Pope
1st Edition
Published on 3. April 1996
Book
Paperback/Softback
264 pages
978-0-582-25538-8 (ISBN)
Description
This collection of essays represents some of the best critical thinking on Pope in recent years. Professor Hammond examines the main issues in the debate, in particular why Pope's writing has been so resistant to modern methodologies, such as deconstruction.
The essays focus on particular poems or themes and exemplify different theoretical perspectives, both traditional and modern. The editor's notes clarify the differences that exist, and what those differences can teach the student about theory in practice.
The essays focus on particular poems or themes and exemplify different theoretical perspectives, both traditional and modern. The editor's notes clarify the differences that exist, and what those differences can teach the student about theory in practice.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
Dimensions
Height: 216 mm
Width: 138 mm
Thickness: 14 mm
Weight
490 gr
ISBN-13
978-0-582-25538-8 (9780582255388)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Person
Brean Hammond is Professor of Modern English Literature at the University of Nottingham, UK.
Content
1. Introduction.
Section I: Statements
2. Pope's Refinement.
3. Pope's Moral Political and Cultural Combat.
Section II
4.The Rape of the Lock.
5. Pope's Rape of Excess.
6. Missing Parts: Voice and Spectacle in Eloisa to Abelard.
Section III
7. On the Use of Contradiction: Economics and Morality in the Eighteenth-Century Long Poem.
8. The Ideology of Neo-Classical Asthetics: Epistles to Several Persons.
9. `And hate for Arts that caus'd himself to rise': The Epistle to Dr Arbuthnot
Section I: Statements
2. Pope's Refinement.
3. Pope's Moral Political and Cultural Combat.
Section II
4.The Rape of the Lock.
5. Pope's Rape of Excess.
6. Missing Parts: Voice and Spectacle in Eloisa to Abelard.
Section III
7. On the Use of Contradiction: Economics and Morality in the Eighteenth-Century Long Poem.
8. The Ideology of Neo-Classical Asthetics: Epistles to Several Persons.
9. `And hate for Arts that caus'd himself to rise': The Epistle to Dr Arbuthnot