Renaissance Papers 2002
Published on 2. May 2003
Book
Hardback
152 pages
978-1-57113-051-8 (ISBN)
Description
Annual collection of essays, this year treating works by Donne, Shakespeare, Marvell, and Spenser, among other topics.
Renaissance Papers is a collection of the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The conference accepts papers on all subjects relating to the Renaissance -- music, art, history, literature, etc. -- from scholars all over North America and the world. Of the nine essays in the 2002 volume, three have to do with John Donne; among the topics here are Donne and Pietro Aretino, Donne and "All the World," andauthorial intention in the Holy Sonnets. Two essays deal with Shakespeare, specifically the discourse of dilution in 2 Henry IV and the Ovidian underworld in Othello. Other essays treat Marvell and the temporality of paranoia; poetry, patronage, and identity in Spenser's The Faerie Queene; and the visual culture of the Elizabethan prodigy house.
Contributors: Nicholas Crawford, Dennis Flynn, Heather Hirschfeld, Pamela Royston Macfie, Anne E. McIlhaney, Graham Roebuck, Gary Stringer, James M. Sutton, Alzada Tipton.
M. Thomas Hester is professor of English at North Carolina State University
Renaissance Papers is a collection of the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The conference accepts papers on all subjects relating to the Renaissance -- music, art, history, literature, etc. -- from scholars all over North America and the world. Of the nine essays in the 2002 volume, three have to do with John Donne; among the topics here are Donne and Pietro Aretino, Donne and "All the World," andauthorial intention in the Holy Sonnets. Two essays deal with Shakespeare, specifically the discourse of dilution in 2 Henry IV and the Ovidian underworld in Othello. Other essays treat Marvell and the temporality of paranoia; poetry, patronage, and identity in Spenser's The Faerie Queene; and the visual culture of the Elizabethan prodigy house.
Contributors: Nicholas Crawford, Dennis Flynn, Heather Hirschfeld, Pamela Royston Macfie, Anne E. McIlhaney, Graham Roebuck, Gary Stringer, James M. Sutton, Alzada Tipton.
M. Thomas Hester is professor of English at North Carolina State University
More details
Series
Language
English
Place of publication
Columbia, MD
United States
Publishing group
Boydell & Brewer Ltd
Target group
Professional and scholarly
Product notice
Cloth over boards
Dimensions
Height: 222 mm
Width: 145 mm
Thickness: 12 mm
Weight
336 gr
ISBN-13
978-1-57113-051-8 (9781571130518)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
M. Thomas Hester, Christopher Cobb
Content
Pastoral Community and the Hooks of Memory: The Mnemonic Landscape of Izaak Walton's Compleat Angler (1653)Compleat Angler (1653) - Anne E. McIlhaney
Marvell and the Temporality of Paranoia - Heather Hirschfeld
Familiar Letters: Donne and Pietro Aretino - Dennis A. Flynn
The Discourse of Dilution in 2 Henry IV - Nicholas Crawford
John Donne and "All the World" - Graham Roebuck
Poetry, Patronage, and Identity in the Dance of the Graces, Book VI of The Faerie Queene - Alzada Tipton
The "Allurement of Liking" and the "Contention of the Eyes": Decoding the Visual Culture of the Elizabethan Prodigy House - James M. Sutton
Discovering Authorial Intention in the Manuscript Sequences of Donne's Holy Sonnets - Gary Stringer
Marvell and the Temporality of Paranoia - Heather Hirschfeld
Familiar Letters: Donne and Pietro Aretino - Dennis A. Flynn
The Discourse of Dilution in 2 Henry IV - Nicholas Crawford
John Donne and "All the World" - Graham Roebuck
Poetry, Patronage, and Identity in the Dance of the Graces, Book VI of The Faerie Queene - Alzada Tipton
The "Allurement of Liking" and the "Contention of the Eyes": Decoding the Visual Culture of the Elizabethan Prodigy House - James M. Sutton
Discovering Authorial Intention in the Manuscript Sequences of Donne's Holy Sonnets - Gary Stringer