
A Director's Guide to the Art of Stand-up
Chris Head(Author)
Methuen Drama (Publisher)
Published on 12. July 2018
Book
Paperback/Softback
200 pages
978-1-350-03552-2 (ISBN)
Description
Stand-up: it's the ultimate solo art form. Yet, behind the scenes, you will increasingly find the shadowy figure of a director. For comics themselves and for those who support them, this is the first book to give the director's perspective on creating and performing stand-up comedy. Drawing on his own experience of directing stand-up alongside speaking to comedians and their directors, Chris Head produces a revealing perspective on the creative process, comic persona, writing stand-up, structuring material and delivering a performance.
Directors interviewed include Logan Murray, John Gordillo and Simon McBurney, who between them have directed Eddie Izzard, Michael McIntyre, Milton Jones, Lenny Henry and French & Saunders. With a foreword by BBC arts editor Will Gompertz and contributions from many other interviewees including Oliver Double (author of Getting the Joke), this is the only book that goes all the way from one-liners to theatre via comedy club sets and full-length shows.
Perfect for stand-ups from newbies to pros, students of comedy, academics studying and teaching stand-up and for directors themselves, A Director's Guide to the Art of Stand-up offers hundreds of inspiring practical insights and shows how creating the comedian's highly personal, individual act can be a deeply collaborative process.
Directors interviewed include Logan Murray, John Gordillo and Simon McBurney, who between them have directed Eddie Izzard, Michael McIntyre, Milton Jones, Lenny Henry and French & Saunders. With a foreword by BBC arts editor Will Gompertz and contributions from many other interviewees including Oliver Double (author of Getting the Joke), this is the only book that goes all the way from one-liners to theatre via comedy club sets and full-length shows.
Perfect for stand-ups from newbies to pros, students of comedy, academics studying and teaching stand-up and for directors themselves, A Director's Guide to the Art of Stand-up offers hundreds of inspiring practical insights and shows how creating the comedian's highly personal, individual act can be a deeply collaborative process.
Reviews / Votes
Head's style is refreshingly breezy and simultaneously substantial. He offers practical insights: for example, audiences do not laugh at material, they laugh with or at the performer who discovers a compelling comedic self. In this remarkable manual, Head demonstrates what Horace Walpole once observed, namely that life is a comedy to those who think. And Head helps each comedic persona think. * CHOICE * It opened up a world that I didn't know before and haven't stopped exploring since. I hope this book does something similar for you -- From the foreword by Will GompertzMore details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Professional and scholarly
Illustrations
2 bw illus
Dimensions
Height: 216 mm
Width: 136 mm
Thickness: 20 mm
Weight
266 gr
ISBN-13
978-1-350-03552-2 (9781350035522)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Chris Head
A Director's Guide to the Art of Stand-up
E-Book
07/2018
1st Edition
Methuen Drama
€28.49
Available for download

Chris Head
A Director's Guide to the Art of Stand-up
E-Book
07/2018
1st Edition
Methuen Drama
€28.49
Available for download
Person
Chris Head has established himself as one of the UK's leading comedy coaches and has twenty years' experience as a director of live shows. As director he has worked on shows at all the major venues of the Edinburgh Fringe, across London including Soho and Bloomsbury Theatres, on national UK tours and internationally at the likes of Melbourne and Adelaide Comedy Festivals, and LA Shorts Comedy Film Festival.
Content
Foreword: Will Gompertz, BBC Arts Editor
Act 1: On Stage Identity/Off-Stage Process
1. Directing the Persona: The Comedic Self
2. Where Comic Ideas Come From (And How to Cultivate Them)
3. How Directors & Stand-Ups Work Together
Act 2: Writing & Performing Stand-up
4. The Interplay Between Writing and Performance
5. Writing Jokes: Afterthoughts & Beforethoughts
6. Re-Writing Jokes: To Fix Them, Improve Them and Suit the Teller
7. It Takes Two: Incongruity, Transpositions, Analogies, Personification & Bathos
8. Developing and Structuring Stories & Routines
9. Set-up/Payoff in Stories & Routines
10. Directing the Stand-up Performance
Act 3: Full Length Shows & Theatre
11.Developing and Structuring Full-Length Shows
12. Vulnerability and Pain in Stand-up Shows
13. Case Study: The Naked Racist
14. Stand-Ups Do Theatre
15. Theatre Makers Influenced by Stand-up
Afterword: The End
Act 1: On Stage Identity/Off-Stage Process
1. Directing the Persona: The Comedic Self
2. Where Comic Ideas Come From (And How to Cultivate Them)
3. How Directors & Stand-Ups Work Together
Act 2: Writing & Performing Stand-up
4. The Interplay Between Writing and Performance
5. Writing Jokes: Afterthoughts & Beforethoughts
6. Re-Writing Jokes: To Fix Them, Improve Them and Suit the Teller
7. It Takes Two: Incongruity, Transpositions, Analogies, Personification & Bathos
8. Developing and Structuring Stories & Routines
9. Set-up/Payoff in Stories & Routines
10. Directing the Stand-up Performance
Act 3: Full Length Shows & Theatre
11.Developing and Structuring Full-Length Shows
12. Vulnerability and Pain in Stand-up Shows
13. Case Study: The Naked Racist
14. Stand-Ups Do Theatre
15. Theatre Makers Influenced by Stand-up
Afterword: The End