
Chroma
Sculpture in Color from Antiquity to Today
Metropolitan Museum of Art (Publisher)
Will be published approx. on 8. July 2025
Book
Paperback/Softback
260 pages
978-1-58839-796-6 (ISBN)
Description
New discoveries of surviving color on sculpture spanning two millennia and across the globe, from ancient Greece to Tenochtitlan to Renaissance Europe
Many ancient and early modern works that are viewed in monochrome today were once painted in vibrant colors. Lost to time until recently, the pigments and other surface treatments that originally adorned these objects offer a deeper appreciation of the cultures from which they originate. This handsome volume features new research by more than thirty international experts in polychromy, including art historians, conservators, scientists, and photographers. Identified through advanced technologies, scientific analyses, and in-depth research, their discoveries of surviving traces of color span the globe and vary in material, including an Archaic Greek marble sphinx, an ancient Phoenician cloisonne furniture plaque, Mexica (Aztec) lime-stone sculptures, and medieval and Renaissance European marbles and bronzes. This wide-ranging publication explores how these works further our understanding of ancient ideas around skin color, race, and gender; summarizes recent advances in the field; and considers polychromy's controversial rediscovery and modern reception- highlighting the role of reconstructions such as 3D-printed replicas and virtual animations in contemporary museum practice as well as the resurgence of polychromy techniques in postmodern and contemporary European architecture.
Published by The Metropolitan Museum of Art/Distributed by Yale University Press
Many ancient and early modern works that are viewed in monochrome today were once painted in vibrant colors. Lost to time until recently, the pigments and other surface treatments that originally adorned these objects offer a deeper appreciation of the cultures from which they originate. This handsome volume features new research by more than thirty international experts in polychromy, including art historians, conservators, scientists, and photographers. Identified through advanced technologies, scientific analyses, and in-depth research, their discoveries of surviving traces of color span the globe and vary in material, including an Archaic Greek marble sphinx, an ancient Phoenician cloisonne furniture plaque, Mexica (Aztec) lime-stone sculptures, and medieval and Renaissance European marbles and bronzes. This wide-ranging publication explores how these works further our understanding of ancient ideas around skin color, race, and gender; summarizes recent advances in the field; and considers polychromy's controversial rediscovery and modern reception- highlighting the role of reconstructions such as 3D-printed replicas and virtual animations in contemporary museum practice as well as the resurgence of polychromy techniques in postmodern and contemporary European architecture.
Published by The Metropolitan Museum of Art/Distributed by Yale University Press
More details
Language
English
Place of publication
New York
United States
Target group
Professional and scholarly
College/higher education
Product notice
Paperback (trade)
Illustrations
294 color illus.
Dimensions
Height: 251 mm
Width: 215 mm
Thickness: 19 mm
Weight
1004 gr
ISBN-13
978-1-58839-796-6 (9781588397966)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Sean Hemingway is John A. and Carole O. Moran Curator in Charge, and Sarah Lepinski is curator, both in the Department of Greek and Roman Art at The Metropolitan Museum of Art, New York. Vinzenz Brinkmann is head of the Department of Antiquities and Asia at the Liebieghaus Skulpturensammlung, Frankfurt am Main.