The Future Is Present
Art, Technology, and the Work of Mobile Image
Published on 18. June 2024
Book
Paperback/Softback
330 pages
978-0-262-54807-6 (ISBN)
Description
"A critical history of the visionary art and technology group Mobile Image, whose work with mediated bodies, hybrid identities, and local communities in the 1970s and 80s modeled new--and ever more relevant--approaches to techno-social progress"--
More details
Language
English
Place of publication
Cambridge (Massachusetts)
United States
Publishing group
MIT Press Ltd
Illustrations
34 COLOR ILLUS., 26 BLACK AND WHITE ILLUS.
Dimensions
Height: 153 mm
Width: 228 mm
Thickness: 23 mm
Weight
540 gr
ISBN-13
978-0-262-54807-6 (9780262548076)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
06/2024
MIT Press
€44.49
Available for download
Persons
Philip Glahn is Associate Professor of Critical Studies and Aesthetics at the Tyler School of Art and Architecture at Temple University in Philadelphia. He is the author of Bertolt Brecht, a political biography in Reaktion Books’ Critical Lives series.
Cary Levine is Associate Professor of Contemporary Art History at the University of North Carolina, Chapel Hill. He is the author of Pay for Your Pleasures: Mike Kelley, Paul McCarthy, Raymond Pettibon.
Cary Levine is Associate Professor of Contemporary Art History at the University of North Carolina, Chapel Hill. He is the author of Pay for Your Pleasures: Mike Kelley, Paul McCarthy, Raymond Pettibon.
Content
Series Foreword
Acknowledgments
Introduction: Technics of Aesthetics
Critical Reception
Laboratory
Fantasy
Counterpublics
Situation
Collaborative Research
1 : Satellite Arts: A Television of Attractions
The Televisual Regime
Attractions to Assembling
Embodiment
Intra- and Inter-Subjectivity
2 :Hole in Space: Electronic Public Sphere
The Set-Up: Technics of Encounter
Public/Place/Site
Public/Art/City
Public Screen/Window/Vision
Mediation
3: Electronic Café: Technological Counterpublicity
Electronic Café
Critical Utopia
Techno-Public Spheres
Electronic Counterpublic
Aftermath
Notes
Index
Acknowledgments
Introduction: Technics of Aesthetics
Critical Reception
Laboratory
Fantasy
Counterpublics
Situation
Collaborative Research
1 : Satellite Arts: A Television of Attractions
The Televisual Regime
Attractions to Assembling
Embodiment
Intra- and Inter-Subjectivity
2 :Hole in Space: Electronic Public Sphere
The Set-Up: Technics of Encounter
Public/Place/Site
Public/Art/City
Public Screen/Window/Vision
Mediation
3: Electronic Café: Technological Counterpublicity
Electronic Café
Critical Utopia
Techno-Public Spheres
Electronic Counterpublic
Aftermath
Notes
Index