The Mummy on Screen
Orientalism and Monstrosity in Horror Cinema
Published on 28. November 2019
Book
Hardback
216 pages
978-1-78831-408-4 (ISBN)
Description
The Mummy is one of the most recognizable figures in horror and is as established in the popular imagination as virtually any other monster, yet the Mummy on screen has until now remained a largely overlooked figure in critical analysis of the cinema. In this compelling new study, Basil Glynn explores the history of the Mummy film, uncovering lost and half-forgotten movies along the way, revealing the cinematic Mummy to be an astonishingly diverse and protean figure with a myriad of on-screen incarnations. In the course of investigating the enduring appeal of this most 'Oriental' of monsters, Glynn traces the Mummy's development on screen from its roots in popular culture and silent cinema, through Universal Studios' Mummy movies of the 1930s and 40s, to Hammer Horror's re-imagining of the figure in the 1950s, and beyond.
Reviews / Votes
The mummy has long been neglected in horror criticism as a stiff and lifeless movie monster. But The Mummy on Screen finds a beating heart beneath the bandages. With exhaustive research and deft analysis, Basil Glynn lifts the shroud on the mummy and finds a fascinating and malleable monster whose mute body nonetheless speaks volumes about the Orientalist imagination. -- Andrew Scahill, Assistant Professor of English, University of Colorado Denver, USA If the Mummy has enjoyed considerably less critical attention or regard than its fellow movie undead, Basil Glynn rectifies that neglect in this persuasive reappraisal, tracing the beat of the cloth-wrapped feet in an authoritative and illuminating study of an enduring and deceptively versatile movie monster. -- Leon Hunt, Senior Lecturer in Film and TV Studies, Brunel University, UK Glynn not only shows us the origins of the shambling terror ... he takes us on an intellectually thrilling tour of the orientalist assumptions western audiences bring to the fictional mummy. Glynn will make you wonder why you ever cared so much about zombies and vampires in this accessible and brilliant examination of a truly terrifying monster that, until now, has never been given its due. Beware the mummy's curse! But read this book anyway. -- W. Scott Poole, Professor of History, College of Charleston, USA and author of Monsters in America and Wasteland: The Great War and the Origins of Modern Horror Glynn's observation that the Mummy has 'stalked . . . its way through the movies, largely unappreciated by critics, academics and cultural commentators' is an astute, if unfortunate one. Just as the Mummy is often without voice in the cinema, the same may largely be said of its presence in academic literature. Glynn's book isn't just welcome: it's essential. The Mummy, as Glynn points out, is perhaps the cinema's most lucrative yet (paradoxically) unappreciated teratological figure. The Mummy on Screen's legibility and wealth of research will make it indispensably useful. Undergraduate students will love it-graduate students will appreciate its accessibility; professors will wish they had written it. -- John Edgar Browning, Georgia Institute of Technology, author and editor of Zombie Talk: Culture, History, Politics, The Forgotten Writings of Bram Stoker, and Dracula in Visual Media The time has come to understand and embrace the Mummy's ongoing cultural relevance. Glynn unwraps the archetypal Mummy's relentless trajectory from ancient artefact to modern attraction! -- Victoria McCollum, Lecturer in Cinematic Arts, Ulster University, Northern IrelandMore details
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Product notice
Laminated cover
Illustrations
15 bw illus
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 13 mm
Weight
479 gr
ISBN-13
978-1-78831-408-4 (9781788314084)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
11/2019
1st Edition
Bloomsbury Academic
€36.49
Available for download
Person
Basil Glynn is Senior Lecturer in Film and Television at Middlesex University, UK. His publications have explored a variety of film and television topics, notably television body horror and Asian transnational drama. He is the co-editor of the collection Television, Sex and Society: Analysing Contemporary Representations (Bloomsbury, 2012).
Content
Acknowledgements
Author's Notes
Introduction:
Death is Only the Beginning: Unravelling the Mummy on Screen
Section 1: The Mummy in the West and Western Cinema
1. The Creature's Features: Moulding the Mummy and the Mummy Movie
The Oriental Mummy as Western Projection
The Mummy Genre: Interest and Disinterest
2.The Mutating Mummy: From Ancient Artefact to Modern Attraction
Mummy Medicine: An Egyptian Prescription
The Mummy as Memento: A Collectible Corpse
The Mummy as Public Attraction: Exhumed, Examined and Exhibited
Section II: The Mummy in Literature, on Stage and the Silent Screen
3.On the Page and Stage: The Mummy Movie's Literary and Theatrical Influences
The Mummy's Tome: A Body of Literature
The Rediscovery of Ancient Egypt: A Pharaoh to Remember
The Mummy's Literary Life: Electrifying Tales!
Romance and the Mummy: Amorous Archaeologists and Comely Corpses
Literature's Monstrous Mummies: Dread, Despair and Doyle
The Empire Strikes Back: Stoker's Au Revoir to the Voyeur Archaeologist
Playing Dead: The Mummy in the Theatre
4. Preserved on Film: The Silent Mummy of Early Cinema
Egypt and the Cinema: Monoliths, Mesmerism and Mummies
The 'Mummy Complex' and the Preservative Nature of Film
The First On-Screen Mummies: Short-lived Moments of Horror in the
Trick Film
Winding People Up: Pretend Mummies and Mummy Mix-ups in Silent Comedies
Mummy Dearest: The Mummy as Romantic Character
Tomb Raiders: Egypt and Early Horror
Teutonic Terrors: The First Mummy Horror Movies
Grave Danger: Tutmania, the Curse and the Death of the Silent Mummy
Section III: Universal Studios and the Mummy of the 1930s and 1940s
5. The Mummy (1932): Overcoming the Silent Treatment
'The Mummy:' Art Horror or Production Line Horror?
The Delicate Horror of 'The Mummy:' A Shudder not a Shriek!
A Dichotomized Damsel: A 1920s/1930s Eastern/Western Woman
A Real Lady-Killer: "The Mummy" as Gothic Romance
The Mummy and the Nubian: Yellow Peril and Black Brute
6. The 1940s Mummy Film: A Decade of Decay
The Mummy Returns: The 1940s Mummy as Cadaverous Copy
More than the Sum of Its Parts: Innovation and the 1940s Mummy
'The Mummy's Hand' (1940): Reinventing the Mummy
'The Mummy's Tomb' (1942): A Memorably Murderous Mummy
Lon Chaney Jr.: Cursing the Mummy!
The Mummy in America: Fear and Roaming in New England
"The Mummy's Ghost (1944):" Escaping Bandaged Bondage
"The Mummy's Curse (1944):" The Female Mummy Returns
The Demise and Rise of the Mummy: To Buffoon and Back Again
Section IV. Hammer Studios and Beyond: The Mummy of the 1950s-Present
7. Hammer's Resurrection of the Mummy: Sex and Digs and Wrap and Roll
Show Me the Mummy: Realism with Restraint in 'The Mummy'
Culture Clash: The Mummy's Case and the Aftermath of Suez
8. Wrapping up the Mummy: The Last 60 Years
Bibliography
Author's Notes
Introduction:
Death is Only the Beginning: Unravelling the Mummy on Screen
Section 1: The Mummy in the West and Western Cinema
1. The Creature's Features: Moulding the Mummy and the Mummy Movie
The Oriental Mummy as Western Projection
The Mummy Genre: Interest and Disinterest
2.The Mutating Mummy: From Ancient Artefact to Modern Attraction
Mummy Medicine: An Egyptian Prescription
The Mummy as Memento: A Collectible Corpse
The Mummy as Public Attraction: Exhumed, Examined and Exhibited
Section II: The Mummy in Literature, on Stage and the Silent Screen
3.On the Page and Stage: The Mummy Movie's Literary and Theatrical Influences
The Mummy's Tome: A Body of Literature
The Rediscovery of Ancient Egypt: A Pharaoh to Remember
The Mummy's Literary Life: Electrifying Tales!
Romance and the Mummy: Amorous Archaeologists and Comely Corpses
Literature's Monstrous Mummies: Dread, Despair and Doyle
The Empire Strikes Back: Stoker's Au Revoir to the Voyeur Archaeologist
Playing Dead: The Mummy in the Theatre
4. Preserved on Film: The Silent Mummy of Early Cinema
Egypt and the Cinema: Monoliths, Mesmerism and Mummies
The 'Mummy Complex' and the Preservative Nature of Film
The First On-Screen Mummies: Short-lived Moments of Horror in the
Trick Film
Winding People Up: Pretend Mummies and Mummy Mix-ups in Silent Comedies
Mummy Dearest: The Mummy as Romantic Character
Tomb Raiders: Egypt and Early Horror
Teutonic Terrors: The First Mummy Horror Movies
Grave Danger: Tutmania, the Curse and the Death of the Silent Mummy
Section III: Universal Studios and the Mummy of the 1930s and 1940s
5. The Mummy (1932): Overcoming the Silent Treatment
'The Mummy:' Art Horror or Production Line Horror?
The Delicate Horror of 'The Mummy:' A Shudder not a Shriek!
A Dichotomized Damsel: A 1920s/1930s Eastern/Western Woman
A Real Lady-Killer: "The Mummy" as Gothic Romance
The Mummy and the Nubian: Yellow Peril and Black Brute
6. The 1940s Mummy Film: A Decade of Decay
The Mummy Returns: The 1940s Mummy as Cadaverous Copy
More than the Sum of Its Parts: Innovation and the 1940s Mummy
'The Mummy's Hand' (1940): Reinventing the Mummy
'The Mummy's Tomb' (1942): A Memorably Murderous Mummy
Lon Chaney Jr.: Cursing the Mummy!
The Mummy in America: Fear and Roaming in New England
"The Mummy's Ghost (1944):" Escaping Bandaged Bondage
"The Mummy's Curse (1944):" The Female Mummy Returns
The Demise and Rise of the Mummy: To Buffoon and Back Again
Section IV. Hammer Studios and Beyond: The Mummy of the 1950s-Present
7. Hammer's Resurrection of the Mummy: Sex and Digs and Wrap and Roll
Show Me the Mummy: Realism with Restraint in 'The Mummy'
Culture Clash: The Mummy's Case and the Aftermath of Suez
8. Wrapping up the Mummy: The Last 60 Years
Bibliography