
Regurgitator's Unit
Bloomsbury Academic USA (Publisher)
Published on 11. August 2022
Book
Paperback/Softback
160 pages
978-1-5013-8176-8 (ISBN)
Description
Regurgitator's second full-length album, Unit (1997), was produced in a DIY warehouse studio at a time when this was unusual for a major label band. The album went three times Platinum in Australia and won five esteemed ARIA Awards in 1998, including Album of the Year. The album's success is indicative of a particular point in time in popular music trends, when the world was recovering from the impact of grunge and post-grunge bands.
Regurgitator's subversive attitude toward pop music, punk aesthetic, unique lyrical narratives and an ironic view on their own creative product made their music potent in an alternative market defying the prevailing music trends. Unit and Regurgitator were the focus of divisive critical reviews, yet they continue to rank highly as a quintessentially Australian band. This volume situates the development of Unit amongst the DIY culture of a politically charged Brisbane scene, and breaks down the album through the lens of recording and songwriting processes. This book outlines the impact of Regurgitator's music locally and globally, by discussing what made Unit a success at the peak of the alternative music genre.
Regurgitator's subversive attitude toward pop music, punk aesthetic, unique lyrical narratives and an ironic view on their own creative product made their music potent in an alternative market defying the prevailing music trends. Unit and Regurgitator were the focus of divisive critical reviews, yet they continue to rank highly as a quintessentially Australian band. This volume situates the development of Unit amongst the DIY culture of a politically charged Brisbane scene, and breaks down the album through the lens of recording and songwriting processes. This book outlines the impact of Regurgitator's music locally and globally, by discussing what made Unit a success at the peak of the alternative music genre.
More details
Series
Language
English
Place of publication
New York
United States
Publishing group
Bloomsbury Publishing Plc
Target group
College/higher education
Dimensions
Height: 193 mm
Width: 124 mm
Thickness: 9 mm
Weight
176 gr
ISBN-13
978-1-5013-8176-8 (9781501381768)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Lachlan Goold | Lauren Istvandity
Regurgitator's Unit
E-Book
07/2022
1st Edition
Bloomsbury Academic USA
€20.49
Available for download

Lachlan Goold | Lauren Istvandity
Regurgitator's Unit
E-Book
07/2022
1st Edition
Bloomsbury Academic USA
€20.49
Available for download
Persons
Lachlan Goold is a recording engineer, producer, mixer, popular music educator, researcher and lecturer in Contemporary Music at the University of the Sunshine Coast, Australia. His research focuses on practice-based music production approaches, theoretical uses of space, and the music industry specifically relating to government legislation. In his creative practice, he is better known as Australian music producer, Magoo, a two-time ARIA award winner. Dr Goold worked with Regurgitator as their recording engineer across seven releases.
Lauren Istvandity is a researcher in popular music heritage. She is the author of The Lifetime Soundtrack: Music and Autobiographical Memory (2019) and co-author of Curating Pop: Popular Music in the Museum with Sarah Baker and Raphael Nowak (2019, Bloomsbury), and co-editor of The Routledge Companion to Popular Music History and Heritage (2018). She is currently a Lecturer in the School of Business and Creative Industries at the University of the Sunshine Coast, Australia.
Lauren Istvandity is a researcher in popular music heritage. She is the author of The Lifetime Soundtrack: Music and Autobiographical Memory (2019) and co-author of Curating Pop: Popular Music in the Museum with Sarah Baker and Raphael Nowak (2019, Bloomsbury), and co-editor of The Routledge Companion to Popular Music History and Heritage (2018). She is currently a Lecturer in the School of Business and Creative Industries at the University of the Sunshine Coast, Australia.
Author
University of the Sunshine Coast, Australia
Griffith University, Australia
Content
List of Permissions
Acknowledgments
About the Authors
Unit Track Listing
Preface
Introduction
1. Alternative Nation
2. The Dirty Room
3.Phase One
4. Phase Two
5. Phase Three
Conclusion
Glossary
References
Index
Acknowledgments
About the Authors
Unit Track Listing
Preface
Introduction
1. Alternative Nation
2. The Dirty Room
3.Phase One
4. Phase Two
5. Phase Three
Conclusion
Glossary
References
Index