0
1st Edition
Published on 1. May 2002
Book
Paperback/Softback
318 pages
978-1-57181-276-6 (ISBN)
Description
More details
Language
English
Place of publication
Herndon
United States
Target group
College/higher education
Professional and scholarly
Dimensions
Height: 229 mm
Width: 152 mm
Weight
431 gr
ISBN-13
978-1-57181-276-6 (9781571812766)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
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Polish National Cinema
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Person
Marek Haltof is Assistant Professor in Film in the English Department at Northern Michigan University. He published Peter Weir: When Cultures Collide (1996) and three books on cinema in Polish, including Australian Cinema: On the Screen Construction of Australia (1996) and Author and Art Cinema: The Case of Paul Cox (2001). He is also the author of two novels published in Poland.
Content
List of Illustrations
Acknowledgments
Introduction
Chapter 1. Polish Cinema before the Introduction of Sound
Chapter 2. The Sound Period of the 1930s
Chapter 3. Polish Films-Whose Dreams? Cinema and the Political Construction of Polish National Identity after World War II
Chapter 4. The Poetics of Screen Stalinism: Socialist Realist Films
Chapter 5. The Polish School Revisited
Chapter 6. Adaptations, Personal Style, and Popular Cinema between 1965 and 1976
Chapter 7. Camouflage and Rough Treatment: The "Cinema of Distrust," the Solidarity Period, and Afterwards
Chapter 8. Landscape after Battle: The Return of Democracy
Chapter 9. The Representation of Stalinism in Polish Cinema
Chapter 10. National Memory, the Holocaust, and Images of the Jew in Postwar Polish Films
Chapter 11. Polish Films with an American Accent
Afterword
Selected Filmography
Selected Bibliography
Index of Names
Index of Film Titles
Acknowledgments
Introduction
Chapter 1. Polish Cinema before the Introduction of Sound
Chapter 2. The Sound Period of the 1930s
Chapter 3. Polish Films-Whose Dreams? Cinema and the Political Construction of Polish National Identity after World War II
Chapter 4. The Poetics of Screen Stalinism: Socialist Realist Films
Chapter 5. The Polish School Revisited
Chapter 6. Adaptations, Personal Style, and Popular Cinema between 1965 and 1976
Chapter 7. Camouflage and Rough Treatment: The "Cinema of Distrust," the Solidarity Period, and Afterwards
Chapter 8. Landscape after Battle: The Return of Democracy
Chapter 9. The Representation of Stalinism in Polish Cinema
Chapter 10. National Memory, the Holocaust, and Images of the Jew in Postwar Polish Films
Chapter 11. Polish Films with an American Accent
Afterword
Selected Filmography
Selected Bibliography
Index of Names
Index of Film Titles