
The French New Wave
Critical Landmarks
BFI Publishing
3rd Edition
Published on 6. October 2022
Book
Paperback/Softback
320 pages
978-1-83902-229-6 (ISBN)
Description
The French New Wave is an essential anthology of writings by and about the critics and filmmakers of this revolutionary cinematic movement, which has had a radical impact on film practice and the way we think and write about film. The volume includes foundational writings such as Francois Truffaut's A Certain Tendency in French Cinema and Andre Bazin's La Politique des auteurs, as well writings by Jean-Luc Godard, Claude Chabrol and Alexandre Astruc.
This new edition now represents writings by and about women critics and film-makers, including important articles by the critics Evelyne Sullerot, Michele Firk and Francoise Aude, addressing issues of gender and representation, as well as considering New Wave films in the context of contemporary political events, notably France's colonialist war on the Algerian independence movement. To accompany the case study of Godard's A bout de souffle, the new edition includes a case study of the critical reception of two films by Agnes Varda: La Pointe Courte and Cleo de 5 a 7 .
The articles have been specially translated for the volume by Peter Graham, and some are published for the first time in English. These classic writings are accompanied by contextualising introductions by Ginette Vincendeau, updated for this new edition, to form a unique resource on this key cinematic movement and its practitioners.
This new edition now represents writings by and about women critics and film-makers, including important articles by the critics Evelyne Sullerot, Michele Firk and Francoise Aude, addressing issues of gender and representation, as well as considering New Wave films in the context of contemporary political events, notably France's colonialist war on the Algerian independence movement. To accompany the case study of Godard's A bout de souffle, the new edition includes a case study of the critical reception of two films by Agnes Varda: La Pointe Courte and Cleo de 5 a 7 .
The articles have been specially translated for the volume by Peter Graham, and some are published for the first time in English. These classic writings are accompanied by contextualising introductions by Ginette Vincendeau, updated for this new edition, to form a unique resource on this key cinematic movement and its practitioners.
Reviews / Votes
This is an indispensable point of reference for anyone interested in the movement.The book's resurrection in this slightly expanded new version is very welcome, and it remains faithful to one of the series' hallmarks: the imaginative arrangement of the many carefully selected stills. * Sight & Sound (of the 2009 edition) * ...the re-printed essays in The French New Wave: Critical Landmarks encapsulate an exciting time of cultural change with their fierce opinions and alternative approach towards reading film. * Scope (of the 2009 edition) *
More details
Edition
3rd edition
Language
English
Place of publication
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Illustrations
50 bw illus
Dimensions
Height: 233 mm
Width: 160 mm
Thickness: 22 mm
Weight
565 gr
ISBN-13
978-1-83902-229-6 (9781839022296)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
09/2022
2nd Edition
BFI Publishing
€27.49
Available for download

E-Book
09/2022
2nd Edition
BFI Publishing
€27.49
Available for download
Previous edition

Book
04/2009
1st Edition
BFI Publishing
€32.09
Article exhausted; check for reprint
Persons
Peter Graham (1939-2020) enjoyed a varied career as a film critic, food writer, translator and film-maker. His publications include A Dictionary of the Cinema (1964 and 1968), Classic Cheese Cookery (1988 and 2004) and Mourjou: The Life and Food of an Auvergne Village (1998 and 2004).
Ginette Vincendeau is Professor of Film Studies and Director of the Film Studies Department at King's College London, UK. Her recent publications include Paris in the Cinema (co-edited with Alastair Phillips, BFI Publishing, 2018), La Haine (2005) and Jean-Pierre Melville: An American in Paris (BFI Publishing, 2003). She is a regular film reviewer and contributor to Sight & Sound, BBC Radio 3 and 4 and the BBC World Service.
Ginette Vincendeau is Professor of Film Studies and Director of the Film Studies Department at King's College London, UK. Her recent publications include Paris in the Cinema (co-edited with Alastair Phillips, BFI Publishing, 2018), La Haine (2005) and Jean-Pierre Melville: An American in Paris (BFI Publishing, 2003). She is a regular film reviewer and contributor to Sight & Sound, BBC Radio 3 and 4 and the BBC World Service.
Editor
Film-maker, critic and food writer, France
King's College London, UK
Content
Preface to the 2022 edition
Preface to the 2009 Edition
Preface to the 1968 Edition
Introduction (updated): Sixty Years of the French New Wave
1. The politique des auteurs: foundational texts
The Birth of a New Avant-Garde: La Camera-Stylo ALEXANDRE ASTRUC
A Certain Tendency in French Cinema FRANCOIS TRUFFAUT
The Evolution of Film Language ANDRE BAZIN
La Politique des auteurs ANDRE BAZIN
2. Critical debates: authorship and mise-en-scene
The Delights of Ambiguity: In Praise of Andre Bazin GERARD GOZLAN
Little Themes CLAUDE CHABROL.
Review of Alexandre Astruc's Une vie JEAN-LUC GODARD.
The Emperor Has No Clothes ROBERT BENAYOUN.
Interview with Francois Truffaut CAHIERS DU CINEMA.
3. Authorship-mise-en-scene Case Study: the reception of A bout de souffle
Contrasting Views of A bout de souffle: Jean-Luc Godard LUC MOULLET . A bout de souffle RAYMONDE BORDE . Le Quai des brumes 1960: A bout de souffle by Jean-Luc Godard GEORGES SADOUL.
4. Critical debates: The Missing Perspective, gender and politics
Identikit of the 'New Wave' heroine EVELYNE SULLEROT
Goodnight, Doctor Kinsey PIERRE KAST
Three texts by MICHELE FIRK
Hiroshima mon amour, the heart and the mind FRANCOISE AUDE
5. Gender Case study: the reception of Agnes Varda
MONOD: La Pointe courte; SADOUL: Cleo de 5 a 7; BORY: Cleo de 5 a 7
Bibliography (updated)
Index (updated)
Preface to the 2009 Edition
Preface to the 1968 Edition
Introduction (updated): Sixty Years of the French New Wave
1. The politique des auteurs: foundational texts
The Birth of a New Avant-Garde: La Camera-Stylo ALEXANDRE ASTRUC
A Certain Tendency in French Cinema FRANCOIS TRUFFAUT
The Evolution of Film Language ANDRE BAZIN
La Politique des auteurs ANDRE BAZIN
2. Critical debates: authorship and mise-en-scene
The Delights of Ambiguity: In Praise of Andre Bazin GERARD GOZLAN
Little Themes CLAUDE CHABROL.
Review of Alexandre Astruc's Une vie JEAN-LUC GODARD.
The Emperor Has No Clothes ROBERT BENAYOUN.
Interview with Francois Truffaut CAHIERS DU CINEMA.
3. Authorship-mise-en-scene Case Study: the reception of A bout de souffle
Contrasting Views of A bout de souffle: Jean-Luc Godard LUC MOULLET . A bout de souffle RAYMONDE BORDE . Le Quai des brumes 1960: A bout de souffle by Jean-Luc Godard GEORGES SADOUL.
4. Critical debates: The Missing Perspective, gender and politics
Identikit of the 'New Wave' heroine EVELYNE SULLEROT
Goodnight, Doctor Kinsey PIERRE KAST
Three texts by MICHELE FIRK
Hiroshima mon amour, the heart and the mind FRANCOISE AUDE
5. Gender Case study: the reception of Agnes Varda
MONOD: La Pointe courte; SADOUL: Cleo de 5 a 7; BORY: Cleo de 5 a 7
Bibliography (updated)
Index (updated)