Philippe Grandrieux
Sonic Cinema
Published on 23. February 2017
Book
Paperback/Softback
312 pages
978-1-62892-312-4 (ISBN)
Description
Philippe Grandrieux is one of cinema's only living true radicals and feted as one of the most innovative and important film makers of his generation. His consistently controversial work remains, however, relatively unknown outside of the international art film festival circuit. In this volume, the first book-length study of the work of Grandrieux in any language, Greg Hainge provides an overview and critical analysis of Grandrieux's entire career during which he has produced works for television, video installations, photography, performance pieces, documentary films, short films and prize-winning feature films. As well as providing an overview, the book argues that a critical appraisal of his work necessarily leads us to problematize many of the critical orthodoxies that have been formed in recent times, to reject the concept of a haptic cinema and to supplant this instead with the idea of a sonic cinema.
Reviews / Votes
This book offers the very first comprehensive study of a major contemporary filmmaker and artist. From Grandrieux's work as a producer to the deepest challenges posed by his films and installations, the study conducted by Greg Hainge illuminates the consistency and magnitude of an exceptional artistic career, organically structured by experimental values. * Nicole Brenez, Professor, Paris 3 Sorbonne nouvelle University, France * Deploying a vocabulary derived from sonic principles, and in dialogue with questions about aesthetic logics of sensation, Greg Hainge reveals the Philippe Grandrieux of choreography, improvisation, dynamic contrast, rhythm, force, cacophony, all that is intensely immersive and (thereby) inventive. Hainge's exploration takes the form of an abyssal unfolding-of Grandrieux's corpus, extending from film through television, video, photography, installation and critical reflection; of the speculative potential of film-theoretical concepts derived from the sonic in place of the haptic or visual; of the inventive and political possibilities of (all) cinemas of cruelty; and of the new conceptual lives enabled by the promise of closely reading for form. * Eugenie Brinkema, Author of The Forms of the Affects (2014) and Associate Professor of Contemporary Literature and Media, Massachusetts Institute of Technology, USA * Philippe Grandrieux is one of the very rare truly innovative filmakers who has appeared in french cinema since Chantal Akerman and Philippe Garrel. Altogether powerfully visual, haptic and sonic, his images excel to express all possible states of the body, from the most extremes to the most daily. Here is what shows at the best the book of Greg Hainge, stressing particularly the sonic dimension which allows him to harmonize all the components of a cinema of the Figure, in the sense that Gilles Deleuze has given to this word through the painting of Francis Bacon. * Raymond Bellour, co-editor of Trafic, revue de cinema and Director of Research Emeritus, Centre National de la Recherche Scientifique, Paris, France *More details
Product info
Paperback
Series
Language
English
Place of publication
New York
United States
Publishing group
Bloomsbury Publishing Plc
Target group
Professional and scholarly
Illustrations
14 bw illus; 6 color
Dimensions
Height: 214 mm
Width: 136 mm
Thickness: 20 mm
Weight
380 gr
ISBN-13
978-1-62892-312-4 (9781628923124)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
02/2017
1st Edition
Bloomsbury Academic USA
€33.49
Available for download
E-Book
02/2017
1st Edition
Bloomsbury Academic USA
€33.49
Available for download
Person
Greg Hainge is Reader in French at the University of Queensland, Australia. He is the author of Noise Matters: Towards an Ontology of Noise (Bloomsbury 2013), a monograph on Celine and numerous articles on music, cinema, philosophy and literature. He is Editor-in-Chief of Culture Theory and Critique and serves on the editorial boards of Studies in French Cinema, Contemporary French Civilization, Etudes Celiniennes and Corps.
Content
List of Illustrations
Acknowledgements
Introduction
Chapter 1. In the Beginning.
Chapter 2. The Television Years.
Chapter 3. Long-Form Documentaries.
Chapter 4. Intermezzo.
Chapter 5. Sombre (1998).
Chapter 6. La Vie nouvelle [A New Life] (2002).
Chapter 7. The Turn to Nature.
Chapter 8. Un lac [A Lake] (2008).
Chapter 9. Recent Works.
Conclusion
Afterword - Sonic Cinema
References
Acknowledgements
Introduction
Chapter 1. In the Beginning.
Chapter 2. The Television Years.
Chapter 3. Long-Form Documentaries.
Chapter 4. Intermezzo.
Chapter 5. Sombre (1998).
Chapter 6. La Vie nouvelle [A New Life] (2002).
Chapter 7. The Turn to Nature.
Chapter 8. Un lac [A Lake] (2008).
Chapter 9. Recent Works.
Conclusion
Afterword - Sonic Cinema
References