
Hector Guimard
Art Nouveau to Modernism
David A. Hanks(Editor)
Yale University Press
Published on 27. April 2021
Book
Hardback
232 pages
978-0-300-24836-4 (ISBN)
Description
A beautifully illustrated retrospective of Art Nouveau architect and designer Hector Guimard, positioning him at the forefront of the modernist movement
The aesthetic of architect Hector Guimard (1867-1942) has long characterized French Art Nouveau in the popular imagination. This groundbreaking book showcases all aspects of his artistry and recognizes the fundamental modernity of his work. Known for, among other things, the decorative entrances to the Paris Metro and the associated lettering, he often looked to nature for inspiration, and combined materials such as stone and cast iron in unique ways to create designs composed of curves and waves that evoked movement. Guimard broke away from his classical Beaux-Arts training to advocate a modern, abstract style; he also pioneered the use of standardized models for his design objects and experimented with prefabricated designs in his social housing commissions, advancing the technology of the time.
With copious, beautifully reproduced illustrations of his architectural drawings as well as his furniture, jewelry, and textile designs, this volume explores Guimard's full oeuvre and elucidates the significance of his work to the history of modern art. Essays by an international group of scholars present Guimard as a visionary architect, a shrewd entrepreneur, an industrialist, and a social activist.
Published in association with the Richard H. Driehaus Museum
Exhibition Schedule:
Cooper Hewitt, Smithsonian Design Museum, New York
(November 17, 2022-May 21, 2023)
The Richard H. Driehaus Museum, Chicago
(June 22, 2023-January 7, 2024)
The aesthetic of architect Hector Guimard (1867-1942) has long characterized French Art Nouveau in the popular imagination. This groundbreaking book showcases all aspects of his artistry and recognizes the fundamental modernity of his work. Known for, among other things, the decorative entrances to the Paris Metro and the associated lettering, he often looked to nature for inspiration, and combined materials such as stone and cast iron in unique ways to create designs composed of curves and waves that evoked movement. Guimard broke away from his classical Beaux-Arts training to advocate a modern, abstract style; he also pioneered the use of standardized models for his design objects and experimented with prefabricated designs in his social housing commissions, advancing the technology of the time.
With copious, beautifully reproduced illustrations of his architectural drawings as well as his furniture, jewelry, and textile designs, this volume explores Guimard's full oeuvre and elucidates the significance of his work to the history of modern art. Essays by an international group of scholars present Guimard as a visionary architect, a shrewd entrepreneur, an industrialist, and a social activist.
Published in association with the Richard H. Driehaus Museum
Exhibition Schedule:
Cooper Hewitt, Smithsonian Design Museum, New York
(November 17, 2022-May 21, 2023)
The Richard H. Driehaus Museum, Chicago
(June 22, 2023-January 7, 2024)
More details
Language
English
Place of publication
United States
Product notice
Cloth over boards
Illustrations
184 color + 6 b-w illus.
Dimensions
Height: 302 mm
Width: 236 mm
Thickness: 27 mm
Weight
1510 gr
ISBN-13
978-0-300-24836-4 (9780300248364)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
David A. Hanks is a design historian and curator of the Liliane and David M. Stewart Program for Modern Design, Montreal.
Editor
Contributions