
The God We Made
The Threat and Promise of Artificial Intelligence; Quarterly Essay 102
Anna Goldsworthy(Author)
Quarterly Essay (Publisher)
Published on 1. June 2026
Book
Paperback/Softback
128 pages
978-1-76064-580-9 (ISBN)
Description
Humanity in the age of AI
How will we be changed by the rise of artificial intelligence? In this scintillating essay, Anna Goldsworthy argues that AI is a rupture that makes us confront what it is to be human - what we do, and want. As it learns human ways, AI raises big questions about work, leisure and education. It brings new existential, social and ethical risks. Above all, it invites us to consider what is irreplaceable in us, starting with the body and the friction of others.
The God We Made is a brilliant inquiry into identity and a transformed future. How can we learn to live with AI? And will AI be happy to live with us?
"The experts have spoken, but many of us remain curiously unprepared, burying our heads in the sand - Look at its hallucinations! It's never going to be as smart as us! - or imagining that the only issue is plagiarism. AI is not just another tool: it is a paradigm shift, a ceding of our superiority." -Anna Goldsworthy, The God We Made
More details
Language
English
Place of publication
Australia
Publishing group
Black Inc.
Product notice
Paperback (UK-trade)
Dimensions
Height: 234 mm
Width: 167 mm
Thickness: 8 mm
Weight
308 gr
ISBN-13
978-1-76064-580-9 (9781760645809)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Anna Goldsworthy
The God We Made
The Threat and Promise of Artificial Intelligence; Quarterly Essay 102
E-Book
06/2026
Schwartz Books Pty. Ltd.
€17.99
Available for download
Person
Anna Goldsworthy is the author of several books, including the novel Melting Moments and the memoirs Piano Lessons and Welcome to Your New Life, as well as the 2013 Quarterly Essay Unfinished Business. She is also a concert pianist and chamber musician, with several recordings to her name. She is currently Dean of the Elder Conservatorium of Music and School of Performing Arts at Adelaide University and incoming Artistic Director of the Australian National Academy of Music.