
The Political Body
Stories on Art, Feminism, and Emancipation in Latin America
Andrea Giunta(Author)
University of California Press
1st Edition
Published on 28. March 2023
Book
Hardback
304 pages
978-0-520-34432-7 (ISBN)
Description
How a constellation of Latin American artists explored the body, power, and emancipation-and expanded the meanings of feminist art.
In The Political Body, art historian Andrea Giunta explores gender and power in the work of Latin American artists from the 1960s to the present. Questioning the social place of women and proposing alternative understandings of biological bodies, these artists eroded repressive systems and created symbolic strategies of resistance to dictatorships, racism, and marginalization.
Giunta presents close readings of works-paintings, films, photography, multimedia art, installations, and performances-by a myriad of artists spanning from Argentina, Chile, and Uruguay to Brazil, Colombia, and Mexico. Examining themes of visibility, subjectivity, empathy, and liberation, The Political Body tells the story of an ongoing revolution, providing an active intervention in the history of feminist art in and beyond Latin America.
In The Political Body, art historian Andrea Giunta explores gender and power in the work of Latin American artists from the 1960s to the present. Questioning the social place of women and proposing alternative understandings of biological bodies, these artists eroded repressive systems and created symbolic strategies of resistance to dictatorships, racism, and marginalization.
Giunta presents close readings of works-paintings, films, photography, multimedia art, installations, and performances-by a myriad of artists spanning from Argentina, Chile, and Uruguay to Brazil, Colombia, and Mexico. Examining themes of visibility, subjectivity, empathy, and liberation, The Political Body tells the story of an ongoing revolution, providing an active intervention in the history of feminist art in and beyond Latin America.
Reviews / Votes
"Places revolutionary activism and explicitly political practices at the center of art created by women in the region. . . . The author's recollection of the abortion rights movement's activity in Argentina, which successfully won its legalization in the country two years ago, resonates especially strongly as reproductive rights remain under attack." * Hyperallergic * "A nuanced examination of the way female-identifying artists responded to the social and political movements of the late twentieth century and how their art and performance transformed in relation to diversifying frameworks of feminist thought." * The Latin Americanist *More details
Series
Edition
First Edition
Language
English
Place of publication
Berkerley
United States
Target group
Professional and scholarly
Product notice
Cloth over boards
Illustrations
85 color illustration, 52 b-w illustrations
Dimensions
Height: 229 mm
Width: 178 mm
Thickness: 28 mm
Weight
1043 gr
ISBN-13
978-0-520-34432-7 (9780520344327)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Andrea Giunta is Professor of Latin American and Modern and Contemporary Art at Buenos Aires University and Principal Researcher at CONICET (National Scientific and Technical Research Council). She was cofounding director of CLAVIS, the Center for Latin American Visual Studies at the University of Texas, Austin.
Jane Brodie is a visual artist and translator specializing in the visual arts.
Jane Brodie is a visual artist and translator specializing in the visual arts.
Content
Contents
ACKNOWLEDGMENTS
Introduction
1. Art and Feminism: Politics of Representation
2. Artists between Activisms: Clemencia Lucena and Maria Luisa Bemberg-A Comparative Study
3. A Portrait in Absentia: Narcisa Hirsch and Experimental Film in Buenos Aires
4. Feminist Arts in Mexico: Manifestos, Lectures, Exhibitions, and Activisms
5. Archives, Performance, and Resistance: Nelbia Romero and Art from Uruguay under Dictatorship
6. Feel, despite Everything: Paz Errazuriz, Photography, and Dictatorship in Chile
7. Black Art Is Brasil: Rosana Paulino, Archives, and Memory of Slavery
8. Art and Feminism in Argentina Now
GLOSSARY
BIBLIOGRAPHY
LIST OF ILLUSTRATIONS
INDEX
ACKNOWLEDGMENTS
Introduction
1. Art and Feminism: Politics of Representation
2. Artists between Activisms: Clemencia Lucena and Maria Luisa Bemberg-A Comparative Study
3. A Portrait in Absentia: Narcisa Hirsch and Experimental Film in Buenos Aires
4. Feminist Arts in Mexico: Manifestos, Lectures, Exhibitions, and Activisms
5. Archives, Performance, and Resistance: Nelbia Romero and Art from Uruguay under Dictatorship
6. Feel, despite Everything: Paz Errazuriz, Photography, and Dictatorship in Chile
7. Black Art Is Brasil: Rosana Paulino, Archives, and Memory of Slavery
8. Art and Feminism in Argentina Now
GLOSSARY
BIBLIOGRAPHY
LIST OF ILLUSTRATIONS
INDEX