
Genet
Paragraph Volume 27 Number 2
Mairead Hanrahan(Editor)
Edinburgh University Press
Will be published approx. on 23. September 2005
Book
Paperback/Softback
146 pages
978-0-7486-2188-0 (ISBN)
Description
This is a special issue of the journal Paragraph.The last decade has seen a considerable growth of interest in Genet, now widely recognized as one of the most important French writers of the twentieth-century. From the very beginning, Genet attracted the attention of the major thinkers of his time, as witnessed by the volumes both Sartre and Derrida devoted to him. But recently his writing has proven a mine for readings informed by a whole variety of theories. Including Derrida's first text on Genet since Glas and spanning the spectrum from a Deleuzian study of the event to speech-act analysis and queer theorizations of Genetian power relationships, this collection of articles reflects the diversity of the theoretical approaches currently being applied to his work.
More details
Series
Language
English
Place of publication
Edinburgh
United Kingdom
Target group
Professional and scholarly
Product notice
Paperback (trade)
Unsewn / adhesive bound
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 10 mm
Weight
299 gr
ISBN-13
978-0-7486-2188-0 (9780748621880)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Mairead Hanrahan is Professor of French at University College London. She is Editor of the journal Paragraph.
Content
Introduction: Genet and Theory; MAIREAD HANRAHAN, Countersignature; JACQUES DERRIDA, Sculpting Time; MAIREAD HANRAHAN, The Divided Event: The Aesthetics and Politics of Virtuality in Funeral Rites; SCOTT DURHAM, A Restive Word; TOM CONLEY, Disseminating Phallic Masculinity: Seminal Fluidity in Genet's Fiction; ELIZABETH STEPHENS, Genet's The Blacks: 'And Why Does One Laugh at a Negro?'; BENEDICTE BOISSERON AND FRIEDA EKOTTO, Speech without Acts: Politics and Speech-Act Theory in Genet's The Balcony; CLARE FINBURGH, Bataille's Battle.