
Free Verse
An Essay on Prosody
Charles O. Hartman(Author)
Princeton University Press
Will be published approx. on 19. April 2016
Book
Hardback
212 pages
978-0-691-63887-4 (ISBN)
Description
To make sense of free verse" in theory or in practice, the whole study of prosody--the function of rhythm in poetry--must be revised and rethought. Stating this as the issue that poets and critics have faced in the past century, Charles Hartman takes up the challenge and develops a theory of prosody that includes the most characteristic forms of twentieth-century poetry Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
More details
Series
Language
English
Place of publication
New Jersey
United States
Target group
College/higher education
Professional and scholarly
Product notice
Trade binding
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 16 mm
Weight
487 gr
ISBN-13
978-0-691-63887-4 (9780691638874)
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Schweitzer Classification
Other editions
Additional editions

E-Book
07/2014
1st Edition
Princeton University Press
€35.99
Available for download
Person
Charles O. Hartman has published seven previous collections, including New & Selected Poems (Ahsahta); a textbook (Verse: An Introduction to Prosody, Wiley-Blackwell); and three books of critical prose (Free Verse, Jazz Text, and Virtual Muse). He co-edited the volume on Wendy Battin for the Unsung Masters series. He is Professor and Poet in Residence Emeritus at Connecticut College. He plays jazz guitar.
Content
*FrontMatter, pg. i*Contents, pg. v*Acknowledgments, pg. vii*Preface, pg. ix*Introduction, pg. 1*Chapter One. Some Definitions, pg. 10*Chapter Two. Accentualism, Isochrony, and the Musical Fallacy, pg. 29*Chapter Three. Free Verse and Prose, pg. 45*Chapter Four. Counterpoint, pg. 61*Chapter Five. The Discovery of Form, pg. 81*Chapter Six. The Discovery of Meter, pg. 106*Chapter Seven. Free Verse and Poetry, pg. 130*Chapter Eight. Some Contemporaries, pg. 144*Appendix. Full Texts of Three Quoted Poems, pg. 173*Notes, pg. 179*List of References, pg. 187*Index, pg. 195