
Tangential Terrains
Cormac McCarthy's Geoaesthetics
Stefanie Heine(Author)
University of Nevada Press
Will be published approx. on 10. March 2026
Book
Paperback/Softback
280 pages
978-1-64779-231-2 (ISBN)
Description
Tangential Terrains is an ecocritical study of the work of Cormac McCarthy, focusing primarily on his depictions of the desert and inorganic nature in Blood Meridian. Close readings of previously unexamined archival manuscripts and drafts shed new light on McCarthy's compositional processes, revealing how the development of written matter in the novel-in-progress can correspond to geological processes like erosion, erratics, stratification, and continental drift.
Blood Meridian's emergent geoaesthetics reveals forces operating according to other-than-human principles, as literary desert terrains retain a passive resistance, or weak agency, which presents a radical disturbance of anthropocentrism, mirrored in the novel's style. Though the mediated unstable deserts in Blood Meridian defy appropriation, they are neither untouched nor untouchable: the borderlands bear the wounds and "blood meridians" of a non-chronological history of violence, tangential to the massacres of Native American and Mexican peoples depicted in the novel.
Stefanie Heine's reading of Blood Meridian offers a crucial contribution to and intervention in contemporary ecocriticism, Anthropocene criticism, and New Materialist theories, encouraging readers to critically rethink customary notions of entanglement, kinship, and agency.
Blood Meridian's emergent geoaesthetics reveals forces operating according to other-than-human principles, as literary desert terrains retain a passive resistance, or weak agency, which presents a radical disturbance of anthropocentrism, mirrored in the novel's style. Though the mediated unstable deserts in Blood Meridian defy appropriation, they are neither untouched nor untouchable: the borderlands bear the wounds and "blood meridians" of a non-chronological history of violence, tangential to the massacres of Native American and Mexican peoples depicted in the novel.
Stefanie Heine's reading of Blood Meridian offers a crucial contribution to and intervention in contemporary ecocriticism, Anthropocene criticism, and New Materialist theories, encouraging readers to critically rethink customary notions of entanglement, kinship, and agency.
More details
Series
Language
English
Place of publication
Reno
United States
Target group
Professional and scholarly
Dimensions
Height: 151 mm
Width: 228 mm
Thickness: 18 mm
Weight
334 gr
ISBN-13
978-1-64779-231-2 (9781647792312)
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Schweitzer Classification
Person
Stefanie Heine is an associate professor of comparative literature at the University of Copenhagen. She is the author of both Visible Words and Chromatic Pulse: Virginia Woolf's Writing, Impressionist Painting, Maurice Blanchot's Image and Poetics of Breathing: Modern Literature's Syncope, among other books.
Content
Contents Introduction Descriptive Pauses versus Narrative Progression Abandoning the Character Perspective Tangentiality versus Entanglement Desert Wastelands Tangential Reading Migratory Spalls of Burning Matter Defiant Terrains 2. Representations and Things McCarthy's Language Theory Reframed Literary Defiance of Nomenclature and Representationalism Toward a Literary Geomorphology Geoaesthetic Effects in Chamberlain and McCarthy Formless Resemblance Elemental and Written Forms at Work 4. Floating Worlds, Floating Words Dividing Out, Holding Together Continental and Textual Drift Liminal Localities, Desert Ab-solutes Use and Textual Recycling Mythical Family Relations between Humans and Stone Linguistic Links Ambiguities Acoustic Tangents, Fearful Symmetries 6. Animal Terrain Acknowledgments Notes Bibliography Index About the Author