
Revealing the Unseen
New Perspectives on Qajar Art
GINGKO (Publisher)
Published on 15. November 2021
Book
Hardback
216 pages
978-1-909942-64-6 (ISBN)
Description
Collected articles on Iranian art from the Qajar dynasty.
The thirteen articles in this volume were originally given as presentations at the symposium of the same name organized in June 2018 by the Musee du Louvre and the Musee du Louvre-Lens in conjunction with the exhibition The Empire of Roses: Masterpieces of 19th Century Persian Art. The exhibition explored the art of Iran in the nineteenth and early twentieth centuries, while the nation was under the rule of the Qajar dynasty. The symposium set out to present research on previously unknown and unpublished objects from this rich period of art history.
This volume, published with the Louvre Museum in France, is divided into four sections. The first, "Transitions and Transmissions," is dedicated to the arts of painting, illumination, and lithography. The focus of the second section, entitled "The Image Revealed," also considers works on paper, looking at new themes and techniques. "The Material World" examines the use of materials such as textiles, carpets, and armor. The articles in the final section discuss the history of two groups of artifacts acquired by their respective museums.
The thirteen articles in this volume were originally given as presentations at the symposium of the same name organized in June 2018 by the Musee du Louvre and the Musee du Louvre-Lens in conjunction with the exhibition The Empire of Roses: Masterpieces of 19th Century Persian Art. The exhibition explored the art of Iran in the nineteenth and early twentieth centuries, while the nation was under the rule of the Qajar dynasty. The symposium set out to present research on previously unknown and unpublished objects from this rich period of art history.
This volume, published with the Louvre Museum in France, is divided into four sections. The first, "Transitions and Transmissions," is dedicated to the arts of painting, illumination, and lithography. The focus of the second section, entitled "The Image Revealed," also considers works on paper, looking at new themes and techniques. "The Material World" examines the use of materials such as textiles, carpets, and armor. The articles in the final section discuss the history of two groups of artifacts acquired by their respective museums.
Reviews / Votes
"Beautifully presented, this new book expands the current scholarship on Qajar art in many valuable directions." -- Moya Carey, Curator of Islamic Collections, Chester Beatty Library, DublinMore details
Series
Language
English
Place of publication
London
United Kingdom
Target group
Professional and scholarly
Illustrations
191 colour images
Dimensions
Height: 290 mm
Width: 240 mm
Thickness: 20 mm
Weight
1605 gr
ISBN-13
978-1-909942-64-6 (9781909942646)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Melanie Gibson is series editor of the Gingko Library Arts Series. Gwenaelle Fellinger is a senior curator in the Department of Islamic Art in the Louvre Museum, where she is in charge of the arts of the Qajar era, the Islamic West, textiles and carpets, and conservation. In 2018 she curated The Empire of Roses: Masterpieces of 19th Century Persian Art.
Content
Boozari, Ali
Mirza Hassan bin Aqa Seyyed Mirza Isfahani: A Bridge Between the Elite and Popular Art in the Qajar Period
Diba, Layla
Alternative Art Histories, Qajar Photography and Contemporary Iranian Art
Gruber, Christiane
Without Pen, Without Ink: The Practice of Khatt-i Nakhuni in the Qajar Period.
Fellinger, Gwenaelle
Shimmering mirages: 19th-century ikat velvets
Maury, Charlotte et Guillaume, Carol
Artists and patrons: comments about the 1644 album from the Golestan palace and the painter Mu?ammad Baqir
Maktabi Hadi
Power and Wealth: Carpets as Diplomatic Gifts & Feudal Tribute under the Qajars
Phillip, Filiz C.
Chahar Ayna: Form, Function, and Decoration of an Enigmatic Iranian Armour
Rettig, Simon
The Ezzat-Malek Soudavar Shahnama of Firdawsi: An early Qajar illustrated manuscript from Isfahan
Stanley, Tim
Razi Taliqani and the struggle to keep illumination alive
Szanto Ivan
Pearls of Persian Painting at Random Strung in Eastern Europe
Vasilyeva Daria
Iranian diplomatic gifts and trophies of 1820's in the State Hermitage Museum
Voigt Friedericke
For close observation: imagery in the architecture of Qajar Iran
Mirza Hassan bin Aqa Seyyed Mirza Isfahani: A Bridge Between the Elite and Popular Art in the Qajar Period
Diba, Layla
Alternative Art Histories, Qajar Photography and Contemporary Iranian Art
Gruber, Christiane
Without Pen, Without Ink: The Practice of Khatt-i Nakhuni in the Qajar Period.
Fellinger, Gwenaelle
Shimmering mirages: 19th-century ikat velvets
Maury, Charlotte et Guillaume, Carol
Artists and patrons: comments about the 1644 album from the Golestan palace and the painter Mu?ammad Baqir
Maktabi Hadi
Power and Wealth: Carpets as Diplomatic Gifts & Feudal Tribute under the Qajars
Phillip, Filiz C.
Chahar Ayna: Form, Function, and Decoration of an Enigmatic Iranian Armour
Rettig, Simon
The Ezzat-Malek Soudavar Shahnama of Firdawsi: An early Qajar illustrated manuscript from Isfahan
Stanley, Tim
Razi Taliqani and the struggle to keep illumination alive
Szanto Ivan
Pearls of Persian Painting at Random Strung in Eastern Europe
Vasilyeva Daria
Iranian diplomatic gifts and trophies of 1820's in the State Hermitage Museum
Voigt Friedericke
For close observation: imagery in the architecture of Qajar Iran