
The Merchant of Venice: A Critical Reader
A Critical Reader
The Arden Shakespeare (Publisher)
Published on 15. October 2020
Book
Hardback
320 pages
978-1-350-08229-8 (ISBN)
Description
Arden Early Modern Drama Guides offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Essays from leading international scholars give invaluable insight into the text by presenting a range of critical perspectives, making the books ideal companions for study and research.
Key features include:
- Essays on the play's critical and performance history
- A keynote essay on current research and thinking about the play
- A selection of new essays by leading scholars A survey of resources to direct students' further reading about the play in print and online
Shakespeare's The Merchant of Venice has often been labelled a 'problem play', and throughout the ages it has been an object of both fascination and repulsion. Without neglecting the socio-political and religious issues that are at the heart of the play, this collection of critical essays invites readers to rediscover the variety of approaches that this multifaceted work calls for, exploring its gender aspects, its rich mythological background, its legal matters and the ways in which it has been adapted to the screen. Essays consider the play in relation to its sources, genre and religion, historical and socio-political context and its critical reception and performance history.
Key features include:
- Essays on the play's critical and performance history
- A keynote essay on current research and thinking about the play
- A selection of new essays by leading scholars A survey of resources to direct students' further reading about the play in print and online
Shakespeare's The Merchant of Venice has often been labelled a 'problem play', and throughout the ages it has been an object of both fascination and repulsion. Without neglecting the socio-political and religious issues that are at the heart of the play, this collection of critical essays invites readers to rediscover the variety of approaches that this multifaceted work calls for, exploring its gender aspects, its rich mythological background, its legal matters and the ways in which it has been adapted to the screen. Essays consider the play in relation to its sources, genre and religion, historical and socio-political context and its critical reception and performance history.
Reviews / Votes
A varied and engaging set of essays including the encyclopaedically factual and the daringly interpretative. * Cahiers Elisabethains *More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Dimensions
Height: 209 mm
Width: 132 mm
Thickness: 21 mm
Weight
434 gr
ISBN-13
978-1-350-08229-8 (9781350082298)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Sarah Hatchuel | Nathalie Vienne-Guerrin
The Merchant of Venice: A Critical Reader
E-Book
10/2020
1st Edition
The Arden Shakespeare
€100.99
Available for download

Sarah Hatchuel | Nathalie Vienne-Guerrin
The Merchant of Venice: A Critical Reader
E-Book
10/2020
1st Edition
The Arden Shakespeare
€100.99
Available for download
Persons
Sarah Hatchuel is Professor in Film & Media Studies at the university Paul-Valery Montpellier 3, France, and former President of the Societe Francaise Shakespeare.
Nathalie Vienne-Guerrin is Professor in Shakespeare studies at the University Paul-Valery Montpellier 3, France, former Vice President of the Societe Francaise Shakespeare and director of the 'Institut de Recherche sur la Renaissance, l'age Classique et les Lumieres'.
Nathalie Vienne-Guerrin is Professor in Shakespeare studies at the University Paul-Valery Montpellier 3, France, former Vice President of the Societe Francaise Shakespeare and director of the 'Institut de Recherche sur la Renaissance, l'age Classique et les Lumieres'.
Editor
University Paul-Valery Montpellier 3, France
University of Montpellier III Paul Valery, France
Series Editor
Content
Series Introduction
The Merchant of Venice Timeline, by S. Hatchuel (University Paul-Valery Montpellier 3, France) and N. Vienne-Guerrin (University Paul-Valery Montpellier 3, France)
Introduction: The Merchant of Venice: the unruly play, by S. Hatchuel and N. Vienne-Guerrin
The Critical Backstory, by John Drakakis (University of Sterling, UK)
Performance History, by Jay Halio (University of Delaware, USA)
The State of the Art, by Shaul Bassi (Universita Ca'Foscari Venezia, Italy)
New Directions:
New Direction 1: "Affections dark as Erebus" - religion, gender, and the passions in The Merchant of Venice, by Sabine Schuelting (Freie Universitaet Berlin, Germany)
New Direction 2: "The moon shines bright": re-viewing the Belmont mythological tapestry in Act 5 of The Merchant of Venice, by Janice Valls-Russell (CNRS, Universite Paul-Valery Montpellier 3, France)
New Direction 3: "That ugly treason of mistrust": rhetoric of credit and the credit of rhetoric in The Merchant of Venice, by Gary Watt (University of Warwick, UK)
New Direction 4: Screening The Merchant of Venice, by Douglas M. Lanier (University of New Hampshire, USA)
Learning and teaching Resources, by Lieke Stelling (University of Utrecht, Netherlands)
Notes on Contributors
Index
The Merchant of Venice Timeline, by S. Hatchuel (University Paul-Valery Montpellier 3, France) and N. Vienne-Guerrin (University Paul-Valery Montpellier 3, France)
Introduction: The Merchant of Venice: the unruly play, by S. Hatchuel and N. Vienne-Guerrin
The Critical Backstory, by John Drakakis (University of Sterling, UK)
Performance History, by Jay Halio (University of Delaware, USA)
The State of the Art, by Shaul Bassi (Universita Ca'Foscari Venezia, Italy)
New Directions:
New Direction 1: "Affections dark as Erebus" - religion, gender, and the passions in The Merchant of Venice, by Sabine Schuelting (Freie Universitaet Berlin, Germany)
New Direction 2: "The moon shines bright": re-viewing the Belmont mythological tapestry in Act 5 of The Merchant of Venice, by Janice Valls-Russell (CNRS, Universite Paul-Valery Montpellier 3, France)
New Direction 3: "That ugly treason of mistrust": rhetoric of credit and the credit of rhetoric in The Merchant of Venice, by Gary Watt (University of Warwick, UK)
New Direction 4: Screening The Merchant of Venice, by Douglas M. Lanier (University of New Hampshire, USA)
Learning and teaching Resources, by Lieke Stelling (University of Utrecht, Netherlands)
Notes on Contributors
Index