
Global Icons
Apertures to the Popular
Bishnupriya Ghosh(Author)
Duke University Press
Will be published approx. on 24. August 2011
Book
Paperback/Softback
400 pages
978-0-8223-5016-3 (ISBN)
Description
A widely disseminated photograph of Phoolan Devi, India's famous bandit queen, surrendering to police forces in 1983 became an emotional touchstone for Indians who saw the outlaw as a lower-caste folk hero. That affective response was reignited in 1994 with the release of a feature film based on Phoolan Devi's life. Despite charges of murder, arson, and looting pending against her, the bandit queen was elected to India's parliament in 1996. Bishnupriya Ghosh considers Phoolan Devi, as well as Mother Teresa and Arundhati Roy, the prize winning author turned environmental activist, to be global icons: highly visible public figures capable of galvanizing intense affect and sometimes even catalyzing social change. Ghosh develops a materialist theory of global iconicity, taking into account the emotional and sensory responses that these iconic figures elicit, the globalized mass media through which their images and life stories travel, and the multiple modernities within which they are interpreted. The collective aspirations embodied in figures such as Barack Obama, Eva PerOn, and Princess Diana show that Ghosh's theory applies not just in South Asia but around the world.
Reviews / Votes
"Global Icons is a thoughtful intervention into vital issues not usually examined together: the political potential of contemporary mass-mediated 'bio-icons' and embodied engagements with media images at the current conjuncture of neoliberalism and globalization. Bishnupriya Ghosh compellingly revitalizes materialist analyses of media, of iconic efficacy, and of neoliberal image regimes and, while she's at it, performs a refreshing deprovincialization of the 'global.'"-Kajri Jain, author of Gods in the Bazaar: The Economies of Indian Calendar Art "This is an ambitious account of the plastic potentialization of images in the age of iconoclashes. To the impersonal world of global mass communications, Bishnupriya Ghosh restores the richness of gender, god, nature, and chaos, making our epistemological encounters with mundane objects the ingredients of a sumptuous materialist media theory of the bio-icon."-Rey Chow, author of Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility "[A] pathbreaking book. . . ." - C. S. Venkiteswaran (The Hindu) "Can global icons become driving forces of world historical transformation? Global Icons may not offer a definitive answer, but Bishnupriya Ghosh's incisive reflections grant extraordinary insight into the popular runes of our time. Global Icons is therefore an invaluable guide to contemporary public culture and deserves a wide audience." - Jeremy Prestholdt (Indian Economic & Social History Review) "The book of Ghosh is an endless source of discoveries and provocative thinking in the field of postcolonial studies and the way in which she continues to disclose throughout the whole book always new dimensions of the three examples studied is admirable, but beyond this discipline it offers also many innovative insights at the crossroads of star studies, audience studies, and critical theory. It offers an extremely valuable contribution to the study of the 'life' of icon." - Jan Baetens (Leonardo Reviews) "The book will be of interest to scholars interested in media and cultural studies, and those interested in the ways in which iconic images become means for social groups to assert their aspirations." - Daniel A. Jasper (Journal of Asian Studies) "This book would be a useful read for students of semiotics, literature and the social sciences.... [An] original contribution." - Arun de Souza (Economic and Political Weekly) "[Global Icons] provides stimulating and important theoretical interrogations that help understand the social life and 'cultural work' of global icons.... This highly sophisticated book offers important theoretical insights and interesting material and will be of great interest to scholars studying visual culture, globalisation, media, popular culture, gender and post-colonial studies." - Paolo Favero (South Asia) "This highly sophisticated book offers important theoretical insights and interesting material and will be of great interest to scholars studying visual culture, globalisation, media, popular culture, gender and post-colonial studies." - Paolo Favero (Journal of South Asian Studies) "One cannot but be grateful for a book that establishes the rich liveliness of mass mediated figures and the multiple worlds that they come to inhabit." - Parma Roy (Cultural Critique)More details
Language
English
Place of publication
North Carolina
United States
Target group
College/higher education
Product notice
Paperback (trade)
Illustrations
38 illustrations
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 25 mm
Weight
748 gr
ISBN-13
978-0-8223-5016-3 (9780822350163)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
08/2011
1st Edition
De Gruyter
€218.99
Available for download
Person
Bishnupriya Ghosh is Professor of English and affiliated faculty in the departments of Film and Media Studies, Comparative Literature, and Feminist Studies at the University of California, Santa Barbara. She is the author of When Borne Across: Literary Cosmopolitics in the Contemporary Indian Novel.
Content
Illustrations; Acknowledgments Introduction: Icon Matters Part 1. Incorporations: Theorizing the Icon 1. Moving Technologies; 2. Corporeal Apertures Part 2. Biographs: The Material Culture of Global Icons 3. Media Frictions; 4. Public Image Ltd.; 5. Those Lives Less Ordinary; 6. Volatile Icons Part 3. Locations: The Politics of the Icon 7. In the Name of the Popular; 8. Becoming Social Notes; References; Index