Music Essentials for Singers and Actors
Fundamentals of Notation, Sight-Singing and Music Theory
Will be published approx. on 1. August 2018
Book
Paperback/Softback
336 pages
978-1-4950-7376-2 (ISBN)
Description
Singers and actors who can learn music quickly and accurately have an enormous advantage in today's increasingly competitive field. With Music Essentials for Singers and Actors, award-winning composer and music director Andrew Gerle has written a music theory text especially for singers, focused exclusively on topics and techniques that will help them in the rehearsal room and on stage.
Gerle leads readers step by step through every aspect of written music, using over one hundred real-world examples from Broadway scores. His common-sense, methodical approach demystifies abstract concepts, and his unique 1-STARRT method teaches singers to read musical "words" instead of single notes, enabling confident sight-singing of any score. Drawing on his years of experience as a Broadway vocal coach, Gerle also shows readers how to use music theory to think like a composer, analyzing scores for dramatic clues to create a more detailed and powerful performance. Each chapter is accompanied by downloadable audio examples and exercises to lock in newly learned concepts.
Gerle leads readers step by step through every aspect of written music, using over one hundred real-world examples from Broadway scores. His common-sense, methodical approach demystifies abstract concepts, and his unique 1-STARRT method teaches singers to read musical "words" instead of single notes, enabling confident sight-singing of any score. Drawing on his years of experience as a Broadway vocal coach, Gerle also shows readers how to use music theory to think like a composer, analyzing scores for dramatic clues to create a more detailed and powerful performance. Each chapter is accompanied by downloadable audio examples and exercises to lock in newly learned concepts.
More details
Language
English
Place of publication
United Kingdom
Product notice
Paperback (trade)
Unsewn / adhesive bound
Dimensions
Height: 231 mm
Width: 191 mm
Thickness: 23 mm
Weight
703 gr
ISBN-13
978-1-4950-7376-2 (9781495073762)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Andrew Gerle
Music Essentials for Singers and Actors
Fundamentals of Notation, Sight-Singing and Music Theory
E-Book
08/2018
1st Edition
Hal Leonard Corporation
€36.99
Available for download
Persons
Andrew Gerle is an award-winning composer/lyricist, music director, arranger, and pianist. He has lived in New York City for over twenty years, working on dozens of Broadway, Off-Broadway, regional, and touring productions. He is also the author of The Enraged Accompanist's Guide to the Perfect Audition, and teaches musical theater performance, theory, and composition at Yale University and the Manhattan School of Music.
Content
Foreword by Kristen Chenoweth
Author's Note
1. Willkommen
A Little Brains, a Little Talent: the ingredients for a career
Racing with the Clock: how to make the most of your rehearsal time
Side by Side: an artistic collaboration with the writer
The Sound of Music: the elements of musical notation
What More Do I Need?: required tools of the trade
2. I Got Rhythm: fundamentals
The Rhythm of Life: how we divide time
You Can't Stop the Beat: first definitions, quarter notes
Just in Time: time signatures, note shapes
The Speed Test: metronomes and their use
Breathe: rests
3. In Short: smaller note values
Tonight at Eight: the eighth note
We Go Together: beams
A Little Bit Off: off-beats and "and"s
I'm Old Fashioned: vocal notation in older scores
Pretty Little Picture: musical "words" and syncopation
Small World: the sixteenth note
4. Hold On: ties and dots
Married: ties
Stay with Me: dots
5. Play a Simple Melody: the piano keyboard, notes, clefs, and staves
I Love a Piano: finding notes on the keyboard
I Could Write a Book: writing notes on the staff
Me, Who Am I?: clefs, letter names, and the grand staff
You Will Be Found: matching notes on the piano with notes on the staff
6. I've Got Your Number: intervals and scale degrees
Go the Distance: basic interval sizes and names
Home: the tonic and scale degrees
Steppin' Out with My Baby: singing with scale degrees
Do-Re-Mi: the Kodaly method
7. You Do Something to Me: accidentals, key signatures, and transposition
I am Changing: accidentals and the black keys of the piano
Ring of Keys: the major scale, key signatures, and the circle of fifths
They Just Keep Moving the Line: transposing songs
8. So Big/So Small: identifying and singing every interval type
9.Fascinatin' Rhythm: cut time, triplets, swing; compound, composite and irregular meters
Two by Two: cut time
Squeeze me: triplets and grace notes
By Threes: compound meter
It Don't Mean a Thing: swing notation
Unusual Way: irregular and composite meters
Change Don't Come Easy: shifting meters
10. Let It Sing: combining your ear and your eye for increased fluency
Doin' What Comes Natur'lly: diatonic versus chromatic melodies
Do You Want to Build a Snowman?: triads and inversions
Far from the Home I Love: strategies for chromatic melodies
11. Changing My Major: minor keys
Three Friends: the minor scales
Sing Happy: minor scales in context
Show Me the Key: distinguishing between minor and major keys
Sisters: minor, diminished, and augmented triads
12. I Know Things Now: combining multiple techniques to form a coherent strategy for reading
What Comes Next?: reading ahead
1-STARRT at the Very Beginning: a method for analyzing and annotating any new song
13. No One Is Alone: singing with other performers
Here I Am: finding your starting note
I'm a Part of That: consonance and dissonance with the piano accompaniment; piano/conductor scores
Do You Hear the People Sing?: choral singing and score layouts
14. The Writing on the Wall: musical markings, repeat structure, and other score "road maps"
Be Italian: tempo markings
Loud: dynamic and articulation markings
Stop, Time: pauses and held notes
Speak Low: other expressive markings and spoken text
Back to Before: repeats, D.C., D.S., and codas
Ah, But Underneath: underscoring and vamps
On the Street Where You Live: rehearsal numbers and letters
Do It Again: AABA form and other song structures
15. Hey, Look Me Over: close score reading for dramatic and character analysis
Mama, Look Sharp: every mark is a choice
The Wrong Note Rag: analyzing dissonance and contour to color your performance
Watch What Happens: dramatic inspiration from the piano accompaniment
A Change in Me: reading key changes and altered notes for textual insight
16. I Have Confidence: continuing to practice and consolidate your technique
I Can See It: eye-training exercises
A Trip to the Library: the joys of reading music alone and with others
Author's Note
1. Willkommen
A Little Brains, a Little Talent: the ingredients for a career
Racing with the Clock: how to make the most of your rehearsal time
Side by Side: an artistic collaboration with the writer
The Sound of Music: the elements of musical notation
What More Do I Need?: required tools of the trade
2. I Got Rhythm: fundamentals
The Rhythm of Life: how we divide time
You Can't Stop the Beat: first definitions, quarter notes
Just in Time: time signatures, note shapes
The Speed Test: metronomes and their use
Breathe: rests
3. In Short: smaller note values
Tonight at Eight: the eighth note
We Go Together: beams
A Little Bit Off: off-beats and "and"s
I'm Old Fashioned: vocal notation in older scores
Pretty Little Picture: musical "words" and syncopation
Small World: the sixteenth note
4. Hold On: ties and dots
Married: ties
Stay with Me: dots
5. Play a Simple Melody: the piano keyboard, notes, clefs, and staves
I Love a Piano: finding notes on the keyboard
I Could Write a Book: writing notes on the staff
Me, Who Am I?: clefs, letter names, and the grand staff
You Will Be Found: matching notes on the piano with notes on the staff
6. I've Got Your Number: intervals and scale degrees
Go the Distance: basic interval sizes and names
Home: the tonic and scale degrees
Steppin' Out with My Baby: singing with scale degrees
Do-Re-Mi: the Kodaly method
7. You Do Something to Me: accidentals, key signatures, and transposition
I am Changing: accidentals and the black keys of the piano
Ring of Keys: the major scale, key signatures, and the circle of fifths
They Just Keep Moving the Line: transposing songs
8. So Big/So Small: identifying and singing every interval type
9.Fascinatin' Rhythm: cut time, triplets, swing; compound, composite and irregular meters
Two by Two: cut time
Squeeze me: triplets and grace notes
By Threes: compound meter
It Don't Mean a Thing: swing notation
Unusual Way: irregular and composite meters
Change Don't Come Easy: shifting meters
10. Let It Sing: combining your ear and your eye for increased fluency
Doin' What Comes Natur'lly: diatonic versus chromatic melodies
Do You Want to Build a Snowman?: triads and inversions
Far from the Home I Love: strategies for chromatic melodies
11. Changing My Major: minor keys
Three Friends: the minor scales
Sing Happy: minor scales in context
Show Me the Key: distinguishing between minor and major keys
Sisters: minor, diminished, and augmented triads
12. I Know Things Now: combining multiple techniques to form a coherent strategy for reading
What Comes Next?: reading ahead
1-STARRT at the Very Beginning: a method for analyzing and annotating any new song
13. No One Is Alone: singing with other performers
Here I Am: finding your starting note
I'm a Part of That: consonance and dissonance with the piano accompaniment; piano/conductor scores
Do You Hear the People Sing?: choral singing and score layouts
14. The Writing on the Wall: musical markings, repeat structure, and other score "road maps"
Be Italian: tempo markings
Loud: dynamic and articulation markings
Stop, Time: pauses and held notes
Speak Low: other expressive markings and spoken text
Back to Before: repeats, D.C., D.S., and codas
Ah, But Underneath: underscoring and vamps
On the Street Where You Live: rehearsal numbers and letters
Do It Again: AABA form and other song structures
15. Hey, Look Me Over: close score reading for dramatic and character analysis
Mama, Look Sharp: every mark is a choice
The Wrong Note Rag: analyzing dissonance and contour to color your performance
Watch What Happens: dramatic inspiration from the piano accompaniment
A Change in Me: reading key changes and altered notes for textual insight
16. I Have Confidence: continuing to practice and consolidate your technique
I Can See It: eye-training exercises
A Trip to the Library: the joys of reading music alone and with others