New Writing Explorations
Researching Creative Writing
1st Edition
Published on 25. March 2025
Book
Hardback
162 pages
978-1-032-85462-5 (ISBN)
Description
This book, New Writing Explorations: Researching Creative Writing, investigates creative writing as an area of research, building from a recognition of its qualities as a creative human practice. It presents a critical examination of current methodologies and highlights many of the latest advancements in the field of creative writing studies.
This book's contributors examine writerly knowledge and action, places and spaces, tested methods and an array of associated concepts. Chapters draw not only on critical ideas formed by examining the works of creative writers, but also on a range of individual writing activities and the lively and fluid dynamics we frequently encounter when we seek to use writing for both communication and art. The chapters in this volume provide excellent examples of the many avenues of inquiry seen in both practice-led and critical research in creative writing. This volume is relevant for students and scholars interested in the field of creative writing and cognate fields.
The chapters in the book were originally published as articles and editorials in the New Writing journal. They are accompanied by a new Introduction and Conclusion, as well as a Foreword by award-winning poet and critic, Dan Disney.
This book's contributors examine writerly knowledge and action, places and spaces, tested methods and an array of associated concepts. Chapters draw not only on critical ideas formed by examining the works of creative writers, but also on a range of individual writing activities and the lively and fluid dynamics we frequently encounter when we seek to use writing for both communication and art. The chapters in this volume provide excellent examples of the many avenues of inquiry seen in both practice-led and critical research in creative writing. This volume is relevant for students and scholars interested in the field of creative writing and cognate fields.
The chapters in the book were originally published as articles and editorials in the New Writing journal. They are accompanied by a new Introduction and Conclusion, as well as a Foreword by award-winning poet and critic, Dan Disney.
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Postgraduate, Undergraduate Advanced, and Undergraduate Core
Dimensions
Height: 250 mm
Width: 175 mm
Thickness: 14 mm
Weight
494 gr
ISBN-13
978-1-032-85462-5 (9781032854625)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
approx. 07/2026
1st Edition
Routledge
€57.00
Not yet published
E-Book
03/2025
Routledge
€73.99
Available for download
E-Book
03/2025
Routledge
€73.99
Available for download
Person
Graeme Harper is Editor of New Writing: The International Journal for the Practice and Theory of Creative Writing. He is author of such books as Critical Approaches to Creative Writing (2018) and Creative Writing Analysis (2022) and, as Brooke Biaz, the novel Releasing the Animals (2023) and the forthcoming Robots, among many others.
Content
Foreword Introduction: Prying with Intent: The Prose Poetics of Creative Writing Research 1. Performances in Contradiction: Facilitating a Neosophistic Creative Writing Workshop 2. Creative Writing: A Newtonian Thought 3. 'Unconscionable Mystification'?: Rooms, Spaces and the Prose Poem 4. Thoughts are creative writing 5. Screenwriting studies, screenwriting practice and the screenwriting manual 6. Creative writing, as it happens: the case for unpredictability 7. The writer and meta-knowledge about writing: threshold concepts in creative writing 8. Flight 9. Cognitive poetics and creative practice: beginning the conversation 10. Structuring empathy 11. Creative work as scholarly work 12. Why our responses matter 13. Shifting the power dynamics in the Creative Writing workshop: assessing an instructor as participant model 14. Creative writing on other planets 15. Different ways of descending into the crypt: methodologies and methods for researching creative writing 16. Forms of illumination 17. Retooling workshops of empire: globalising creative writing with an edge 18. New types of intelligence relevant to creative writers 19. English-language creative writing in a Chinese context: translation as a supplement 20. An Agreeable Crest: The New Writing 20th Anniversary Year Conclusion: Intentional Echoes