Printing Terror
American Horror Comics as Cold War Commentary and Critique
Published on 28. January 2021
Book
Hardback
328 pages
978-1-5261-3592-6 (ISBN)
Description
Printing Terror places horror comics of the Cold War in dialogue with the anxieties of their age. It rejects the narrative of horror comics as inherently, and necessarily, subversive and explores, instead, the ways in which these texts manifest white male fears over America's changing sociological landscape. It examines two eras: the pre-CCA period of the 1940s up to 1954, and the post-CCA era to 1975. The book examines each of these periods through the lenses of war, gender, and race, demonstrating that horror comics at this time were centered on white male victimhood and the monstrosity of the gendered and/or racialised other. It is of interest to scholars of horror, comics studies, and American history. -- .
Reviews / Votes
'The six main chapters incorporate a broad range of texts, and in these Goodrum and Smith read comics from two distinct periods-the periods before and after the formation of the Comics Code Authority (CCA) in 1954-through the lenses of trauma, race, and gender.'Choice Reviews. All rights reserved. Copyright by the American Library Association
'The authors robustly show the extent to which horror comics appear to indict racism and misogyny while consistently presenting women and people of colour as endangering white men and societal structures.'
Dianne Kirby, Twentieth Century Communism -- .
More details
Language
English
Place of publication
Manchester
United Kingdom
Target group
Children/juvenile
Illustrations
83 black & white illustrations
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 22 mm
Weight
658 gr
ISBN-13
978-1-5261-3592-6 (9781526135926)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Michael Goodrum | Philip Smith
Printing Terror
American Horror Comics as Cold War Commentary and Critique
E-Book
01/2021
1st Edition
Manchester University Press
€55.99
Available for download
Michael Goodrum | Philip Smith
Printing Terror
American Horror Comics as Cold War Commentary and Critique
E-Book
01/2021
1st Edition
Manchester University Press
from
€55.99
Available for download
Persons
Michael Goodrum is Reader in Cultural History at Canterbury Christ Church University
Philip Smith is Associate Chair of Liberal Arts at Savannah College of Art and Design -- .
Philip Smith is Associate Chair of Liberal Arts at Savannah College of Art and Design -- .
Content
Introduction
1 The dead - the slain - the unavenged - trauma in the 1940s and 1950s
2 Men are beasts! Wild beasts! Wild beasts must be destroyed! - gender in the 1940s and 1950s
3 Confusion turns to fear - race in the 1940s and 1950s
4 Monster kids: bridging the pre- and post-CCA eras
5 The war has done strange things to you - trauma in the 1960s and 1970s
6 This isn't a dream! This is really happening! - gender in the 1960s and 1970s
7 We are a species that fears itself most of all - race in the 1960s and 1970s
8 Conclusion: appropriating white male fear
Index -- .
1 The dead - the slain - the unavenged - trauma in the 1940s and 1950s
2 Men are beasts! Wild beasts! Wild beasts must be destroyed! - gender in the 1940s and 1950s
3 Confusion turns to fear - race in the 1940s and 1950s
4 Monster kids: bridging the pre- and post-CCA eras
5 The war has done strange things to you - trauma in the 1960s and 1970s
6 This isn't a dream! This is really happening! - gender in the 1960s and 1970s
7 We are a species that fears itself most of all - race in the 1960s and 1970s
8 Conclusion: appropriating white male fear
Index -- .