
Transforming Tales
Rewriting Metamorphosis in Medieval French Literature
Miranda Griffin(Author)
Oxford University Press
Published on 27. August 2015
Book
Hardback
284 pages
978-0-19-968698-8 (ISBN)
Description
Transforming Tales argues that the study of transformation is crucial for understanding a wide range of canonical work in medieval French literature. From the lais and Arthurian romances of the twelfth and thirteenth centuries, through the Roman de la Rose and its widespread influence, to the fourteenth-century Ovide moralise and the vast prose cycles of the late Middle Ages, metamorphosis is a recurrent theme, resulting in some of the best-known and most powerful literature of the era. Transforming Tales is the first book in English to explore in detail the importance of ideas of metamorphosis in French literature from the twelfth to the fifteenth centuries. This book's purpose is twofold: it traces a series of figures (the werewolf, the snake-woman, the nymph, the magician, amongst others) as they are transformed within individual texts; and it also examines the way in which the stories of transformation themselves become rewritten during the course of the Middle Ages. Griffin's approach combines close readings and comparisons of literary texts with readings informed by modern critical theories which are grounded in many of the ideas raised by medieval metamorphosis: the body, gender, identity and categories of life. Literary depictions and reworkings of transformation raise questions about medieval understandings of the differences between human and animal, man and woman, God and man, life and death--these are the questions explored in Transforming Tales.
Reviews / Votes
From goshawks to enchanters, Transforming Tales provides an illuminating analysis of metamorphic figures and writing across francophone medieval literarture, combining perceptive close readings with elegant analysis informed by Derrida, Julia Kristeva and other theorists. Both medievalists and those interested in metamorphosis will find much to engage with in Griffin's supple book * Elizabeth Dearnley, The Times Literary Supplement * this book is a pleasure to read and, by uniting physical and textual changes, metamorphoses and repetitions in one place, it offers new ways to approach not only the medieval body but also the medieval text itself so often written, as Griffin reminds us, on skin. * Forum for Modern Language Studies *More details
Product info
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Language
English
Place of publication
Oxford
United Kingdom
Target group
College/higher education
Professional and scholarly
Dimensions
Height: 222 mm
Width: 145 mm
Thickness: 19 mm
Weight
492 gr
ISBN-13
978-0-19-968698-8 (9780199686988)
Schweitzer Classification
Other editions
Additional editions

E-Book
08/2015
1st Edition
OUP eBook
€58.99
Available for download
Person
After a comprehensive education in Wiltshire, Miranda Griffin completed her undergraduate and graduate education at Cambridge. She has taught in Cambridge, London, and Oxford; and has been a Fellow of St Catharine's College, Cambridge since 2007. Her first book, The Object and the Cause in the Vulgate Cycle was published by Legenda in 2005.
Author
College Lecturer and FellowCollege Lecturer and Fellow, St Catharine's College, University of Cambridge.
Content
Introduction: Rewriting Metamorphosis ; 1. Dismembering Ovid ; 2. Reflecting on Echo ; 3. The Beast Without ; 4. Sex and the Serpent ; 5. Now you see him ... : The Metamorphoses of Merlin ; Conclusion: The Stuff that Dreams are Made on