
How Music Changed YouTube
Guillaume Heuguet(Author)
Bloomsbury Academic USA (Publisher)
Published on 8. February 2024
Book
Hardback
160 pages
979-8-7651-0071-4 (ISBN)
Description
How do digital technologies transform music? The answer depends on the lens of one's analysis: creation, promotion, or the experience of the listener. How Music Changed YouTube shows that the reverse question - How does music transform digital technologies? - is also worth exploring: through reliance on sound recording and music, internet technologies and media are manufactured, transformed, and come to dominate.
Guillaume Heuguet's study situates YouTube in relation to both the internet platform and music industries by unpacking the cultural and technological forms embedded within and observing the practices and values associated with it, from the art of collecting to the accelerated circulation of samples and remixes. Heuguet's documentary and genealogical work relies on YouTube's traces in internet archives, its successive interfaces, the blogs of its teams, and a few emblematic channels and videos. Particular attention is paid to the tensions between the promises associated with music algorithms - recommendation system, copyright control, view calculation - and the reality of their operation from a technical and cultural point of view.
How Music Changed YouTube shows how, far from responding to an immediate need, YouTube's editorial and economic model developed over time, how the various fans, artists, labels, lawyers and legislators shaped the site, and how these factors affected its rise as a global media force in the early 21st century.
Guillaume Heuguet's study situates YouTube in relation to both the internet platform and music industries by unpacking the cultural and technological forms embedded within and observing the practices and values associated with it, from the art of collecting to the accelerated circulation of samples and remixes. Heuguet's documentary and genealogical work relies on YouTube's traces in internet archives, its successive interfaces, the blogs of its teams, and a few emblematic channels and videos. Particular attention is paid to the tensions between the promises associated with music algorithms - recommendation system, copyright control, view calculation - and the reality of their operation from a technical and cultural point of view.
How Music Changed YouTube shows how, far from responding to an immediate need, YouTube's editorial and economic model developed over time, how the various fans, artists, labels, lawyers and legislators shaped the site, and how these factors affected its rise as a global media force in the early 21st century.
Reviews / Votes
Guillaume Heuguet has written the best book on Youtube and on internet music platforms I have seen to date. The research is exhaustive, drawing on a breathtaking range of sources. The analysis is rigorous, in the best traditions of cultural industry scholarship, and full of ideas both original and stimulating. This book is a major contribution to several fields, from popular music studies through internet and platform studies and cultural research more generally. * Will Straw, Professor of Urban Media Studies, McGill University, Canada *More details
Language
English
Place of publication
New York
United States
Publishing group
Bloomsbury Publishing Plc
Target group
Professional and scholarly
College/higher education
Dimensions
Height: 232 mm
Width: 160 mm
Thickness: 14 mm
Weight
360 gr
ISBN-13
979-8-7651-0071-4 (9798765100714)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Guillaume Heuguet is a Professor of Contemporary Art and Art History at ESACM (Clermont-Ferrand), France, and the Editor-in-Chief of Audimat, a French journal of music criticism. He holds a PhD in media studies from the School of Higher Studies in Communication (CELSA), Sorbonne University, France, and has edited for Paris' Philharmonic Penser les musiques populaires, the first French reader on popular music studies.
Content
Introduction
Chapter 1: Music Embedded
The Emergence of Online Listening
The Invention of the YouTube player
Capturing Flows
Chapter 2: Music in Incidental States
The Musicalization of Videos
The Emergence of Official References
A DIY Aesthetic
Chapter 3: Music in Performance
From Show to Variety
Underground in Prime Time
Popularity Reinvented
Chapter 4: Music as Opportunity
The Design of Choice
The Soft Prescription
Playlists, "Trends" and "Mixes"
Chapter 5: Serial Music
The Becoming-TV of YouTube
Enlistment Through Creativity
The Individualization of Promotion
The Mythology of "YouTube Successes"
Chapter 6: Music Under Control
Semi-Automated Copyright
The Pedagogy of Consensus
An Industry of Variants
Chapter 7: The Vanishing of Listening
View as a General Equivalent
A Contested Stallion
Value in Traffic
Conclusion
Chapter 1: Music Embedded
The Emergence of Online Listening
The Invention of the YouTube player
Capturing Flows
Chapter 2: Music in Incidental States
The Musicalization of Videos
The Emergence of Official References
A DIY Aesthetic
Chapter 3: Music in Performance
From Show to Variety
Underground in Prime Time
Popularity Reinvented
Chapter 4: Music as Opportunity
The Design of Choice
The Soft Prescription
Playlists, "Trends" and "Mixes"
Chapter 5: Serial Music
The Becoming-TV of YouTube
Enlistment Through Creativity
The Individualization of Promotion
The Mythology of "YouTube Successes"
Chapter 6: Music Under Control
Semi-Automated Copyright
The Pedagogy of Consensus
An Industry of Variants
Chapter 7: The Vanishing of Listening
View as a General Equivalent
A Contested Stallion
Value in Traffic
Conclusion