
Respect for Acting
Uta Hagen(Author)
Haskel Frankel(Co-Author)
Wiley (Publisher)
2nd Edition
Published on 4. July 2008
Book
Hardback
240 pages
978-0-470-22848-7 (ISBN)
Article exhausted; check for reprint
Description
Respect for Acting
"This fascinating and detailed book about acting is Miss Hagen's credo, the accumulated wisdom of her years spent in intimate communion with her art. It is at once the voicing of her exacting standards for herself and those she [taught], and an explanation of the means to the end."
--Publishers Weekly
"Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her 'object exercises' display a wealth of detail with which to stimulate the student preparing a scene for presentation."
--Library Journal
"Uta Hagen's Respect for Acting . . . is a relatively small book. But within it, Miss Hagen tells the young actor about as much as can be conveyed in print of his craft."
--Los Angeles Times
"There are almost no American actors uninfluenced by Uta Hagen."
--Fritz Weaver
"This is a textbook for aspiring actors, but working thespians can profit much by it. Anyone with just a casual interest in the theater should also enjoy its behind-the-scenes flavor."
--King Features Syndicate
"This fascinating and detailed book about acting is Miss Hagen's credo, the accumulated wisdom of her years spent in intimate communion with her art. It is at once the voicing of her exacting standards for herself and those she [taught], and an explanation of the means to the end."
--Publishers Weekly
"Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her 'object exercises' display a wealth of detail with which to stimulate the student preparing a scene for presentation."
--Library Journal
"Uta Hagen's Respect for Acting . . . is a relatively small book. But within it, Miss Hagen tells the young actor about as much as can be conveyed in print of his craft."
--Los Angeles Times
"There are almost no American actors uninfluenced by Uta Hagen."
--Fritz Weaver
"This is a textbook for aspiring actors, but working thespians can profit much by it. Anyone with just a casual interest in the theater should also enjoy its behind-the-scenes flavor."
--King Features Syndicate
More details
Edition
2nd edition
Language
English
Place of publication
New York
United States
Target group
Professional and scholarly
Illustrations
Photos: 1 B&W, 0 Color
Dimensions
Height: 213 mm
Width: 140 mm
Thickness: 25 mm
Weight
386 gr
ISBN-13
978-0-470-22848-7 (9780470228487)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
New editions

Book
06/2023
3rd Edition
Jossey-Bass
€26.50
Shipment within 15-20 days
Additional editions

Uta Hagen | Haskel Frankel
Respect for Acting
E-Book
09/2010
2nd Edition
Wiley
€14.99
Available for download

Uta Hagen | Haskel Frankel
Respect for Acting
E-Book
09/2010
2nd Edition
Wiley
€14.99
Available for download
Previous edition
Persons
Uta Hagen was the recipient of innumerable honors and awards during her long career, including the prestigious National Medal of Arts in 2003. She died in 2004 at the age of 84. HASKEL FRANKEL was the drama critic of the National Observer.
Content
Foreword by David Hyde Pierce. Acknowledgments.
PART ONE.
The Actor.
Introduction.
1. Concept.
2. Identity.
3. Substitution.
4. Emotional Memory.
5. Sense Memory.
6. The Five Senses.
7. Thinking.
8. Walking and Talking.
9. Improvisation.
10. Reality.
PART TWO.
The Object Exercises.
Introduction.
11. The Basic Object Exercise.
12. Three Entrances.
13. Immediacy.
14. The Fourth Wall.
15. Endowment.
16. Talking to Yourself.
17. Outdoors.
18. Conditioning Forces.
19. History.
20. Character Action.
PART THREE.
The Play and the Role.
Introduction.
21. First Contact with the Play.
22. The Character.
23. Circumstances.
24. Relationship.
25. The Objective.
26. The Obstacle.
27. The Action.
28. The Rehearsal.
29. Practical Problems.
30. Communication.
31. Style.
Epilogue.
Index.
PART ONE.
The Actor.
Introduction.
1. Concept.
2. Identity.
3. Substitution.
4. Emotional Memory.
5. Sense Memory.
6. The Five Senses.
7. Thinking.
8. Walking and Talking.
9. Improvisation.
10. Reality.
PART TWO.
The Object Exercises.
Introduction.
11. The Basic Object Exercise.
12. Three Entrances.
13. Immediacy.
14. The Fourth Wall.
15. Endowment.
16. Talking to Yourself.
17. Outdoors.
18. Conditioning Forces.
19. History.
20. Character Action.
PART THREE.
The Play and the Role.
Introduction.
21. First Contact with the Play.
22. The Character.
23. Circumstances.
24. Relationship.
25. The Objective.
26. The Obstacle.
27. The Action.
28. The Rehearsal.
29. Practical Problems.
30. Communication.
31. Style.
Epilogue.
Index.