
Drawing in Museums
Theories and Practice-Based Research
Bloomsbury Visual Arts (Publisher)
Will be published approx. on 18. February 2027
Book
Hardback
256 pages
978-1-350-55400-9 (ISBN)
Description
This book considers the practice of drawing in the space of the museum from a critical theoretical and art-based learning point of view.
Drawing in museums is a critical form of knowledge- and community-making today and has a long history. The space adds new elements to the activity - drawing within a museum is a participatory action which interacts with art, history, communities and other visitors in the public space, adding a new dimension to the process and outcome. It is a unique form of active, reflective learning that enables active observation, inviting visitors - whether students, artists or general audiences - to interact with and interpret artworks in deeper personal and intellectually stimulating ways.
Starting with broader themes around drawing in public and of community involvement, and moving on to incorporation of sense and issues of materiality, the book concludes by offering recommendations around using drawing as art-based learning in museum settings.
The book combines texts that describe both practical experience and theoretical reflection, bringing in ideas that are pragmatic and consider drawing as an act. By combining together a range of voices from different fields of knowledge, from academic to artist-based practice, analogue to digital drawing, the chapters take steps to encourage museums, teachers and artists to extend their research in the field of art-based learning and to reflect, evaluate and pose critical questions within their own practice or institution.
Drawing in museums is a critical form of knowledge- and community-making today and has a long history. The space adds new elements to the activity - drawing within a museum is a participatory action which interacts with art, history, communities and other visitors in the public space, adding a new dimension to the process and outcome. It is a unique form of active, reflective learning that enables active observation, inviting visitors - whether students, artists or general audiences - to interact with and interpret artworks in deeper personal and intellectually stimulating ways.
Starting with broader themes around drawing in public and of community involvement, and moving on to incorporation of sense and issues of materiality, the book concludes by offering recommendations around using drawing as art-based learning in museum settings.
The book combines texts that describe both practical experience and theoretical reflection, bringing in ideas that are pragmatic and consider drawing as an act. By combining together a range of voices from different fields of knowledge, from academic to artist-based practice, analogue to digital drawing, the chapters take steps to encourage museums, teachers and artists to extend their research in the field of art-based learning and to reflect, evaluate and pose critical questions within their own practice or institution.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
Professional and scholarly
Product notice
Laminated cover
Illustrations
62 B&W illus
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 14 mm
Weight
387 gr
ISBN-13
978-1-350-55400-9 (9781350554009)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Anna Carin Hedberg and Rikke Lundgreen are both visual artists and work with research at the National Museum of Art, Architecture and Design in Oslo, Norway where Lundgreen is a senior project manager and Hedberg is a curator of education at the museum.
Editor
National Museum of Art, Oslo, Norway
National Museum of Art, Oslo, Norway
Content
Introduction. Anna Carin Hedberg and Rikke Lundgreen
Chapter 1. Who Draws?, Ellen Marie Saetre McGuirk
Chapter 2. Space to Draw, Anna Carin Hedberg and Rikke Lundgreen
Chapter 3. Cultivating a Plurality of Vision through Drawing in Museum Spaces, Tracey Bowen
Chapter 4. Drawing Together, Minnie Scott
Chapter 5. Iver Jaks - The Artist and Researcher in the Museum, Anna Carin Hedberg and Rikke Lundgreen
Chapter 6. The Intimacy and Distance of the Line: Dialogues between the Hand and Digital Space, Tiril Schroder
Chapter 7. Paper and Pencil, Michael Hansen
Chapter 8. The Visual as Sticky Paper: Drawing as a Part of Critical Writing, Anette Therese Pettersen
Chapter 9. Leaving Marks, Expressing Feelings, Developing Ideas: On the Future of Drawing in Museum Spaces, Mona Jas
Chapter 10. Date at the Museum, Charlotte Blanche Myrvoll
Index
Chapter 1. Who Draws?, Ellen Marie Saetre McGuirk
Chapter 2. Space to Draw, Anna Carin Hedberg and Rikke Lundgreen
Chapter 3. Cultivating a Plurality of Vision through Drawing in Museum Spaces, Tracey Bowen
Chapter 4. Drawing Together, Minnie Scott
Chapter 5. Iver Jaks - The Artist and Researcher in the Museum, Anna Carin Hedberg and Rikke Lundgreen
Chapter 6. The Intimacy and Distance of the Line: Dialogues between the Hand and Digital Space, Tiril Schroder
Chapter 7. Paper and Pencil, Michael Hansen
Chapter 8. The Visual as Sticky Paper: Drawing as a Part of Critical Writing, Anette Therese Pettersen
Chapter 9. Leaving Marks, Expressing Feelings, Developing Ideas: On the Future of Drawing in Museum Spaces, Mona Jas
Chapter 10. Date at the Museum, Charlotte Blanche Myrvoll
Index