
Martin Scorsese's Raging Bull
Kevin J. Hayes(Editor)
Cambridge University Press
Published on 7. February 2005
Book
Hardback
178 pages
978-0-521-82915-1 (ISBN)
Description
Raging Bull (1980) represents American film making at its best. Since its initial release, the film has been called the greatest film of the 1980s, the greatest boxing film ever made, the greatest sports film ever made, and, indeed, one of the greatest films of all time. Raging Bull: A Cambridge Film Handbook presents the fullest critical appreciation of Scorsese's film available. The introduction tells the story of how the film came about, examining its inspirations and positioning Raging Bull within the history of cinema. Subsequent chapters, each written by contributors from different disciplines - film studies, literary history, theater history - discuss the film from a variety of perspectives. Though primarily directed toward undergraduate and graduate film courses, this collection should enhance appreciation of Raging Bull for all readers. Contributors to this volume have been issued a challenge: to write chapters that contain fundamental information for students, to include new information and ideas for seasoned film scholars, and to write in a jargon-free style that all readers can appreciate.
More details
Series
Language
English
Place of publication
Cambridge
United Kingdom
Target group
College/higher education
Professional and scholarly
Illustrations
18 Halftones, unspecified
Dimensions
Height: 235 mm
Width: 157 mm
Thickness: 14 mm
Weight
417 gr
ISBN-13
978-0-521-82915-1 (9780521829151)
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Schweitzer Classification
Other editions
Additional editions

Kevin J. Hayes
Martin Scorsese's Raging Bull
E-Book
05/2005
1st Edition
Cambridge University Press
€26.49
Available for download
Person
November 14, 1959
Content
Introduction: the heritage and legacy of Raging Bull Kevin J. Hayes; 1. Art and genre in Raging Bull Leger Grindon; 2. Visual absurdity in Raging Bull Todd Berliner; 3. Raging Bull and the idea of performance Michael Peterson; 4. Women in Raging Bull: Scorsese's use of determinist, objective, and subjective techniques Peggy McCormack; 5. My victims, my melancholia: Raging Bull and Vincente Minnelli's The Bad and the Beautiful Mark Nicholls.