arts. And finally, to highlight the significance of disability arts to a humanities education. Among the themes explored through the work of these artists are disability stereotypes; associations of disability with imperfection, incompleteness, and neurodivergence; enfreakment, attraction/repulsion, spectacle, and stigmatization of difference; asymmetry and idiosyncratic movement; and broadened perspectives that involve intimacy, empathy, vulnerability, and transcendence.
The book will be of interest to scholars in art history, disability studies, the arts, and the medical humanities.
Breaking new ground, this book uses an interdisciplinary-thematic approach to understanding disability through the eyes of contemporary practicing artists. In this sense, it has three broad objectives. First, to consider the value of artists' perspectives to disability studies. Second, to encourage a more inclusive representation of artists with disabilities within the study of the arts. And finally, to highlight the significance of disability arts to a humanities education. Among the themes explored through the work of these artists are disability stereotypes; associations of disability with imperfection, incompleteness, and neurodivergence; enfreakment, attraction/repulsion, spectacle, and stigmatization of difference; asymmetry and idiosyncratic movement; and broadened perspectives that involve intimacy, empathy, vulnerability, and transcendence.
The book will be of interest to scholars in art history, disability studies, the arts, and the medical humanities.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Postgraduate and Undergraduate
Illustrations
15 farbige Abbildungen, 12 s/w Photographien bzw. Rasterbilder, 15 Farbfotos bzw. farbige Rasterbilder, 12 s/w Abbildungen
15 Halftones, color; 12 Halftones, black and white; 15 Illustrations, color; 12 Illustrations, black and white
Dimensions
Height: 222 mm
Width: 145 mm
Thickness: 11 mm
Weight
300 gr
ISBN-13
978-1-032-57961-0 (9781032579610)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
01/2026
Routledge
€73.99
Available for download

E-Book
01/2026
Routledge
€73.99
Available for download
Person
Timothy W. Hiles is Associate Professor of Art History at the University of Tennessee, USA. His interdisciplinary approach has led to publications on philosophy and art, literature and art, and disability and art.
Content
Introduction 1. Transcending the Beauty Paradigm 2. The Conversation: Art, Self, and Other 3. Flipping the Script: Reclamation 4. Movement 5. Invisibility 6. Conclusion: The Unfinished Word