
Music, Structure, Thought: Selected Essays
Selected Essays
James Hepokoski(Author)
Routledge (Publisher)
1st Edition
Published on 18. August 2009
Book
Hardback
378 pages
978-0-7546-2852-1 (ISBN)
Description
Among the most original and provocative musicological writers of his generation, James Hepokoski has elaborated new paradigms of inquiry for both music history and music theory. Advocating fundamental shifts of methodological reorientation within the quest for potential musical meanings, his work spans both disciplines and offers substantial challenges for each. At its core is the conviction that a close study of musical genres, procedures, and structures"those qualities of a composition that are specifically musical"is essential to any responsible hermeneutic enterprise. Selected from writings from 1984 to 2008, this collection of essays provides a generous introduction to the author's most innovative and influential work on a wide variety of topics: musicological methodology, issues of staging and performance, Italian opera, program music, and exemplary studies of individual pieces.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Dimensions
Height: 244 mm
Width: 169 mm
Weight
860 gr
ISBN-13
978-0-7546-2852-1 (9780754628521)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

James Hepokoski
Music, Structure, Thought: Selected Essays
E-Book
07/2017
Routledge
€251.99
Available for download

James Hepokoski
Music, Structure, Thought: Selected Essays
E-Book
07/2017
Routledge
€251.99
Available for download
Person
James Hepokoski is Professor in the Department of Music, Yale University, USA.
Content
Contents: Introduction; Complete bibliography; Part 1 Historiography, History, Methodology: The Dahlhaus project and its extra-musicological sources; Beethoven reception: the symphonic tradition; Some grounding principles of sonata theory. Part 2 Italian Operwa: Ottocento opera as cultural drama: generic mixtures in Il Trovatore; Staging Verdi's operas: the single 'correct' performance; Operatic stagings: positions and paradoxes: a reply to David J. Levin; Structure, implication and the end of Suor Angelica; Un bel dA?? Vedremo! Anatomy of a delusion. Part 3 Structure and Content: Shorter Essays: Formulaic openings in Debussy; Culture clash; Masculine/feminine; Temps perdu. Part 4 Symphonic Readings: Fiery-pulsed libertine or domestic hero? Strauss's Don Juan reinvestigated; Framing Till Eulenspiegel; Gaudery, romance and the 'Welsh' tune: Introduction and Allegro, Op. 47; Index.