How to be Gay

Reviews / Votes

[How To Be Gay is] an attempt to unpack [Halperin's] basic observation that there's far more to gay male American identity than a same-sex preference. Halperin interprets gayness through traditional pop culture preoccupations like golden age Hollywood, opera, and Broadway musicals, focusing on Joan Crawford (in particular her role in Mildred Pierce) and Faye Dunaway's notoriously over-the-top portrayal of the star in Mommie Dearest. Identifying the source of the camp appeal exerted by these ostensibly serious films, Halperin asks why gay men continue to be drawn to coded representations of their experience. He arrives at an apologia for such cliched signposts of gayness in an era of domestic partnerships and 'Born This Way.' Halperin persuasively defuses charges of misogyny lobbed against gay male culture. Publishers Weekly 20120608 [Halperin] provocatively argues that when it comes to defining what it means to be a homosexual man, sex is overrated... Culture matters more... [How To Be Gay] is never a bore... [It] explores a fundamental kind of gay sensibility... Halperin teases an enormous amount out of [a] scene [in Mildred Pierce], including the sense of 'glamour and abjection' gay audiences find in [Joan] Crawford, and how the film packages the 'transgressive spectacle of female strength, autonomy, feistiness and power.' ...Halperin works up to an argument (impossible to summarize here) about how the film evokes a 'dissident perspective' on the very idea of romantic love. He is articulate about many other things in this book, including how gay men often find more resonance in straight cultural artifacts than in gay ones. His funny shorthand for this is: 'Why would we want Edmund White, when we still have The Golden Girls?" ...He is excellent, too, on how classical tragedy is nearly always about men, or fathers and sons... Dozens of similar arguments are rehearsed in How To Be Gay. Halperin even neatly mows down hipster irony in the face of the kind of gay male irony that defines camp. It's a kaleidoscopic book that at its base breaks with what the author calls 'the Brokeback Mountain crowd.' He urges gay men to take their so-called femininity out of 'homosexuality's newly built closet,' to see it plainly and to give it affirmative interpretations. -- Dwight Garner New York Times 20120807 Halperin parses the pop culture of movies, music, style, camp, drag, and those totemic figures known as gay icons, to reveal the dirty little secret that many gay people may not wish to hear: there's a hard little kernel of truth behind the stereotypes. -- Richard J. Violette Library Journal 20120801 How To Be Gay makes for as fun a viewing companion [to Mildred Pierce and Mommie Dearest] as it does a rigorously intelligent read... Whether you're well-versed in all things gay or tend to avoid pop divas at all costs, How To Be Gay offers a fresh perspective on what we call gay culture, why so many of us love what we love and why we're afraid to talk about it. Thankfully, as Halperin notes in his conclusion, gay male culture isn't going anywhere-as long as there's a straight culture to appropriate for our own ends. -- Jameson Fitzpatrick Next Magazine 20120810 What is marvelous is Halperin's rich analysis of many aspects of this gay cultural life, showing the distinctive ways it makes use of straight culture... This is not meant to be a coffee-table book, encyclopedia or 'how-to manual': these already exist. It is rather an erudite meditation by one of the world's leading queer theorists. It provokes, sparkles and bristles with ideas, claims, defenses and the kind of epigrams...that would make for great seminar discussions... This is a great book, it will generate heated debate. -- Ken Plummer Times Higher Education 20120823 David M. Halperin has written a monumental work... In detail, the book explores the emotional and personalized subjectivity in describing what is at the core of gay culture and the innermost feelings of what it is to be 'gay.' ...It is Halperin's intent to create a serious dialogue, though there are many smiles to be had at the same time, while absorbing the process. How To Be Gay is both enlightening and refreshing in the personal discovery of self or for lack of a better phrase, the perfect way to understand the how, what, where and why 'to turn your inner-gay on.' -- Bill Biss Edge 20120823 David M. Halperin has written what might be called an archaeological study of gay culture. His excavation is a veritable public service to anyone who's ever wondered why a Lady Gaga-or Judy Garland-holds a place in the LGBT community that isn't quite the same among their heterosexual counterparts. Still, the very specter of 'gay identity' in a world where, for many, integration is viewed as the ultimate civil-rights victory, inevitably sparks controversy... His exhaustive exploration of the icons and idiosyncrasies associated with gay identity holds up a floor-length mirror to an entire subculture. -- Jim Brosseau Outlooks 20120901 How To Be Gay engages many of the foundational questions-and dogmas-of queer studies... What, Halperin wants to know, is gay culture? ...Halperin is plying his own twist on the familiar idea that by aligning themselves with certain forms-flamboyance, abject glamour, exaggerated femininity-gay men implicitly challenge the uptight codes of a patriarchal culture... Gay culture, for Halperin, isn't really attached to any given person's experience; rather, it's a set of tactics, adopted behaviors, and strategies imbricated in a much larger social field... Frivolity, irony, superficiality, inauthenticity, flamboyance, snobbishness, exquisite taste: How To Be Gay works hard to unpack the stereotypical characteristics of gay male culture and succeeds in demonstrating how the taint of pathology and the rise of a post-Stonewall ethos of hypermasculine self-determination conspire to shut down a frank inquiry into the persistence of such 'faggy' traits. -- Nathan Lee Bookforum 20120901 How To Be Gay is not an instruction manual, nor is it a 'learning to love yourself' self-help guide. Rather, Halperin's book is an intervention against those who trumpet the 'death of gay culture' (which he argues has been declared for over 40 years now) now that widening tolerance and greater visibility of gays in the media should make Judy Garland, show tunes, and drag queens obsolete... Halperin's fresh re-evaluation of the theory and practice of camp is one of his most fascinating insights... Halperin makes a case for camp as politically subversive and a case study for the complicated structure of gay identification... One gets the sense that Halperin anticipates his greatest detractors to not be social conservatives (though he has been their pariah in the past), but instead to be other gay men who fear the essentialism of acknowledging the role a distinct gay culture plays in shaping gay identity... Halperin narrates the history of this masculine reaction against gay culture, culling from his own memories in the 70s of how newly 'liberated' gay men appropriated the machismo of biker culture, mustaches, and construction worker clothing to combat the stereotype of the pathetic queens and fairies of the previous generation. This is a valuable history lesson to readers from subsequent generations given that these signifiers of '70s gay masculinity are now considered in the campy light of The Village People, and thus part of the gay culture from which today's champions of machismo and normality try to distance their selves. How To Be Gay deserves a wide audience beyond academia, especially among today's youth generation who come out in a climate more accepting of same-sex coupling, but still very much phobic and censorious of gay culture. -- Chase Dimock Lambda Literary Review 20120904 [A] provocatively titled critical cri de coeur...To summarize Halperin's ambitious book is tricky, but think of it as an exploration of the tension between the official Pride Parade, celebrating post-Stonewall gay identity, and the Drag March, celebrating pre-liberation gay culture...Halperin is at his best when critiquing the current assimilationist model of gay-rights activism, with its denial of any cultural interests or aesthetic points-of-view that hint of femininity or campiness or of the "stereotypically gay." His cultural history of how this attitude emerged in the 1970s will be surprising to those who view the gay-rights movement as a consistently positive progression; Halperin argues convincingly that as butch masculine styles became ever more mandatory, both for attracting sexual/romantic partners (no femmes, no fats!) as well as earning political credibility, the push toward conformity lead to the "euthanasia of traditional gay male culture." ...How To Be Gay is intellectually rigorous [and] entertaining...Halperin demonstrates that those gays who do still identify with Bette and Joan, drag and drapes, Auntie Mame and Annie Lennox have something important to contribute to our ever more homogenous world. -- J. Bryan Lowder Slate 20120907 Filled with thought-provoking ideas and hypotheses. Halperin doesn't shy away from controversy here, nor does he bow to stereotypes. -- Terri Schlichenmeyer Washington Blade 20120912 Halperin rejoices in the growing acceptance of homosexuality in mainstream society, although he's quick to point out that homophobia is still potent. He doesn't want gay culture to be lost as assimilation increases. It's a legitimate concern, and he makes his case forcefully. -- Tavo Amador Bay Area Reporter 20120920 How To Be Gay posits that 'gayness' is not simply the act of two men having sex but a mode of perception that must be learned from-and shared by-other gay men. Halperin homes in on, among many topics, the yin and yang of gay male existence: the beauty and the camp. -- Chris Keech Booklist 20121015