
Between the Image and the Word
Theological Engagements with Imagination, Language and Literature
Trevor Hart(Author)
Routledge (Publisher)
1st Edition
Published on 13. September 2013
Book
Paperback/Softback
264 pages
978-1-4724-1370-3 (ISBN)
Description
The central contention of Christian faith is that in the incarnation the eternal Word or Logos of God himself has taken flesh, so becoming for us the image of the invisible God. Our humanity itself is lived out in a constant to-ing and fro-ing between materiality and immateriality. Imagination, language and literature each have a vital part to play in brokering this hypostatic union of matter and meaning within the human creature. Approaching different aspects of two distinct movements between the image and the word, in the incarnation and in the dynamics of human existence itself, Trevor Hart presents a clearer understanding of each and explores the juxtapositions with the other. Hart concludes that within the Trinitarian economy of creation and redemption these two occasions of 'flesh-taking' are inseparable and indivisible.
Reviews / Votes
'Hart is at his best (which is very good) when he is elucidating a central Christian idea by drawing on the work of imaginative writers...anyone interested in theological aesthetics will find much to reflect on in this book.' Theology 'The fourteenth century poet Petrarch, in one of his letters, posed this rhetorical question: What is theology if not poetry about God?? In this collection of illuminating essays, grounded in an excursus on the inevitable character of theological language as thinkers from Aquinas to Ricoeur have understood it, Trevor Hart explores with insight and verve the theological potential in verbal and visual imagery (ut picture poesis). The result is a highly stimulating contribution to reflection on the nature of theology itself as well as on its fruitful dance among the arts.' David Jeffrey, Baylor University Waco, USA 'This is a work of serious and profound theological reflection which takes entirely seriously - as theology itself all too often fails to do - the place of the imagination in religious thought and life. While rooted in a constant return to the Christological, it ranges over wide sea of theological themes and theologians, at the same time bringing into the conversation creative writers such from Dorothy Sayers to J.R.R. Tolkien and Shusaku Endo. The relationship between Christian theology and the arts is ever shifting and creative and Professor Hart's work is a major contribution to that on-going and lively dialogue.' David Jasper, University of Glasgow, UKMore details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 14 mm
Weight
406 gr
ISBN-13
978-1-4724-1370-3 (9781472413703)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Trevor Hart
Between the Image and the Word
Theological Engagements with Imagination, Language and Literature
E-Book
04/2016
Routledge
€59.49
Available for download

Trevor Hart
Between the Image and the Word
Theological Engagements with Imagination, Language and Literature
E-Book
04/2016
Routledge
€59.49
Available for download

Trevor Hart
Between the Image and the Word
Theological Engagements with Imagination, Language and Literature
Book
09/2013
1st Edition
Routledge
€231.80
Shipment within 10-20 days
Person
Trevor Hart is Professor of Divinity and (since 2000) Director of the Institute for Theology, Imagination and the Arts in the University of St Andrews. Formerly Lecturer in Systematic Theology in the University of Aberdeen, he is the author and editor of numerous publications including Faith Thinking (SPCK, 2000), Regarding Karl Barth (Paternoster, 1999), Hope Against Hope (Eerdmans,1999), Tolkien, Literature and Theology (Baylor, 2007), Faithful Performances (Ashgate, 2007), and Patterns of Promise (Ashgate, 2012).
Content
Introduction; Chapter 1 Between the Image and the Word; Chapter 2 The Promise and the Sign; Chapter 3 The Economy of the Flesh; Chapter 4 The Grammar of Conversation; Chapter 5 Cosmos, Kenosis and Creativity; Chapter 6 Unauthorised Texts; Chapter 7 Unseemly Representations; Chapter 8 Unfinished Performances; Chapter 9 Unexpected Endings; Chapter 10 The Substance of Things Hoped For;