
Chinese Opera
Abbeville Press Inc.,U.S.
Published on 1. June 2001
Book
Hardback
152 pages
978-0-7892-0709-8 (ISBN)
Description
For centuries opera companies have mesmerized audiences with their elaborately costumed and made-up characters and the pageantry of their productions combining music and voice with dance and gesture. Because of its venerable tradition, many of the operas have historical and military themes, which are still performed today. As in the past, the emphasis in these productions is not on scenery or props but on the elaborate costumes and makeup worn by the leading characters, who display a variety of acting styles, and the best known are the Peking, the Cantonese, and Shanghai's Yue Operas, which are featured in this photographic book. Jessica Tan Gudnason's stunning portraits look more like painted sculptures than photographs. Her images were taken over a ten-year period during which she frequented Peking, Cantonese, and Yue opera productions, capturing many different actors in all stages of preparation for leading and supporting roles or fully dressed for the performance.
Some of the remarkable characters she presents include a gorgeously costumed female warrior wearing peacock feathers in her headdress and state flags in her voluminous costume; a clown made up to look like a monkey, who, according to Buddhist legend, accompanied his master on a quest for self-knowledge; a heavily made-up male warrior wearing an intricately embroidered red coat and carved headdress; a close-up of a beautiful woman wearing an elaborate head piece adorned with flowers and jewels, indicating her high rank; and boys transforming themselves into costumed and made-up performers. Gudnason's aim is to recreate the excitement, emotion, sound, color, and movement of the actor's backstage from an insider's view. Supplementing the photographs is an insightful text by actress Gong Li as she comments on these powerful photographs and their significance. The authors provide background information about the Peking, Cantonese, and Yue opera companies, the plays, and the major character types depicted here. This unique book is ideal for collectors of exceptional photography and for anyone who loves opera, music, and theater.
Some of the remarkable characters she presents include a gorgeously costumed female warrior wearing peacock feathers in her headdress and state flags in her voluminous costume; a clown made up to look like a monkey, who, according to Buddhist legend, accompanied his master on a quest for self-knowledge; a heavily made-up male warrior wearing an intricately embroidered red coat and carved headdress; a close-up of a beautiful woman wearing an elaborate head piece adorned with flowers and jewels, indicating her high rank; and boys transforming themselves into costumed and made-up performers. Gudnason's aim is to recreate the excitement, emotion, sound, color, and movement of the actor's backstage from an insider's view. Supplementing the photographs is an insightful text by actress Gong Li as she comments on these powerful photographs and their significance. The authors provide background information about the Peking, Cantonese, and Yue opera companies, the plays, and the major character types depicted here. This unique book is ideal for collectors of exceptional photography and for anyone who loves opera, music, and theater.
More details
Language
English
Place of publication
New York
United States
Illustrations
70 colour illustrations, 20 b&w illustrations
Dimensions
Height: 337 mm
Width: 261 mm
Thickness: 25 mm
Weight
1569 gr
ISBN-13
978-0-7892-0709-8 (9780789207098)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Jessica Tan Gudnason was born in Malaysia and studied photography at the International Center of Photography. Gong Li is an accomplished actress who has appeared in such films Farewell, My Concubine, Raise the Red Lantern, and Temptress Moon. She lives in China but makes frequent appearances at international film festivals.