What If?: Into The Multiverse Omnibus Vol. 1
Into The Multiverse Omnibus Vol. 1
Published on 10. October 2023
Book
Hardback
1240 pages
978-1-302-94645-6 (ISBN)
Description
Anything can happen in WHAT IF? — and this is the Omnibus to prove it! Imaginative creators line up to explore alternate possibilities in unexpected ways, featuring amazing, incredible and uncanny variants of all your favorite heroes! Ask yourself the important questions: What if the alien costume possessed Spider-Man? What if the new X-Men died on their first mission? What if the Fantastic Four all had the same power?! Plus, Professor X becomes the Juggernaut, Wolverine is an Agent of S.H.I.E.L.D., Daredevil kills the Kingpin…and the Punisher’s family survives! Captain America won’t give up the shield, Iron Man loses the Armor Wars, and the Vision destroys the Avengers! But when the Timekeepers step in, can the multiverse survive a cosmic crossover between the many worlds the Watcher has witnessed?
COLLECTING: What If? (1988) 1, What If? (1989) 1-39, Quasar (1989) 30
COLLECTING: What If? (1988) 1, What If? (1989) 1-39, Quasar (1989) 30
More details
Edition
Media tie-in
Language
English
Place of publication
New York
United States
Edition type
Media tie-in
Product notice
Laminated cover
Illustrations
1240 Illustrations
Dimensions
Height: 284 mm
Width: 193 mm
Thickness: 61 mm
Weight
3168 gr
ISBN-13
978-1-302-94645-6 (9781302946456)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Peter B. Gillis began as a 1970s freelancer on Marvel Two-in-One, Super-Villain Team-Up and other titles. Later, he became regular writer on Defenders, Eternals and Strange Tales, in which he subjected Doctor Strange to a soul-searching gamut of good and evil magic. Elsewhere in the Marvel multiverse, he wrote Micronauts: The New Voyages and launched Strikeforce: Morituri with Brent Anderson, telling tales of a universe in which superhumans must embrace death to protect the Earth. He has also written for First Comics, TSR Games and others; he co-created Shatter, the first digital comic.
Roy Thomas joined the Marvel Bullpen as a writer and editor under Stan Lee, scripting key runs of nearly every title of the time: Amazing Spider-Man, Avengers, Daredevil, Doctor Strange, Sub-Mariner, Thor, X-Men and more. He wrote the first 10 years of Marvel’s Conan the Barbarian and Savage Sword of Conan; and launched such series as Defenders, Iron Fist, Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles, proving instrumental in reviving the Golden Age Justice Society of America. Thomas later became editor of Alter Ego, a magazine devoted to comic-book history, and co-scripted the sword-and-sorcery films Fire and Ice and Conan the Destroyer.
Steve Ditko (1927 - 2018) began his comics career in the anthologies of the 1950s, where his unique style and perspective quickly earned recognition and respect. Recruited to join Stan Lee’s Atlas Comics, later Marvel, in 1958, his nuances contrasted well with Jack Kirby’s bombast. In 1962, in the pages of Amazing Fantasy, Ditko and Lee brought to life Peter Parker, the Amazing Spider-Man, changing the industry forever. Leaving Marvel in 1966, he drew Blue Beetle and Captain Atom for Charlton, Creeper and Shade the Changing Man for DC, and his independent effort Mr. A. Ditko returned to Marvel during the late 1970s and remained for much of the 1980s, co-creating Speedball, Squirrel Girl and other characters who would prove of unexpected importance in Marvel’s later years.
Ron Wilson began penciling the Thing’s Two-in-One adventures in 1975 and remained for most of the title’s run. He subsequently illustrated follow-up series Thing until its end in 1986. Wilson also contributed art for Avengers, Captain Britain, Power Man and other titles, including the entire run of Marvel’s licensed Masters of the Universe series. At DC, he provided character designs for the Milestone imprint.
Roy Thomas joined the Marvel Bullpen as a writer and editor under Stan Lee, scripting key runs of nearly every title of the time: Amazing Spider-Man, Avengers, Daredevil, Doctor Strange, Sub-Mariner, Thor, X-Men and more. He wrote the first 10 years of Marvel’s Conan the Barbarian and Savage Sword of Conan; and launched such series as Defenders, Iron Fist, Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles, proving instrumental in reviving the Golden Age Justice Society of America. Thomas later became editor of Alter Ego, a magazine devoted to comic-book history, and co-scripted the sword-and-sorcery films Fire and Ice and Conan the Destroyer.
Steve Ditko (1927 - 2018) began his comics career in the anthologies of the 1950s, where his unique style and perspective quickly earned recognition and respect. Recruited to join Stan Lee’s Atlas Comics, later Marvel, in 1958, his nuances contrasted well with Jack Kirby’s bombast. In 1962, in the pages of Amazing Fantasy, Ditko and Lee brought to life Peter Parker, the Amazing Spider-Man, changing the industry forever. Leaving Marvel in 1966, he drew Blue Beetle and Captain Atom for Charlton, Creeper and Shade the Changing Man for DC, and his independent effort Mr. A. Ditko returned to Marvel during the late 1970s and remained for much of the 1980s, co-creating Speedball, Squirrel Girl and other characters who would prove of unexpected importance in Marvel’s later years.
Ron Wilson began penciling the Thing’s Two-in-One adventures in 1975 and remained for most of the title’s run. He subsequently illustrated follow-up series Thing until its end in 1986. Wilson also contributed art for Avengers, Captain Britain, Power Man and other titles, including the entire run of Marvel’s licensed Masters of the Universe series. At DC, he provided character designs for the Milestone imprint.