Museum of Words
The Poetics of Ekphrasis from Homer to Ashbery
James A.W. Heffernan(Author)
University of Chicago Press
Published on 1. January 1994
Book
Hardback
262 pages
978-0-226-32313-8 (ISBN)
Description
As ancient as Homer's lines on the shield of Achilles and as recent as John Ashbery's "Self-Portrait in a Convex Mirror," ekphrasis is the art of describing works of art. Over the ages its practitioners have created a museum of words about real and imaginary paintings and sculptures - a museum that James Heffernan explores in this book. Profoundly ambivalent, ekphrastic poetry celebrates the power of the image even as it tries to circumscribe that power with the authority of the word. This contest is typically gendered: the voice of male speech striving to control a female image that is both alluring and threatening, male narrative seeking to overcome the fixating impact of beauty poised in space. Moving from the epics of Homer, Virgil, and Dante to contemporary American poetry, this book presents a history of struggle between rival systems of representation. Heffernan also shows how this struggle changes. Poets ranging from Ovid to Shakespeare use verbalized depictions of rape to show the violence men do under the "colour" of their words; romantic poetry at once salutes and questions the transcendent beauty of visual art preserved in the newly born public museum.
In the modern and postmodern eras, poets contend with all the words generated by museums themselves to regulate our experience of visual art.
In the modern and postmodern eras, poets contend with all the words generated by museums themselves to regulate our experience of visual art.
More details
Language
English
Place of publication
Chicago
United States
Publishing group
The University of Chicago Press
Target group
College/higher education
Professional and scholarly
Illustrations
12ill.
Dimensions
Height: 267 mm
Width: 220 mm
Weight
566 gr
ISBN-13
978-0-226-32313-8 (9780226323138)
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Schweitzer Classification