
The King's Glass
A Story of Tudor Power and Secret Art
Carola Hicks(Author)
Pimlico (Publisher)
Published on 6. September 2012
Book
Paperback/Softback
256 pages
978-1-84595-187-0 (ISBN)
Description
Each year more than 250,000 people visit the Chapel of King's College, Cambridge, one of Europe's best-known buildings. This book tells the untold story of the Chapel's crowning glory, its stained glass windows, and of the people who created them - the triumphant culmination of a project completed despite wars, the death of kings and violent religious conflict.
The glass symbolises the power of the Tudors, and is a mirror of their souls. Planned by Henry VII and continued by Henry VIII, the windows are dynastic propaganda, simultaneously blatant and subtle. The windows show how Henry commemorated his wives in art, then airbrushed them out when they fell from favour, and how he recruited leading artists to make this England's response to the Sistine Chapel.
The great 'King's Glass' also flaunts the skills of its makers, many of them innovative immigrants. It is a tale of guilds and artisans as well as of the court. It is, too, a history of England, reflecting change, conflict and modernity in the sixteenth century.
The glass symbolises the power of the Tudors, and is a mirror of their souls. Planned by Henry VII and continued by Henry VIII, the windows are dynastic propaganda, simultaneously blatant and subtle. The windows show how Henry commemorated his wives in art, then airbrushed them out when they fell from favour, and how he recruited leading artists to make this England's response to the Sistine Chapel.
The great 'King's Glass' also flaunts the skills of its makers, many of them innovative immigrants. It is a tale of guilds and artisans as well as of the court. It is, too, a history of England, reflecting change, conflict and modernity in the sixteenth century.
Reviews / Votes
Fascinating... This is a splendid piece of art history. Carola Hicks writes beautifully * Sunday Telegraph * By concentrating her gaze upon one of the outstanding buildings of England, Carola Hicks provides a history of an entire culture -- Peter Ackroyd * The Times * A jewel of a book * Independent * One of the great pleasures of this book is the skill with which it interweaves the political narratives of the 15th and 16th centuries with a detailed history of the art form. The windows become a dazzling kaleidoscope in which the stories of the Tudor line and the English Reformation gradually take shape * Daily Telegraph *More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Vintage Publishing
Product notice
Paperback (UK-trade)
Dimensions
Height: 234 mm
Width: 153 mm
Thickness: 19 mm
Weight
375 gr
ISBN-13
978-1-84595-187-0 (9781845951870)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
03/2010
1st Edition
Vintage Digital
€14.99
Available for download
Person
Carola Hicks, an acclaimed art historian, and witty, perceptive writer, died in 2010 just as she was finishing this book. Born in Sussex, Carola studied archaeology at Edinburgh University, and was an actress, journalist and House of Commons Researcher, before taking up an academic career. For several years she was curator of the Stained Glass Museum at Ely Cathedral, and then became a Fellow and Director of Studies in art history at Newnham College, Cambridge. Her books include Animals in Early Medieval Art, Improper Pursuits: The Scandalous Life of Lady Di Beauclerk, and two fine 'biographies' of works of art: The Bayeux Tapestry: The Life Story of a Masterpiece and Girl in a Green Gown: The History and Mystery of the Arnolfini Portrait.