When Sunday Comes
Gospel Music in the Soul and Hip-Hop Eras
Published on 16. November 2020
Book
Hardback
272 pages
978-0-252-04357-4 (ISBN)
Description
Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andrae Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms. At the same time, she details how sociopolitical and cultural developments like the Black Power Movement and the emergence of the Christian Right shaped both the art and attitudes of African American performers. Weaving insightful analysis into a collective biography of gospel icons, When Sunday Comes explores the music's essential place as an outlet for African Americans to express their spiritual and cultural selves.
Reviews / Votes
"A groundbreaking study." --Black Perspectives"The beauty of Claudrena N. Harold's brilliant When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras is in how it illustrates the power of gospel music to maintain its character, grow from its roots, evolve to reach new listeners, and spiral steadily upward in its call-and-response to new audiences who acclaim the uplifting spiritual strength and enduring beauty of the music. " --No Depression
"A multilensed view of a continually evolving and consistently vibrant art form. For gospel fans, music scholars, and scholars of African American history and culture generally." --Library Journal
More details
Language
English
Place of publication
Baltimore
United States
Illustrations
22 black & white photographs
Dimensions
Height: 235 mm
Width: 156 mm
Thickness: 33 mm
Weight
567 gr
ISBN-13
978-0-252-04357-4 (9780252043574)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
11/2020
1st Edition
University of Illinois Press
€18.49
Available for download
Person
Claudrena N. Harold is a professor of African American and African Studies and History at the University of Virginia. She is the author of New Negro Politics in the Jim Crow South and The Rise and Fall of the Garvey Movement in the Urban South, 1918-1942.
Content
Acknowledgments
Introduction
Chapter 1. Lord, Let Me Be an Instrument: The Artistry and Cultural Politics of Reverend James Cleveland
Chapter 2. A Special Kind of Witness: Andrae Crouch, the Growth of Contemporary Christian Music, and the Politics of Race
Chapter 3. Hold My Mule: Shirley Caesar and the Gospel of the New South
Chapter 4. A Wonderful Change: Walter Hawkins and the Love Alive Explosion
Chapter 5. Higher Plane: The Gospel According to Al Green
Chapter 6. The Only Thing Right Left in a Wrong World: The Clark Sisters, the Winans, Commissioned, and the Search for Cultural Authority in the 1980s
Chapter 7. If I Be Lifted: Milton Brunson and the Thompson Community Singers
Chapter 8. Through It All: Vanessa Bell Armstrong and the Perils of Crossover
Chapter 9. Hold Up the Light: The Crossover Success of BeBe and CeCe Winans
Chapter 10. Outside the County Line: The Southern Soul of John P. Kee
Chapter 11. We Are the Drum: Take 6, the Sounds of Blackness, and the New Black Aesthetic
Epilogue: Do You Want a Revolution? Kirk Franklin, Yolanda Adams, and the Beginning of a New Era in Gospel Music
Notes
Selected Bibliography
Index
Introduction
Chapter 1. Lord, Let Me Be an Instrument: The Artistry and Cultural Politics of Reverend James Cleveland
Chapter 2. A Special Kind of Witness: Andrae Crouch, the Growth of Contemporary Christian Music, and the Politics of Race
Chapter 3. Hold My Mule: Shirley Caesar and the Gospel of the New South
Chapter 4. A Wonderful Change: Walter Hawkins and the Love Alive Explosion
Chapter 5. Higher Plane: The Gospel According to Al Green
Chapter 6. The Only Thing Right Left in a Wrong World: The Clark Sisters, the Winans, Commissioned, and the Search for Cultural Authority in the 1980s
Chapter 7. If I Be Lifted: Milton Brunson and the Thompson Community Singers
Chapter 8. Through It All: Vanessa Bell Armstrong and the Perils of Crossover
Chapter 9. Hold Up the Light: The Crossover Success of BeBe and CeCe Winans
Chapter 10. Outside the County Line: The Southern Soul of John P. Kee
Chapter 11. We Are the Drum: Take 6, the Sounds of Blackness, and the New Black Aesthetic
Epilogue: Do You Want a Revolution? Kirk Franklin, Yolanda Adams, and the Beginning of a New Era in Gospel Music
Notes
Selected Bibliography
Index