The British Working Class in Postwar Film
Philip Gillett(Author)
Manchester University Press
Published on 6. March 2003
Book
Hardback
240 pages
978-0-7190-6257-5 (ISBN)
Description
An incidental pleasure of watching a film is what it tells us about the society in which it is made. Using a sociological model, The British working class in postwar film looks at how working-class people were portrayed in British feature films in the decade after the Second World War. Though some of the films examined are well known, others have been forgotten and deserve reassessment. Original statistical data is used to assess the popularity of the films with audiences.
With its interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Students of media and cultural studies are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields. This work should appeal to all readers interested in social history and in how cinema and society works. -- .
With its interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Students of media and cultural studies are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields. This work should appeal to all readers interested in social history and in how cinema and society works. -- .
More details
Language
English
Place of publication
Manchester
United Kingdom
Target group
College/higher education
Professional and scholarly
Dimensions
Height: 216 mm
Width: 138 mm
ISBN-13
978-0-7190-6257-5 (9780719062575)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Person
Philip GIllett is a freelance researcher and writer on film
Content
1. Exploring a lost culture; 2. Who were the workers?; 3. The guns fall silent: Recollections of war; 4. People don't lock their doors: The working-class community; 5. Family fortunes: Portrayals of the working-class family; 6. Going up in the world: Goodbye to the working class; 7. The wrong side of the law: Who were the criminals?; 8. Going to the bad: The treatment of the young offender; 9. The Janus faces of the dance hall; 10. Echoes of applause: From music hall to celluloid; 11. Think of the kids: The postwar child in films; 12. The looking-glass world of the cinema; Appendix; Bibliography; Filmography