Practical Aesthetics
Published on 21. April 2022
Book
Paperback/Softback
280 pages
978-1-350-18552-4 (ISBN)
Description
This collection brings together artists and theoreticians to provide the first anthology of a new field: Practical Aesthetics.
A work of art already contains its own criticism, a knowledge of its own which need not be conceptual or propositional. Yet today, there are many approaches to different forms of art that work on the brink between science and art, 'sensible cognition' and proposition, aesthetic knowledge and rational knowledge, while thinking with art (or the artistic material) rather than about it.
This volumes presents ways of thinking with different forms of art (film, sound, dance, literature, etc), as well as new forms of aesthetic research and presentation such as Media Philosophy, the audiovisual essay, fictocriticism, the audio paper, and Artistic Research. It reveals how writing about art can become 'artistic' or 'poetic' in its own right: not only writing about artistic effects, but producing them in the first place. This takes art not as an object of (external) analysis, but as a subject with a knowledge in its own right, creating a co-composing 'conceptual interference pattern' between theory and practice.
A 'practical aesthetics' thus understood, can be described as thinking with art, in order to find new ways to create worlds and thus to make the world perceivable in different ways.
A work of art already contains its own criticism, a knowledge of its own which need not be conceptual or propositional. Yet today, there are many approaches to different forms of art that work on the brink between science and art, 'sensible cognition' and proposition, aesthetic knowledge and rational knowledge, while thinking with art (or the artistic material) rather than about it.
This volumes presents ways of thinking with different forms of art (film, sound, dance, literature, etc), as well as new forms of aesthetic research and presentation such as Media Philosophy, the audiovisual essay, fictocriticism, the audio paper, and Artistic Research. It reveals how writing about art can become 'artistic' or 'poetic' in its own right: not only writing about artistic effects, but producing them in the first place. This takes art not as an object of (external) analysis, but as a subject with a knowledge in its own right, creating a co-composing 'conceptual interference pattern' between theory and practice.
A 'practical aesthetics' thus understood, can be described as thinking with art, in order to find new ways to create worlds and thus to make the world perceivable in different ways.
Reviews / Votes
Tracing the matter of artworks and technical artifacts from within its own inherent qualities, Practical Aestheticsproposes an operational approach to its objects of research. These paradigmatic case studies re-interpret the aesthetics of multi-media artworks and artifacts as an encounter between human cognition and the physically real.With its focus on moving images, sound art, and other artistic and media-cultural practice, Practical Aesthetics is the academic companion to practice-based artistic research. * Wolfgang Ernst, Professor of Media Theories, Humboldt University of Berlin, Germany * Bringing together some of the most interesting voices at the intersections of theories and practices of media and culture, Practical Aesthetics raises important questions and ventures fascinating answers concerning the shifting terrain between art and technology-thus opening the path towards a rigorously philosophical way of thinking with and through material objects and practices. * Shane Denson, Assistant Professor of Film and Media Studies, Stanford University, USA * Herzogenrath's Practical Aesthetics offers a timely approach to thinking about aesthetics, not merely as a philosophical exercise, but as a fulcrum for commencing new modes of living in complex times. * Jason Wallin, Professor of Media and Youth Culture Studies in Curriculum, The University of Alberta, Canada *More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Illustrations
16 bw illus
Dimensions
Height: 232 mm
Width: 154 mm
Thickness: 18 mm
Weight
420 gr
ISBN-13
978-1-350-18552-4 (9781350185524)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Bernd Herzogenrath
Practical Aesthetics
E-Book
10/2020
1st Edition
Bloomsbury Academic
€35.49
Available for download
Bernd Herzogenrath
Practical Aesthetics
E-Book
10/2020
1st Edition
Bloomsbury Academic
€35.49
Available for download
Person
Bernd Herzogenrath is Professor of American Studies at the University of Frankfurt, Germany.
Content
1. Towards a practical aesthetics: thinking with, Bernd Herzogenrath
2. The experiment: between art and life, Christoph Menke
3. On the practice of theory: The technological turn of media theory and aesthetic practice of media philosophy, Katerina Krtilova
4. Episode zero: How empirical science discounts aesthetic experience, and a practical way to bring it back, Tim Ingold
5. Practical aesthetics: the case of bioart, Jan Jagodzinski
6. Colors without bodies: Wes Anderson's drab ethics, Eugenie Brinkema
7. In lag of knowledge: the video essay as parapraxis, Johannes Binotto
8. Thinking with images: a word & photo essay, Bill Morrison
9. Lapses, affects, supplement: Hiro Murai's audiovisual anachronism, Tomas Jirsa
10. Some notes on sound thinking, Bernd Herzogenrath
11. Thinking with sound: preliminary thoughts, Francois Bonnet
12. In search of sacred space, John Luther Adams
13. Feeling in the bones, Craig Shepard
14. Music as sonic praxis: On the work of Catherine Christer Hennix, Marcus Boon
15. The audio paper as affective attunements: Thinking, producing and listening, Sanne Krogh Groth & Kristine Samson
16. Genealogies of immersive media and virtual reality (vr) as practical aesthetic machines, Michael N. Goddard
17. As duo: thinking with dance, Elizabeth Waterhouse
18. The heart and other organs of darkness in the year 2019, Allen C. Shelton
19. Essayistic imagination: Max Bense's theory of essayistic writing as practical aesthetics, Christoph Ernst
20. Radioactivity and the typewriter's breath: Practical aesthetics in Pound and Olson, Julius Greve
21. Can practical aesthetics change lives? Jill Bennett
22. Contaminations: towards an empathic museology, Mieke Bal
23. Transforming the temporality of trauma into the temporality of memory: The practical aesthetics of Marjan Teeuwen's destroyed houses, Ernst Van Alphen
2. The experiment: between art and life, Christoph Menke
3. On the practice of theory: The technological turn of media theory and aesthetic practice of media philosophy, Katerina Krtilova
4. Episode zero: How empirical science discounts aesthetic experience, and a practical way to bring it back, Tim Ingold
5. Practical aesthetics: the case of bioart, Jan Jagodzinski
6. Colors without bodies: Wes Anderson's drab ethics, Eugenie Brinkema
7. In lag of knowledge: the video essay as parapraxis, Johannes Binotto
8. Thinking with images: a word & photo essay, Bill Morrison
9. Lapses, affects, supplement: Hiro Murai's audiovisual anachronism, Tomas Jirsa
10. Some notes on sound thinking, Bernd Herzogenrath
11. Thinking with sound: preliminary thoughts, Francois Bonnet
12. In search of sacred space, John Luther Adams
13. Feeling in the bones, Craig Shepard
14. Music as sonic praxis: On the work of Catherine Christer Hennix, Marcus Boon
15. The audio paper as affective attunements: Thinking, producing and listening, Sanne Krogh Groth & Kristine Samson
16. Genealogies of immersive media and virtual reality (vr) as practical aesthetic machines, Michael N. Goddard
17. As duo: thinking with dance, Elizabeth Waterhouse
18. The heart and other organs of darkness in the year 2019, Allen C. Shelton
19. Essayistic imagination: Max Bense's theory of essayistic writing as practical aesthetics, Christoph Ernst
20. Radioactivity and the typewriter's breath: Practical aesthetics in Pound and Olson, Julius Greve
21. Can practical aesthetics change lives? Jill Bennett
22. Contaminations: towards an empathic museology, Mieke Bal
23. Transforming the temporality of trauma into the temporality of memory: The practical aesthetics of Marjan Teeuwen's destroyed houses, Ernst Van Alphen